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National Custom Works brings Don White’s Craftsmanship back

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That’s right, folks.  The legend of Don White has returned. I recently had the pleasure of speaking with Patrick Boyd, who has launched National Custom Works along with business partner Ari Techner (all formerly with Scratch Golf). Below is what ensued, and I hope you enjoy it as much as I did.

Talk to me about National Custom Works. What are you guys all about?

We fabricate irons (heads only for the moment), and we are a handmade custom company. There is absolutely zero mass production and everything is hand made specifically for the client. We start with heavy, raw forged heads and shape them by hand one at a time specifically to fit the client that will receive them. As of right now, this is all done by Don White, who is an absolute legend. He’s currently able to grind about 100 heads a month or so. Soon, we’ll have Jeff McCoy setup and will be able to double that capacity. I also sell custom ferrules through Boyd Blade and Ferrule, which is another brand that I’d launched last year. Custom ferrules are always a really great way to dress a set of clubs. We don’t go beyond that, at least for now, but if someone really wanted a fully assembled set of clubs, we have ways to make that happen.

Don White’s legend sort of speaks for itself, but tell me about how the two of you got linked up and how this whole thing began.

Well, I was heavily involved with Scratch Golf back in the day. Scratch started off as all handmade custom clubs as well. Later on, we got into the more mass-produced retail side of things in addition to custom product, but we eventually went down in October 2015. At the time we were trying to take Scratch to a new level. The market wasn’t ultimately ready to support a high-priced custom product. Nowadays, that market exists. But anyway, we had hired Don at Scratch in 2010, so that’s where our paths first crossed. He had worked for MacGregor since the early seventies, but MacGregor went bankrupt in 2009.

Don can do just about anything with his hands. He’s totally self-taught. He started for MacGregor polishing iron heads and he would spend his lunch break going around to all the different machines in the shop and seeing what every machine used in the process did. The guy’s just a magician. Obviously, his claim to fame is that he made countless clubs for Jack Nicklaus over the years. Really, he made just about everything for all their tour staffers from 1973 until they went bankrupt in 2009. More than that, though, Don White is one of the best people I’ve ever met. Period. I’ve been so lucky to be able to work with him. His genius in golf club making is widely known, but I can honestly say he’s as great a person as he is a craftsman.

Back to the question, though; I got in touch with Don because one of the guys from Sugarloaf Social Club reached out to me. We’d worked on a couple of projects since Scratch, but a mutual friend of ours was dying to get a set of irons made by Don. He wanted six-degree gaps, whereas a lot of standard sets are like three or four degrees. It was a cool set and it turned out really great. A tour player saw them and got a hold of me right away and we made a set for him. I knew Don was more or less retired at that point, but I asked him if he was interested in still making some golf clubs here and there. His first question was, “Well, how many do you think you can sell?” Ultimately, BB&F Co and then National Custom Works sort of grew from there.

Finished custom iron heads crafted by Don White through National Custom Works

Tell me about Jeff McCoy. What’s his role in all of this?

Jeff McCoy was one of the founders of Scratch Golf, so he and I go way back as well. He designed all the wedge and iron grinds on the clubs we produced at Scratch. He’s also a supremely talented grinder. The biggest difference between Don and Jeff is that Don mainly does crisper lines and Jeff mainly does softer lines. Jeff’s wedges are absolutely amazing and his grinds are second to none. Those are definitely his strengths in my opinion. You know, we learned our lesson with Scratch. We’re not going to try to go the retail route again. We want to keep this thing all handmade and custom-built to exact customer specifications. There are certainly challenges that come with that approach, but the rewards are also great as well. I would say probably half of the projects these days are non-traditional in the gaps of lofts. I personally just love working on those because each one is its own little puzzle. It just totally fascinates me.

What about before the club heads get into your guys’ hands? What can you say about how they’re made and all?

Well, I can tell you that they’re Japanese forgings and they’re as good as anything you can source. I have to be honest in saying some of the models are open (not made exclusively for one customer). There’s a couple of different heads we can start with and that ultimately depends on what a client wants. More often than not, we start with really heavy heads that were originally designed for prototyping. There’s probably 150-160 grams of weight to take off of those depending on the final specifications. To an OEM that is trying to crank out a ton of volume, producing clubs in this manner is not a viable option because that takes a lot of time, but for us it’s perfect. It gives us a ton of freedom to put the CG wherever we want it. We can create progressive sets where the CG moves a little lower in the long irons to help flight the ball higher and vice versa with the wedges. We can also leave a little extra weight in the toe or the heel for some fade or draw bias. All of this depends on what a client wants, but the extra material we have to play with makes it all possible.

When you buy one of our clubs, you’re not paying for advertising, an R&D budget, or clubs full of the latest technology. You’re paying for our expertise. You’re paying for craftsmanship. You’re paying to get exactly what you need. We are not taking something off the rack and just buzzing a little bit off here and there. We are able to customize virtually every aspect of the club; loft and lie of course, but we can change the offset, move the CG around, and all kinds of different things. And it is done by some of the best craftsman in the industry. Projects typically take six weeks (as of now) for you to get your heads and price can be all over the map depending on what you want, but you’re going to wind up with something that’s been handcrafted by the best talent in the industry to your exact standards. It’s something that, up until now, only the top tour players had access to and, really, even those guys are limited by what their sponsors manufacture. The end product of our process is second to none and we definitely stand behind that.

We’re trying to make the best clubs you can buy. Period. There is no target demographic in mind. We’re not looking to court people from a certain age group or anything. If you don’t want to be limited by what OEM’s have to offer and if you want a meticulously well-made product done to your exact specifications, we’re your best bet for sure.

Raw forged iron heads before being ground and finished by National Custom Works

You also run Sweetens Cove Golf Club down in Tennessee. Tell me about your duties there. Did those paths cross when this thing got started?

I’m the general manager out there. Outside of cutting the grass, I do pretty much everything else as far as the day-to-day operations go. I’m there for like 60-80 hours a week. My partner Rob Collins was the course designer, actually. He did it for a client who basically abandoned it. I first saw the course in November of 2013 and it had mostly been left for dead. Only about half the bunkers actually had sand in them. Mushrooms were growing everywhere. But you could still tell how good the bones were. It took a lot of really hard work to get it ready to open, but we did a soft opening in October of 2014 and we’ve been off and running ever since. It’s just as pure a golf experience as you’re going to find anywhere. We basically have a dinky little clubhouse and a couple port-a-potties and we’ve been the top public course in the state for the last three years according to Golfweek. We’re also No. 59 on their “Top-100 Modern Courses” list.

How long ago did you start playing golf? Tell me about your personal relationship with the game.

I started playing golf when I was 10 years old. I was really into tennis at the time, but my parents played golf. One day, I just decided I was going to skip my tennis lesson and play golf with my folks instead. After that day, it was over. I got hooked HARD. I think I played tennis for about another year or so, but golf was king in my life from that moment on. As hooked as I was on golf, though, I got way more into golf clubs specifically. When I was 12 years old, all I wanted was the Golf Club Identification & Price Guide. It was a book through Golf Works/Maltby. I finally got my hands on one and I circled everything in the book that interested me. The funny thing is more than half the stuff in there, I bought it, looked at it, maybe played a round or two with it and sold it. All I wanted was just to see everything. I just completely geek out over golf club design.

So how did golf and golf clubs then become a profession for you? How did that develop?

I suddenly found myself with some time on my hands and had always wanted to get into the golf business. I found a custom shop that was close to where I was working at the time and sent the owner an email. About an hour later, he shot me a response and about five minutes after we met I had my first golf job. The first several months, I went in after work and started cataloging all the shafts he’d pulled in the past year (there were around 400). After I went through all that, he taught me how to fit and build clubs. I ended up working with him off and on for a couple of years and we still keep in touch today. I had played golf in college at a Division III school, but that was my first actual job in the industry. From there, I was pretty much off and running.

Finished custom iron and ferrule through National Custom Works and Boyd Blade & Ferrule Co.

Lastly, tell people how to get in touch with you and how to tune in for what comes next from National Custom Works.

I get a lot of traffic on Instagram for sure. Our handle there is @nationalcustom. Our website just got launched a couple of weeks ago, and I also just launched an online store for the ferrules because that just grew to a point where I wasn’t able to take pictures for everyone. If someone is interested in starting a project with us, the best way to catch us is at my email: [email protected] or my business partner Ari Techner at [email protected]. As for what’s coming up, all I’ll say right now is that we have some very interesting collaboration projects coming soon. Watch our Instagram feed for when that stuff drops.

Peter Schmitt is an avid golfer trying to get better every day, the definition of which changes relatively frequently. He believes that first and foremost, golf should be an enjoyable experience. Always. Peter is a former Marine and a full-time mechanical engineer (outside of the golf industry). He lives in Lexington, KY with his wife and two young kids. "What other people may find in poetry or art museums, I find in the flight of a good drive." -Arnold Palmer

16 Comments

16 Comments

  1. ogo

    Apr 16, 2018 at 5:37 pm

    They may look ‘good’.. but do they play good?

  2. Brando

    Apr 16, 2018 at 4:54 pm

    Awesome irons Don White is a legend. I hope they keep the company small with low overhead and folks that respect this type of craftsmanship and the history behind White will buy Them. Thoes diamond back blades are similar to the ones Norman used in the 08 Open Championship. Awesome looking blades. I want a set. MacGregor made some of the best irons ever back in the 1980s 1990s glad to see they coming back.

  3. Jim

    Apr 16, 2018 at 1:00 pm

    It’s interesting (and not surprising)to see the MacGregor influence in them – clearly some of Don’s favorite designs.

  4. joro

    Apr 16, 2018 at 12:56 pm

    So he had time and “always wanted to get into the club business”, WOW, what fun for a Golfer to get into the business. The “business” is not fun, it is work, money, and a lot of marketing. As a club maker myself and having started up Companies for people with the same idea, failure comes real easy, no matter if you have competent people doing the clubs or not, failure comes easy and costly. I say Good Luck to them, at least they know how to go down the tubes.

    The PXG influence is at work, but Parsons can afford to fail, it aint over yet.

  5. Sweaty Cords

    Apr 16, 2018 at 11:44 am

    Great! Let these business geniuses run another company into the ground. Ask Ryan Moore what these guys are all about.

    • OJ

      Apr 16, 2018 at 1:43 pm

      Hey joro the clubmaker, I have a feeling what you have done in the past and what Patrick does isn’t the same. At all. I would love to hear your story too, though.

  6. Tom Duckworth

    Apr 16, 2018 at 5:54 am

    No idea what they would cost but if I had the game and the money I would be talking to them. I looked at the gallery on their site and I could see how you could really dial in the perfect set for your game. I would think you would need to be pretty knowledgeable
    of equipment and your own game to make this worth your money.
    I don’t see this as a set just to brag about they have a subtle design and you would really be in on the design yourself from the ground up.

  7. ogo

    Apr 15, 2018 at 7:39 pm

    If you can hit the ball on the sweet spot just put a slug of metal behind it for the greatest of feeels… and watch the ball take of into the heaven and drop on the green. Ecstasy… pure ecstasy …. and only you own exclusive model clubs.

  8. ogo

    Apr 15, 2018 at 7:32 pm

    Beautiful, oh so beautiful… I just love the shape of the back of these beauties. It just proves that the mojo is all in the grinding and not the forging. These are high-end boutique clubs that will only be found in millionaire/billionaire WITB for whom price is irrelevant. Sigh… 🙁

  9. John Murphy

    Apr 15, 2018 at 7:02 pm

    PXG who? Id pay top dollar for these heirlooms. Beautiful.

  10. snickers

    Apr 15, 2018 at 3:42 pm

    I just cant believe you can order a set of forged irons nd wedges that are handmade by Don White who has won more Majors than Tiger himself. I will have to look into this and get a set. Just to say I did it and if I cant play them everyday I can play the 6-pw any day.

  11. dat

    Apr 15, 2018 at 2:55 pm

    Drool

  12. bc

    Apr 15, 2018 at 2:04 pm

    Is there really enough demand for custom irons for these people to make a living and stay in business? I wouldn’t think so, but…

  13. Bill

    Apr 15, 2018 at 12:13 pm

    Wow,

    When would the heads be marketed ?
    Can’t find any source for models and pricing.

    • rymail00

      Apr 15, 2018 at 9:37 pm

      I believe you have to contact them with what your looking to have design wise and then the price comes into it (depending on much work or shaping is needed to achieve what your after in head design, I believe that’s how it works)

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Club Junkie

Tour Edge Exotics mini driver review + TaylorMade Spider ZT Max first look – Club Junkie

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On this episode of Club Junkie, I put the new Tour Edge Exotics Mini Driver to the test and break down the performance, forgiveness, distance, and where it fits compared to a traditional driver or strong fairway wood. If you have been curious about adding a mini driver to the bag, this one is worth a look.

I also dive into the new TaylorMade Spider ZT Max putter that was recently spotted and discuss the growing zero torque putter trend. Plus, there is a closer look at the new Project X Titan Yellow shaft showing up on the PGA Tour and what makes it different from other profiles currently out there.

 

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Opinion & Analysis

AVL: We’re talking about practice! My best tips for taking your game to the course

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With the beginning of June on the horizon and courses rounding into peak condition for the season, it’s time to hone the finer skills that often get rusty over the winter. More sunlight also means more time to get out on the course and work on your game.

Whether it’s the practice green or the driving range, there’s always something to improve—whether you’re enjoying the fresh air or preparing for a weekend game or tournament. You can work on drills or freestyle around the green, and friendly competition is a great way to sharpen your skills.

While there are endless ways to get better at golf, I’m going to focus on practicing around the green. Let’s take a look at a few things to keep in mind as we head into the summer months.

Drills

From the driving range to the practice green, it’s important to incorporate drills into your routine. Years ago, I spent a weekend working on my short game with James Sieckmann. He recommended doing drill work for 5–10 minutes, then returning to your main practice.

This way, you create a balance between structured drills and real-world scenarios, so you’re not confined to “perfect” situations. For example, hitting the same three-foot putt over and over is good for repetition, but after a while, it becomes less interactive for your brain.

My approach is to use a putting trainer with a narrow gate for the ball to pass through, or simply place tees just outside the width of the ball. I’ll hit a series of four putts through the gate for three sets. Then, from a similar distance, I’ll hit four putts without the training aid and repeat that sequence three times.

Next, I’ll hit a number of 15–25 foot putts in a random fashion, then circle back to repeat the short putt drills with and without the training aid.

This breaks up the rhythm of hitting short putts with the training aid. When you hit the same short putts over and over, it’s easy to get into a groove—which is great for the drill, but not reflective of actual course play. While finding a rhythm is fundamental for drills, I like to introduce variation with longer putts to keep things realistic.

Game Mode

Once you’ve established a foundation with drills, it’s time to simulate on-course scenarios. This is where a few practice games come in handy.

One that I’ve been enjoying lately involves putting 10- to 15-footers with two balls. If I make the putt, great! If I miss, I pull the missed ball back a putter length. Suddenly, that little tap-in becomes a nerve-wracking three-footer—at least at first. As you get better at this game, those three- and five-footers become much more comfortable and routine.

It may sound cliché, but each shot is just what it is—it’s how we react that makes the difference. I like this game because it blends the pressure of on-course putting with the consequence of leaving yourself a much longer putt than usual.

Another game I like is one I recently learned from Brad Faxon. Place three tees in a line at four different locations around the hole: one at 3 feet, one at 6 feet, and one at 8 feet. The 3- and 6-foot putts count as par, and the 8-footer is for birdie.

This game keeps you focused on scoring and helps you get into a competitive mindset. You can even think about this putting game while you’re on the course. I just started playing it, and last week I couldn’t get better than two under par.

Competition

Competition during practice is when drills and games come to life, and you start to see results. For me, nothing beats a putting contest with a friend or two. In the right setting, these contests can become talking points for the whole season.

Match play, a game of 21, or simply seeing who can make the most one-putts (with a small prize on the line) are all great ways to simulate real on-course pressure. Recently, I played in a putting contest where one competitor made back-to-back 30- and 50-foot putts. As they say, expect your opponent to make every putt—and he nearly did. That’s impressive, and it’s something you see on the course, too: you have to stay committed to your game plan, no matter what.

When it comes to practice, it’s important to blend feedback from recent rounds with the fundamentals you want to reinforce. Drills, games, and competition—from the driving range to the putting green—form the backbone of skills you’ll rely on during actual rounds.

Finding the right balance is something we’re all working on, one practice session at a time. With the beginning of June on the horizon and courses rounding into peak condition for the season, it’s time to hone the finer skills that often get rusty over the winter. More sunlight also means more time to get out on the course and work on your game. Whether it’s the practice green or the driving range, there’s always something to improve—whether you’re enjoying the fresh air or preparing for a weekend game or tournament. You can work on drills or freestyle around the green, and friendly competition is a great way to sharpen your skills. While there are endless ways to get better at golf, I’m going to focus on practicing around the green. Let’s take a look at a few things to keep in mind as we head into the summer months.

Drills

From the driving range to the practice green, it’s important to incorporate drills into your routine. Years ago, I spent a weekend working on my short game with James Sieckmann. He recommended doing drill work for 5–10 minutes, then returning to your main practice. This way, you create a balance between structured drills and real-world scenarios, so you’re not confined to “perfect” situations. For example, hitting the same three-foot putt over and over is good for repetition, but after a while, it becomes less interactive for your brain.

My approach is to use a putting trainer with a narrow gate for the ball to pass through, or simply place tees just outside the width of the ball. I’ll hit a series of four putts through the gate for three sets. Then, from a similar distance, I’ll hit four putts without the training aid and repeat that sequence three times. Next, I’ll hit a number of 15–25 foot putts in a random fashion, then circle back to repeat the short putt drills with and without the training aid.

This breaks up the rhythm of hitting short putts with the training aid. When you hit the same short putts over and over, it’s easy to get into a groove—which is great for the drill, but not reflective of actual course play. While finding a rhythm is fundamental for drills, I like to introduce variation with longer putts to keep things realistic.

Game Mode

Once you’ve established a foundation with drills, it’s time to simulate on-course scenarios. This is where a few practice games come in handy. One that I’ve been enjoying lately involves putting 10- to 15-footers with two balls. If I make the putt, great! If I miss, I pull the missed ball back a putter length.

Suddenly, that little tap-in becomes a nerve-wracking three-footer—at least at first. As you get better at this game, those three- and five-footers become much more comfortable and routine. It may sound cliché, but each shot is just what it is—it’s how we react that makes the difference. I like this game because it blends the pressure of on-course putting with the consequence of leaving yourself a much longer putt than usual.

Another game I like is one I recently learned from Brad Faxon. Place three tees in a line at four different locations around the hole: one at 3 feet, one at 6 feet, and one at 8 feet. The 3- and 6-foot putts count as par, and the 8-footer is for birdie.

This game keeps you focused on scoring and helps you get into a competitive mindset. You can even think about this putting game while you’re on the course. I just started playing it, and last week I couldn’t get better than two under par.

Competition

Competition during practice is when drills and games come to life, and you start to see results. For me, nothing beats a putting contest with a friend or two. In the right setting, these contests can become talking points for the whole season. Match play, a game of 21, or simply seeing who can make the most one-putts (with a small prize on the line) are all great ways to simulate real on-course pressure. Recently, I played in a putting contest where one competitor made back-to-back 30- and 50-foot putts. As they say, expect your opponent to make every putt—and he nearly did. That’s impressive, and it’s something you see on the course, too: you have to stay committed to your game plan, no matter what.

When it comes to practice, it’s important to blend feedback from recent rounds with the fundamentals you want to reinforce. Drills, games, and competition—from the driving range to the putting green—form the backbone of skills you’ll rely on during actual rounds. Finding the right balance is something we’re all working on, one practice session at a time.

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Equipment

Seoul Sensibilities: Is Korean golf fashion starting to shape the world?

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For Korean golfers, we always look forward to the last of the kkot-saem-chu-I for the true start of a new golf season. The term refers to a cold snap, but literally translates as “winter being jealous of the flowers beginning to bloom, thus lashing out one final time before surrendering to spring”.

A rather poetic mouthful packed into a short expression.

Koreans can be like that. Understated, yet oddly expressive at the same time. And nowhere is this more true on the golf course and in our golf bags. In fact, I suspect many Korean golfers look forward to new apparel and accessory drops more than they do actual equipment launches each year.

At this point, Korean golf fashion may exist on its own timeline. (courtesy of @seonbi_golfer)

There is ample evidence to support that suspicion. Korea is the world’s third-largest golf market behind the United States and Japan, yet its appetite for golf apparel exceeds that of both countries combined. Recent estimates suggest that Korea accounts for nearly 40 percent of the global golf apparel market, placing it among the world’s most influential golf fashion markets and punching well above its size.

Simply, we care deeply about how new golf clubs look and feel, but enjoy looking good while swinging them even more.

Golfers in the West may laugh and say that golf is played on a course, not a fashion runway. Perhaps. But what’s the harm in trying to look and feel good, if the added self-confidence can help actual performance? It certainly seems to have worked for Jason Day, who may have unlocked a new stats category: dormant strokes gained. Coincidence?

During the COVID-era, estimates placed the market near $9 billion, an astonishing figure for a single country.

As a proud member of Gen X, I’ve witnessed the highs and lows of golf fashion firsthand. The pleated trousers and wing-tipped shoes of Jack Nicklaus, the stylish plus-fours and knickers of Payne Stewart, the baggy black trousers and fitted mock-necks of Tiger Woods, and the thigh-hugging athletic tailoring of Rory McIlroy. Golf fashion, like the golf swing itself, has rarely stood still.

But nowhere have those trends shifted, evolved, and been scrutinized quite as relentlessly as in Korea. Here, golf fashion moves faster than fairway gossip, and consumers dissect brands with a level of discernment that can be both impressive and mildly terrifying. New brands are studied, judged, embraced, or dismissed with startling efficiency.

The result is a consumer base with one of the sharpest eyes for quality and authenticity anywhere in the world. It is difficult to quantify, but easy to recognize. Clean lines without trying too hard. Luxury mixed with utility. Trend awareness balanced by restraint and purpose.

It’s golf fashion shaped by one of the world’s most style-literate cities, something I like to call Seoul Sensibilities, referring to the taste level forged by a uniquely competitive environment.

And increasingly, global brands have noticed.

Many golf brands in Korea have their own flagship shops dedicated to apparel only

Titleist understood this years ago, when its apparel business in Korea took on a life of its own under new ownership and local direction. What had once been a straightforward extension of an iconic equipment giant became something sharper and more premium. By going all in on the serious Tour-player look (I couldn’t even fit into their XL sizes), Titleist struck the right chord with Korean consumers and helped its fledgling apparel business break into the mainstream. Titleist became a household name even for non-golfers who wore its caps, shirts, and windbreakers in daily life. In many ways, it proved that even heritage golf brands could carry real fashion credibility when viewed through a Korean lens.

Several years later, PXG took a page out of Titleist’s playbook and followed suit. Korean consumers helped transform the brand from one known largely for irons and loud commercials into something broader and more stylish. PXG apparel’s growth in Korea was explosive, where it found an early audience and turned the category into something more than mere logo merchandise. It is still hard to walk anywhere in Seoul without seeing its palindrome logo.

Malbon’s meteoric rise in the United States was genuine, but its ascent into a global golf lifestyle brand owes much to Korea, where it was elevated by a market already fluent in modern golf style. Korea did not simply embrace Malbon. It pressure-tested the concept, refined its appeal, and helped push it into the global spotlight.

As such, new brands may arrive from abroad, but more often than not, their sharpest evolution happens here. If a brand can earn credibility in Seoul, it’s deemed to have passed one of the toughest style audits in the game.

That is why the next meaningful chapter may not come from outside, but from a Korean brand moving in the opposite direction, carrying those Seoul Sensibilities outward as K-pop once did.

Play young Stay dope.

From Seoul, With Intent

Khalhon is a label that feels less like a trend-chasing newcomer and more like the product of a market that has already seen everything. Golfers here have long been surrounded by luxury logos, technical fabrics, and tour uniforms disguised as lifestyle wear and vice-versa. In other words, novelty alone rarely lasts here, and the Koreans seems to understand that instinctively.

Its style language leans into clean silhouettes, relaxed but tailored proportions, muted palettes, and premium materials that speak quietly but confidently. There is a modern city aesthetic running through it all, with strong layering pieces, thoughtful textures, and subtle branding that suggests sophistication rather than demanding attention.

“Built for the course. Designed beyond it.”

Most importantly, the garments seem designed to blur the line between golfwear and everyday style. Shirts, trousers, knitwear, and outer layers move comfortably between a game of screen golf, a lunch reservation, an airport gate, or an afternoon coffee in Gangnam with friends.

It raises the question of whether this is golfwear that happens to look good off the course, or everyday clothing that performs beautifully on the fairways.

Personally, I have long appreciated Nike Golf for its clean, athletic modernization of golf attire. It also has the useful side effect of making me look like a more serious golfer than I probably am. But off the course, there are times when being instantly identified as the golf guy in a crowd of non-golfers can feel a touch self-conscious.

“Built for the course. Designed beyond it.”

That is part of what drew me to Khalhon, which seemed to blend golf and everyday wear naturally. While some of the outfits may be slightly beyond my personal confidence level, the brand also offers tasteful options for older guys like me who still want to express a little personality without regretting the decision later.

These are not simply flashy outfits worn on the course and then banished to the closet until the next tee time. They work surprisingly well off the course too, and I suspect many of the pieces will still look right a couple of years from now, which would certainly be kinder to my wallet than most golf fashion trends tend to be.

And perhaps that broader lifestyle positioning also helps explain why someone like Sean Wotherspoon would find Khalhon creatively interesting in the first place.

“Built for the course. Designed beyond it.”

“Korea is not only one of the most fashion-forward golf markets in the world, but one of the most fashion-forward markets globally. Korea is ahead, and I love to watch and try to catch up.” – Sean Wotherspoon, Creative Director at Khalhon

Seoul and Beyond

If Khalhon’s rise says something about where Korean golf fashion is today, its relationship with Sean Wotherspoon says even more about where it is heading.

For readers less familiar with Sean Wotherspoon, his arrival at Khalhon is not some routine celebrity endorsement or influencer collaboration. In design and streetwear circles, Wotherspoon is regarded as one of the more influential creative voices of his generation, particularly when it comes to blending nostalgia, storytelling, and contemporary culture into products that people can connect with.

He first gained widespread attention through his now-famous Nike sneaker collaborations, where his vintage-inspired designs and instinct for color helped turn him into one of the defining artists of the late-2010s sneaker era. His work gradually expanded beyond footwear into apparel, automotive collaborations, collectibles, and broader lifestyle design.

Modern golf style now extends well beyond the fairways, where performance and functionality are largely expected by default. And while plenty of brands already make technically competent golfwear, Khalhon seems more focused on designing clothes people would genuinely want to wear even after the round ends.

And when guys at Wotherspoon’s level show genuine interest in working with a Korean golf brand as its new Creative Director, fashion circles tend to sit up and pay attention. There’s already a huge buzz among the fashion-conscious here about upcoming collabs with iconic sports stars and brands.

“My creative direction for Khalhon is disruptive, colorful, nostalgic, and modern. My goal is to blend these avenues seamlessly within each collection.” – Sean Wotherspoon

In chatting with Sean, what stood out most to me was how genuinely energized he sounded about the project itself. Despite having already worked across and countless other creative spaces, he described golf as a completely fresh category for him, saying that Khalhon “will be an amazing vehicle for my design work.”

At the same time, his enthusiasm seemed tied just as much to Korea itself. He spoke openly about admiring Korea’s fashion culture while repeatedly insisting he is still a terrible golfer.

There was something oddly refreshing about that humility. Rather than sounding like a celebrity parachuting into golf simply because the category suddenly became fashionable, Sean sounded genuinely curious about what Korea might do with the category next.

And perhaps that is what makes Khalhon feel interesting right now. The brand feels less like a trend-chaser and more like the natural result of a market now confident enough to export its own point of view.

For years, global brands came to Korea to sharpen their image against one of the most discerning audiences anywhere. Now, a Korean label appears ready to send those Seoul Sensibilities outward instead.

Which brings us back to kkot-saem-chu-i.

That final cold snap before spring always arrives with a reminder that seasons are changing, whether we notice it immediately or not. Golf fashion feels a little like that right now as well, as the old boundaries between sport, streetwear, luxury, and everyday style continue to soften.

And somewhere in Seoul, a Korean golf label already seems prepared for whatever season comes next. I just hope they have everything in my size.

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