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“We are past the time of superior and inferior product lines”

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What was true, still is true and is likely becoming even more true is this: equipment doesn’t make any difference. Or perhaps more correctly, when analyzed with a single criteria of performance, the consumer has more choices now than ever before, all of which are top-shelf options.

You may decide to file that little bit of wisdom in the “duh” file. I know I’m treading on hallowed ground here and I’m certainly not one to claim I haven’t fallen victim to a marketing scheme or two. But if we look at the golf industry at a macro level, the real story is parity. No one makes a bad product and in fact, pretty much every major original equipment manufacturer turns out high-quality products worthy of play by the most demanding players in the world: touring professionals.

We are past the time of superior and inferior product lines. Many of us still remember Phil Mickelson’s back-handed compliment to Tiger Woods calling Tiger’s Nike equipment “inferior.” But that was 10 years ago, and my how times have changed.

Now demand for certain product lines is now largely a function of perception, customization and past behavior. As such, we’ve also witnessed market consolidation and OEM’s playing their own version of “anything you can do, I can do pretty much the same thing.” Call it shared technology or imitation, either way we certainly in a place where “it’s all good.”

Golf Balls

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In late 2000, Titleist released its ProV1 ball in Las Vegas. Its game-changing ball marked a paradigm shift from wound-core balls to solid-core balls. Billy Andrade won that event in Vegas and the race to catch up to Titleist was on. Unfortunately, for all would-be suitors, Titleist was well down the road and to this day still holds nearly 50 percent of the ball market worldwide. It’s a pretty nice complement when TaylorMade CEO Mark King commented, “We’re not going to get into a fight with Titliest, at least not for the ball. It’s what they do. They would defend it till their death.” Enough said.

Don’t let the market dominance figures lead you to believe that the performance difference is anything but razor thin. Last year’s FedExCup winner, Brandt Snedeker, is just fine with his Bridgestone Tour B330 ball and nearly $15 million in 2012 earnings. Bridgestone has been producing golf balls since 1935 and most people don’t realize that Nick Price won the 1994 PGA Championship and 1994 British Open using a solid core ball from Precept (division of Bridgestone). Currently, Bridgestone, the No. 1 ball fitter in golf, offers four Tour-level solid core balls.

Callaway got into the ball market in 2000 by hiring Chuck Yash, formerly with TaylorMade. During the last decade, Callaway has expanded its offerings partnering with aerodynamic specialists at Boeing to determine efficient and effective dimple patterns. Currently, Callaway offers a Tour-level ball for higher swing speeds (Hex Black) and one for lower swing speeds (Hex Chrome). They’ve recently also added the HEX Chrome +, which fits in between.

Wedges

index

Inspired by the personal airplane of tycoon Howard Hughes, Gene Sarazen developed the blueprint for the modern sand-wedge. This was the late 1920s. In 1988, Cleveland golf introduced its fifth generation wedge, the 588. They looked basically the same. Now, most OEM’s (Titleist, Cleveland, Nike, Mizuno, etc.) offer multiple lofts, bounce options, grinds and finishes.

For those desiring a wedge-experience once reserved only for Tour pros, Titleist offers its WedgeWorks program. Wedge guru Bob Vokey and his team will build you a one-of-a-kind wedge with your choice of loft, grind, finish and stampings. Titleist launched this initiative in August of 2011, and soon thereafter Cleveland followed suit with its iteration, aptly named “My custom wedge.” Of course, this level of service isn’t anything new for customers of Scratch golf, the boutique brand which started in 2003 and whose motto “Your game customized” defines their entire business model.

Irons

Titleist AP2 710

There have always been myriad options for players wanting maximum workability and minimum forgiveness. Like many of you, I have fond memories of my Wilson staff blades, Hogan Apex blades, Mizuno MP-29s and well, you get the idea. Fast forward to the new millenium:

In 2008, Titleist introduced the AP2 (Advanced Performance) line of irons, which endeavored to broach the players category of irons buy offering tour level workability while maintaining the solid feel of a forged iron and increased forgiveness on mis-hits. In order to accomplish this, Titleist used multiple materials including forged steel (feel), tungsten weights (increased MOI) and an elastomer insert (vibration dampening and optimal sound). According to Titleist, the result is an iron with great feel, Tour-level workability and a traditional players appearance from address or in laymen’s terms, an iron any really really good golfer will love.

Titleist got the early jump in the category, but here’s a few products from other OEMs that are in the same category as the AP2’s:

Fairway Woods

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Whether you call it a fairway wood or a “fairway metal,” this category was once more about reliability than distance. It was in this environment that Tour Edge Exotics found a niche market and a cult following. The “CB” series of fairway metals featured a titanium combo-brazed face and hyper-steel body, both attributes still found in the fifth edition (CB5) of the player-oriented fairway wood. The company touted it as the longest fairway metal available, even offering a money-back guarantee. And it’s easy to offer a guarantee when you’re right. However, without a connection to a major OEM and a comparatively higher price tag, the company simply couldn’t access a majority of this newfound market.

Enter TaylorMade “RocketBallz,” or RBZ. They debuted in 2012 and promised golfers 17 yards of increased fairway metal distance. Heck, Phil Mickelson the face of Callaway, even put an RBZ 3 wood in play until Callaway could come up with something to kick it out. This year, RBZ Stage 2 fairway woods are promising 10 more yards on top of the 17 from last year, an assertion the OEM no doubt believes is “ballz-ier” than before. In addition, Callaway promotes its new X Hot line of fairway metals to be “longer from everywhere.”

Also, building on momentum from 2012 and its acquisition by TaylorMade, Adams has fixed a couple quality control issues in its distance fairway line (XTD) with the Super LS series that have a characteristic time (CT) that approaches 250. The legal limit as set by the USGA is 256.

Hybrids

Adams Super S Hybrids

In 2002, TaylorMade produced one of the first hybrids, the Rescue Mid, that gained significant acceptance on professional tours. But it has been Adams Golf that has built a loyal and significant following on the senior PGA Tour and now is the most played hybrid worldwide.

Right now, it’s impossible to find an OEM that doesn’t offer some kind of hybrid or rescue in its current line. They’re longer, more attractive and more versatile than previous models across the board.

Driver

Cobra AMP Cell drivers

TaylorMade introduced MWT (moveable weight technology) in 2004 with the R7 quad driver. Naysayers labeled the club gimmicky and over-hyped marketing snake oil. Such armchair analysts general fail to mention that the R7 was used in 50 percent of victories on the PGA Tour that year. While this was a significant departure from the rest of the driver industry, it was nothing compared to what TaylorMade did in 2011. Call it the great golfing whiteout. TaylorMade introduced the R11 with a matte white club head. Black was out and white was in. It almost seemed antithetical, or sacrilege or something, but it was definitely different.

The R11 also had MWT, ASP (an adjustable sole plate) and the ability to change effective loft, lie and shaft via its FCT (Flight Control Technology). The gauntlet had been laid down.

Again, skeptics decried the new white paint and called it uglier than sin; a fad with less shelf-life than a Kardashian marriage. TaylorMade went on to lead world-wide usage in 2011, an exclamation point on a decade of dominance. In 2013, TaylorMade debuted the its R1, a white-headed driver with crown graphics. Also into colored drivers is Cobra (blue, silver, white, red, black and orange), Nike Covert (Red), Adams LS (white) and Callaway (matte grey).

Putter

Yes! Putters

Putters are as individual as the player themselves. They’re function over form, more art than science — or so we thought. Patented on March 21, 1967, the Ping Anser putter is the most emulated putter design of all time. Scotty Cameron has had success with its similar Newport and Newport 2 putters, while Odyssey calls its version simply #2. That being said, the Anser is still the bar, still the blueprint to which all similar putters will be compared. It’s kind of like when a brand becomes so powerful, you forget to remember it’s a brand; think Band-Aid, Kleenex, ChapStick, Q-Tip and Anser.

Lately, there’s been a trend of “grooved” putter faces. What began in 1995 with C-Groove technology lead by European putter designer Harold Swash, has now led to textured or “grooved” putter faces from nearly every manufacturer.

The Takeaway

No matter how you slice this pie or skin this cat, each and every major OEM is gold-list worthy in the court of public opinion, and more importantly on the course where incomes are earned. Contrarians will say that equipment contracts are all about money, and to a degree this is true. However, money in the absence of performance simply does not jive in this game of meritocracy. The player who chases short term money in place of long term success will only realize the former. As much as some of us like to debate the minutia of spec tolerances, grinds, finishes and the endless list of what differentiates one product from another, the simple truth is you and I would have the same handicap regardless of where our OEM allegiances lie.

We know there are lies, damn lies and statistics, but consider this:

World Rankings (as of March 1, 2013) by primary OEM sponsor

1. Nike
2. Nike
3. Mizuno
4. Bridgestone
5. Ping
6. TaylorMade
7. Titleist
8. Bridgestone
9. Ping
10. Cobra
11. Ping
12. Callaway
13. Titleist
14. Nike
15. Titleist
16. Titleist
17. TaylorMade
18. Srixon/Cleveland
19. Srixon/Cleveland
20. TaylorMade
21. Ping
22. TaylorMade
23. Nike
24. Callaway
25. TaylorMade

I know the sample size isn’t ideal, so take it for what it’s worth, but based on the top-25 players in the world:

4 play Nike
2 play Srixon/Clevland
1 plays Mizuno
2 play Callaway
5 play Taylor Made
4 play Titleist
4 play Ping
1 plays Cobra
2 play Bridgestone

I didn't grow up playing golf. I wasn't that lucky. But somehow the game found me and I've been smitten ever since. Like many of you, I'm a bit enthusiastic for all things golf and have a spouse which finds this "enthusiasm" borderline ridiculous. I've been told golf requires someone who strives for perfection, but realizes the futility of this approach. You have to love the journey more than the result and relish in frustration and imperfection. As a teacher and coach, I spend my days working with amazing middle school and high school student athletes teaching them to think, dream and hope. And just when they start to feel really good about themselves, I hand them a golf club!

17 Comments

17 Comments

  1. Pingback: Considering A Macgregor Tourney Junior Individual Woods

  2. dg7936

    Aug 10, 2013 at 9:12 pm

    There may be MORE well-made products available today: however there are many more gimmicky products on the market also. Comparing product lines from the 80’s, most manufacturers had a small number of iron and wood models to manufacture versus the wide range of products available today..hybrids, gap and lob wedges, high-tech balls, exotic putters. So all of these may be well-made but will never create the following of the older companies who specialized in truly excellent products…hogan/macgregor/ram irons, powerbilt citation woods, etc etc. We have a more democratic market but also more marketing. Which does not really work, as the average handicap has remained the same for 20+ years. So where is the benefit to the average joe?

  3. undermined

    Apr 26, 2013 at 10:28 pm

    All this “history” and no mention of Wilson or MacGregor. Wilson is still around and makes outstanding forged irons and nice wedges.

  4. G

    Apr 12, 2013 at 3:44 am

    Except for the crap you can still buy at places like Walmart, Kmart, Target, Sports Authority, Sport Chalet, etc etc……. you know, them places where they still sell the inferior brands?

    This article is bogus.

  5. DJ Golf

    Apr 3, 2013 at 2:54 am

    When everyone is special, no one is special.

  6. Matt

    Mar 28, 2013 at 5:07 pm

    Fact is Tiger switched from titleist also….everyone usually does.

    Rory will figure it out!

    Tiger did

    • PAul Roberts

      Apr 5, 2013 at 9:33 am

      Very true, however it took Tiger years’s to switch to a bag full of Nike (forget the putter), He went with Nike driver and ball but still used Titleist woods, irons and wedges for a few years until Nike built what he wanted/liked.

  7. lbholly

    Mar 27, 2013 at 3:27 pm

    I’m Calling BS on all the history in this article you obviously knew nothing of the golf business pre 2008

  8. gunmetal

    Mar 25, 2013 at 12:09 am

    Not to mention all of the offerings from brands that don’t pay pros to use their products…Wishon, KZG, Miura, Scratch, Scor, etc. All of that stuff is just as good as pay for play stuff, just not as recognizable.

  9. Rich

    Mar 24, 2013 at 12:02 am

    Great article. Funny how a companies like mizuno,bridgestone, and cobra are in the top 25 yet they barely pay anyone out there to play their clubs unlike other companies!

    • NG

      Mar 25, 2013 at 4:49 am

      They would too, if they could….

    • footwedge

      Mar 27, 2013 at 10:03 am

      Also, the big brands that have many players on their payroll should be winning a proportinately larger share of tourneys, buy they don’t. Equalized statistics will emphasize the fact that no brand is far superior, regardless of their marketing budget.

    • marionmg

      Feb 15, 2014 at 10:27 pm

      I wouldn’t say Bridgestone barely paid DL3 to leave Titleist…just sayin’

  10. Gabbo

    Mar 23, 2013 at 9:30 pm

    Good article. While there has been a lot of innovation the past 10 years, the overwhelming majority of stuff out made the last 5 years is REALLY good. And with a soft used market, everybody has access to excellent equipment for dirt cheap.

    It’s a far cry from 20 years ago where you either ponied up big $$$ for top notch clubs or were stuck playing truly inferior discount clubs and clones.

  11. chris

    Mar 22, 2013 at 3:34 pm

    Would agree from a pros perspective where they are fitted with the best of the best. From a retail perspective, fit and finish, quality of components (including real and made for shafts), and clubs built true to specs are miles apart. Most OEMs can’t even get the grips on straight….

  12. Todd

    Mar 22, 2013 at 2:18 pm

    How can you put Nike as the world #1 (Rory) when he has been anything but since the switch. He earned the spot with Titleist, he is giving it away with Nike.

    • Blanco

      Mar 23, 2013 at 11:15 pm

      The author’s made a simple list showing who sponsors each player in the top 25… not an endorsement.

      Keep beating the ‘Titleist rules/Rory’s a sellout’ to death–

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Club Junkie

Tour Edge Exotics mini driver review + TaylorMade Spider ZT Max first look – Club Junkie

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On this episode of Club Junkie, I put the new Tour Edge Exotics Mini Driver to the test and break down the performance, forgiveness, distance, and where it fits compared to a traditional driver or strong fairway wood. If you have been curious about adding a mini driver to the bag, this one is worth a look.

I also dive into the new TaylorMade Spider ZT Max putter that was recently spotted and discuss the growing zero torque putter trend. Plus, there is a closer look at the new Project X Titan Yellow shaft showing up on the PGA Tour and what makes it different from other profiles currently out there.

 

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Opinion & Analysis

AVL: We’re talking about practice! My best tips for taking your game to the course

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With the beginning of June on the horizon and courses rounding into peak condition for the season, it’s time to hone the finer skills that often get rusty over the winter. More sunlight also means more time to get out on the course and work on your game.

Whether it’s the practice green or the driving range, there’s always something to improve—whether you’re enjoying the fresh air or preparing for a weekend game or tournament. You can work on drills or freestyle around the green, and friendly competition is a great way to sharpen your skills.

While there are endless ways to get better at golf, I’m going to focus on practicing around the green. Let’s take a look at a few things to keep in mind as we head into the summer months.

Drills

From the driving range to the practice green, it’s important to incorporate drills into your routine. Years ago, I spent a weekend working on my short game with James Sieckmann. He recommended doing drill work for 5–10 minutes, then returning to your main practice.

This way, you create a balance between structured drills and real-world scenarios, so you’re not confined to “perfect” situations. For example, hitting the same three-foot putt over and over is good for repetition, but after a while, it becomes less interactive for your brain.

My approach is to use a putting trainer with a narrow gate for the ball to pass through, or simply place tees just outside the width of the ball. I’ll hit a series of four putts through the gate for three sets. Then, from a similar distance, I’ll hit four putts without the training aid and repeat that sequence three times.

Next, I’ll hit a number of 15–25 foot putts in a random fashion, then circle back to repeat the short putt drills with and without the training aid.

This breaks up the rhythm of hitting short putts with the training aid. When you hit the same short putts over and over, it’s easy to get into a groove—which is great for the drill, but not reflective of actual course play. While finding a rhythm is fundamental for drills, I like to introduce variation with longer putts to keep things realistic.

Game Mode

Once you’ve established a foundation with drills, it’s time to simulate on-course scenarios. This is where a few practice games come in handy.

One that I’ve been enjoying lately involves putting 10- to 15-footers with two balls. If I make the putt, great! If I miss, I pull the missed ball back a putter length. Suddenly, that little tap-in becomes a nerve-wracking three-footer—at least at first. As you get better at this game, those three- and five-footers become much more comfortable and routine.

It may sound cliché, but each shot is just what it is—it’s how we react that makes the difference. I like this game because it blends the pressure of on-course putting with the consequence of leaving yourself a much longer putt than usual.

Another game I like is one I recently learned from Brad Faxon. Place three tees in a line at four different locations around the hole: one at 3 feet, one at 6 feet, and one at 8 feet. The 3- and 6-foot putts count as par, and the 8-footer is for birdie.

This game keeps you focused on scoring and helps you get into a competitive mindset. You can even think about this putting game while you’re on the course. I just started playing it, and last week I couldn’t get better than two under par.

Competition

Competition during practice is when drills and games come to life, and you start to see results. For me, nothing beats a putting contest with a friend or two. In the right setting, these contests can become talking points for the whole season.

Match play, a game of 21, or simply seeing who can make the most one-putts (with a small prize on the line) are all great ways to simulate real on-course pressure. Recently, I played in a putting contest where one competitor made back-to-back 30- and 50-foot putts. As they say, expect your opponent to make every putt—and he nearly did. That’s impressive, and it’s something you see on the course, too: you have to stay committed to your game plan, no matter what.

When it comes to practice, it’s important to blend feedback from recent rounds with the fundamentals you want to reinforce. Drills, games, and competition—from the driving range to the putting green—form the backbone of skills you’ll rely on during actual rounds.

Finding the right balance is something we’re all working on, one practice session at a time. With the beginning of June on the horizon and courses rounding into peak condition for the season, it’s time to hone the finer skills that often get rusty over the winter. More sunlight also means more time to get out on the course and work on your game. Whether it’s the practice green or the driving range, there’s always something to improve—whether you’re enjoying the fresh air or preparing for a weekend game or tournament. You can work on drills or freestyle around the green, and friendly competition is a great way to sharpen your skills. While there are endless ways to get better at golf, I’m going to focus on practicing around the green. Let’s take a look at a few things to keep in mind as we head into the summer months.

Drills

From the driving range to the practice green, it’s important to incorporate drills into your routine. Years ago, I spent a weekend working on my short game with James Sieckmann. He recommended doing drill work for 5–10 minutes, then returning to your main practice. This way, you create a balance between structured drills and real-world scenarios, so you’re not confined to “perfect” situations. For example, hitting the same three-foot putt over and over is good for repetition, but after a while, it becomes less interactive for your brain.

My approach is to use a putting trainer with a narrow gate for the ball to pass through, or simply place tees just outside the width of the ball. I’ll hit a series of four putts through the gate for three sets. Then, from a similar distance, I’ll hit four putts without the training aid and repeat that sequence three times. Next, I’ll hit a number of 15–25 foot putts in a random fashion, then circle back to repeat the short putt drills with and without the training aid.

This breaks up the rhythm of hitting short putts with the training aid. When you hit the same short putts over and over, it’s easy to get into a groove—which is great for the drill, but not reflective of actual course play. While finding a rhythm is fundamental for drills, I like to introduce variation with longer putts to keep things realistic.

Game Mode

Once you’ve established a foundation with drills, it’s time to simulate on-course scenarios. This is where a few practice games come in handy. One that I’ve been enjoying lately involves putting 10- to 15-footers with two balls. If I make the putt, great! If I miss, I pull the missed ball back a putter length.

Suddenly, that little tap-in becomes a nerve-wracking three-footer—at least at first. As you get better at this game, those three- and five-footers become much more comfortable and routine. It may sound cliché, but each shot is just what it is—it’s how we react that makes the difference. I like this game because it blends the pressure of on-course putting with the consequence of leaving yourself a much longer putt than usual.

Another game I like is one I recently learned from Brad Faxon. Place three tees in a line at four different locations around the hole: one at 3 feet, one at 6 feet, and one at 8 feet. The 3- and 6-foot putts count as par, and the 8-footer is for birdie.

This game keeps you focused on scoring and helps you get into a competitive mindset. You can even think about this putting game while you’re on the course. I just started playing it, and last week I couldn’t get better than two under par.

Competition

Competition during practice is when drills and games come to life, and you start to see results. For me, nothing beats a putting contest with a friend or two. In the right setting, these contests can become talking points for the whole season. Match play, a game of 21, or simply seeing who can make the most one-putts (with a small prize on the line) are all great ways to simulate real on-course pressure. Recently, I played in a putting contest where one competitor made back-to-back 30- and 50-foot putts. As they say, expect your opponent to make every putt—and he nearly did. That’s impressive, and it’s something you see on the course, too: you have to stay committed to your game plan, no matter what.

When it comes to practice, it’s important to blend feedback from recent rounds with the fundamentals you want to reinforce. Drills, games, and competition—from the driving range to the putting green—form the backbone of skills you’ll rely on during actual rounds. Finding the right balance is something we’re all working on, one practice session at a time.

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Equipment

Seoul Sensibilities: Is Korean golf fashion starting to shape the world?

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For Korean golfers, we always look forward to the last of the kkot-saem-chu-I for the true start of a new golf season. The term refers to a cold snap, but literally translates as “winter being jealous of the flowers beginning to bloom, thus lashing out one final time before surrendering to spring”.

A rather poetic mouthful packed into a short expression.

Koreans can be like that. Understated, yet oddly expressive at the same time. And nowhere is this more true on the golf course and in our golf bags. In fact, I suspect many Korean golfers look forward to new apparel and accessory drops more than they do actual equipment launches each year.

At this point, Korean golf fashion may exist on its own timeline. (courtesy of @seonbi_golfer)

There is ample evidence to support that suspicion. Korea is the world’s third-largest golf market behind the United States and Japan, yet its appetite for golf apparel exceeds that of both countries combined. Recent estimates suggest that Korea accounts for nearly 40 percent of the global golf apparel market, placing it among the world’s most influential golf fashion markets and punching well above its size.

Simply, we care deeply about how new golf clubs look and feel, but enjoy looking good while swinging them even more.

Golfers in the West may laugh and say that golf is played on a course, not a fashion runway. Perhaps. But what’s the harm in trying to look and feel good, if the added self-confidence can help actual performance? It certainly seems to have worked for Jason Day, who may have unlocked a new stats category: dormant strokes gained. Coincidence?

During the COVID-era, estimates placed the market near $9 billion, an astonishing figure for a single country.

As a proud member of Gen X, I’ve witnessed the highs and lows of golf fashion firsthand. The pleated trousers and wing-tipped shoes of Jack Nicklaus, the stylish plus-fours and knickers of Payne Stewart, the baggy black trousers and fitted mock-necks of Tiger Woods, and the thigh-hugging athletic tailoring of Rory McIlroy. Golf fashion, like the golf swing itself, has rarely stood still.

But nowhere have those trends shifted, evolved, and been scrutinized quite as relentlessly as in Korea. Here, golf fashion moves faster than fairway gossip, and consumers dissect brands with a level of discernment that can be both impressive and mildly terrifying. New brands are studied, judged, embraced, or dismissed with startling efficiency.

The result is a consumer base with one of the sharpest eyes for quality and authenticity anywhere in the world. It is difficult to quantify, but easy to recognize. Clean lines without trying too hard. Luxury mixed with utility. Trend awareness balanced by restraint and purpose.

It’s golf fashion shaped by one of the world’s most style-literate cities, something I like to call Seoul Sensibilities, referring to the taste level forged by a uniquely competitive environment.

And increasingly, global brands have noticed.

Many golf brands in Korea have their own flagship shops dedicated to apparel only

Titleist understood this years ago, when its apparel business in Korea took on a life of its own under new ownership and local direction. What had once been a straightforward extension of an iconic equipment giant became something sharper and more premium. By going all in on the serious Tour-player look (I couldn’t even fit into their XL sizes), Titleist struck the right chord with Korean consumers and helped its fledgling apparel business break into the mainstream. Titleist became a household name even for non-golfers who wore its caps, shirts, and windbreakers in daily life. In many ways, it proved that even heritage golf brands could carry real fashion credibility when viewed through a Korean lens.

Several years later, PXG took a page out of Titleist’s playbook and followed suit. Korean consumers helped transform the brand from one known largely for irons and loud commercials into something broader and more stylish. PXG apparel’s growth in Korea was explosive, where it found an early audience and turned the category into something more than mere logo merchandise. It is still hard to walk anywhere in Seoul without seeing its palindrome logo.

Malbon’s meteoric rise in the United States was genuine, but its ascent into a global golf lifestyle brand owes much to Korea, where it was elevated by a market already fluent in modern golf style. Korea did not simply embrace Malbon. It pressure-tested the concept, refined its appeal, and helped push it into the global spotlight.

As such, new brands may arrive from abroad, but more often than not, their sharpest evolution happens here. If a brand can earn credibility in Seoul, it’s deemed to have passed one of the toughest style audits in the game.

That is why the next meaningful chapter may not come from outside, but from a Korean brand moving in the opposite direction, carrying those Seoul Sensibilities outward as K-pop once did.

Play young Stay dope.

From Seoul, With Intent

Khalhon is a label that feels less like a trend-chasing newcomer and more like the product of a market that has already seen everything. Golfers here have long been surrounded by luxury logos, technical fabrics, and tour uniforms disguised as lifestyle wear and vice-versa. In other words, novelty alone rarely lasts here, and the Koreans seems to understand that instinctively.

Its style language leans into clean silhouettes, relaxed but tailored proportions, muted palettes, and premium materials that speak quietly but confidently. There is a modern city aesthetic running through it all, with strong layering pieces, thoughtful textures, and subtle branding that suggests sophistication rather than demanding attention.

“Built for the course. Designed beyond it.”

Most importantly, the garments seem designed to blur the line between golfwear and everyday style. Shirts, trousers, knitwear, and outer layers move comfortably between a game of screen golf, a lunch reservation, an airport gate, or an afternoon coffee in Gangnam with friends.

It raises the question of whether this is golfwear that happens to look good off the course, or everyday clothing that performs beautifully on the fairways.

Personally, I have long appreciated Nike Golf for its clean, athletic modernization of golf attire. It also has the useful side effect of making me look like a more serious golfer than I probably am. But off the course, there are times when being instantly identified as the golf guy in a crowd of non-golfers can feel a touch self-conscious.

“Built for the course. Designed beyond it.”

That is part of what drew me to Khalhon, which seemed to blend golf and everyday wear naturally. While some of the outfits may be slightly beyond my personal confidence level, the brand also offers tasteful options for older guys like me who still want to express a little personality without regretting the decision later.

These are not simply flashy outfits worn on the course and then banished to the closet until the next tee time. They work surprisingly well off the course too, and I suspect many of the pieces will still look right a couple of years from now, which would certainly be kinder to my wallet than most golf fashion trends tend to be.

And perhaps that broader lifestyle positioning also helps explain why someone like Sean Wotherspoon would find Khalhon creatively interesting in the first place.

“Built for the course. Designed beyond it.”

“Korea is not only one of the most fashion-forward golf markets in the world, but one of the most fashion-forward markets globally. Korea is ahead, and I love to watch and try to catch up.” – Sean Wotherspoon, Creative Director at Khalhon

Seoul and Beyond

If Khalhon’s rise says something about where Korean golf fashion is today, its relationship with Sean Wotherspoon says even more about where it is heading.

For readers less familiar with Sean Wotherspoon, his arrival at Khalhon is not some routine celebrity endorsement or influencer collaboration. In design and streetwear circles, Wotherspoon is regarded as one of the more influential creative voices of his generation, particularly when it comes to blending nostalgia, storytelling, and contemporary culture into products that people can connect with.

He first gained widespread attention through his now-famous Nike sneaker collaborations, where his vintage-inspired designs and instinct for color helped turn him into one of the defining artists of the late-2010s sneaker era. His work gradually expanded beyond footwear into apparel, automotive collaborations, collectibles, and broader lifestyle design.

Modern golf style now extends well beyond the fairways, where performance and functionality are largely expected by default. And while plenty of brands already make technically competent golfwear, Khalhon seems more focused on designing clothes people would genuinely want to wear even after the round ends.

And when guys at Wotherspoon’s level show genuine interest in working with a Korean golf brand as its new Creative Director, fashion circles tend to sit up and pay attention. There’s already a huge buzz among the fashion-conscious here about upcoming collabs with iconic sports stars and brands.

“My creative direction for Khalhon is disruptive, colorful, nostalgic, and modern. My goal is to blend these avenues seamlessly within each collection.” – Sean Wotherspoon

In chatting with Sean, what stood out most to me was how genuinely energized he sounded about the project itself. Despite having already worked across and countless other creative spaces, he described golf as a completely fresh category for him, saying that Khalhon “will be an amazing vehicle for my design work.”

At the same time, his enthusiasm seemed tied just as much to Korea itself. He spoke openly about admiring Korea’s fashion culture while repeatedly insisting he is still a terrible golfer.

There was something oddly refreshing about that humility. Rather than sounding like a celebrity parachuting into golf simply because the category suddenly became fashionable, Sean sounded genuinely curious about what Korea might do with the category next.

And perhaps that is what makes Khalhon feel interesting right now. The brand feels less like a trend-chaser and more like the natural result of a market now confident enough to export its own point of view.

For years, global brands came to Korea to sharpen their image against one of the most discerning audiences anywhere. Now, a Korean label appears ready to send those Seoul Sensibilities outward instead.

Which brings us back to kkot-saem-chu-i.

That final cold snap before spring always arrives with a reminder that seasons are changing, whether we notice it immediately or not. Golf fashion feels a little like that right now as well, as the old boundaries between sport, streetwear, luxury, and everyday style continue to soften.

And somewhere in Seoul, a Korean golf label already seems prepared for whatever season comes next. I just hope they have everything in my size.

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