Opinion & Analysis
Forget method teaching: Swing your swing
Over the course of the 50 years, 30 of which I’ve spent teaching golf, I have seen many methods come and go.
From “Square to Square” to “Stack and Tilt,” from Alex Morrison’s left-handed game to Tommy Armour’s right-handed, many people have advocated different ways of swinging the golf club.
I’m here to tell you this: If you follow or teach a method, you are doing a disservice to your game or to your students. As proof of this, I offer the World Golf Hall of Fame. Look at the swings of the great players enshrined there. I’m willing to bet none of them are the same. The ONLY thing they have in common is IMPACT — good, solid contact of golf ball and club.
Here’s a few examples:
- Should you stay centered over the golf ball with more weight remaining on the left side?
Curtis Strange, Walter Hagen, Hal Sutton and a slew of other great players don’t think so.
- Should the right elbow be pointed down or close to the right side in the backswing?
Jack Nicklaus and Miller Barber are just two examples of great players who never got anywhere near that position.
- Set up square to the target?
Paleeeese. Lee “Buck” Trevino and Fred Couples are 15 handicaps if we aspire to that “fundamental.”
- Left arm extended into impact?
Lee Westwood and Calvin Peete have made a nice living with a bent left arm into impact. Ed Furgol, 1954 U.S. Open Champion, had a permanently bent left arm and won the national Open.
- Neutral grip?
Don’t even go down that road.
- Turn you hips through the ball?
An entire generation known as the “Reverse C Gang” played pretty well with a lot of “slide” of the lower body, with added axis tilt into the golf ball.
I could go on and on, but you get the point. And this is not just at the Tour level. I have played in state opens and regional events with guys who had the funkiest moves you could imagine and who could break par regularly. And they had much more than a good short game.
John Jacobs said it best:
“The purpose of the golf swing is to apply the club correctly to the ball; the method employed is of no consequence as long as it can be repeated.”
I had four players in my school this weekend and gave every one a different type of lesson. The reason? One was ahead of the ball and over it, one was swayed way off the ball and under it and another was up and over with a super early release. The other was what I call “rocked flat, with a very shallow angle into impact.”
They all came to school with one purpose: to hit the ball better — not to get “prettier” or “stacked” or “lagged” or anything other than BETTER. Golfers have to square the face, get the attack angle right and get the golf club travelling in the direction of the target. Do those three things and you have a good swing. Period.
Can you get to good impact from your right side? Yes. Can you get to good impact from your left side? Yes. Can you get to good impact from 5 degrees inside out? Yes. Can you get to good impact from 7 degrees down? You bet your clubs you can.
But you need COMPATIBLE variations in your swing to get there.
- Seven degrees down needs some serious left aim or swing to COMPLEMENT that much down.
- High hands and a vertical backswing need some lateral hip motion to “drop the club in the slot” BEFORE they turn through the ball.
- Low hands, flat takeaway need an early and agressive turn- NOT slide” to deliver the club.
Do the math, pay attention to the impact and understand what YOU have to do get there. Method? If I taught every student the same thing, first I’d be bored out of my mind, and second, I would not have lasted 30 years in this craft. Every hour I get a different puzzle to solve. That’s what keep it alive and fun for me.
I have darn near every instruction book and video that was ever written or produced. And at night I sit in front of the computer and watch swings of my students and of the great players too. It does not take great insight to realize that there an infinite variety of way to swing and play.
One student left this weekend trying to stay as centered and on the ball as possible in his backswing; another left trying to get as far to his right side as he can. The goal of both is the same, but the pattern and swing thoughts to get there were as different as night and day.
How do I know this style works? I correct swings. Come see me for an hour. If you’re not hitting the ball better when you leave, the lesson is completely FREE. And I won’t give you a whole new swing to get there either.
“Swing YOUR swing,” as Mr. Palmer says.
As always, feel free to send a swing video to my Facebook page and I will do my best to give you my feedback.
Club Junkie
Tour Edge Exotics mini driver review + TaylorMade Spider ZT Max first look – Club Junkie
On this episode of Club Junkie, I put the new Tour Edge Exotics Mini Driver to the test and break down the performance, forgiveness, distance, and where it fits compared to a traditional driver or strong fairway wood. If you have been curious about adding a mini driver to the bag, this one is worth a look.
I also dive into the new TaylorMade Spider ZT Max putter that was recently spotted and discuss the growing zero torque putter trend. Plus, there is a closer look at the new Project X Titan Yellow shaft showing up on the PGA Tour and what makes it different from other profiles currently out there.
Opinion & Analysis
AVL: We’re talking about practice! My best tips for taking your game to the course
With the beginning of June on the horizon and courses rounding into peak condition for the season, it’s time to hone the finer skills that often get rusty over the winter. More sunlight also means more time to get out on the course and work on your game.
Whether it’s the practice green or the driving range, there’s always something to improve—whether you’re enjoying the fresh air or preparing for a weekend game or tournament. You can work on drills or freestyle around the green, and friendly competition is a great way to sharpen your skills.
While there are endless ways to get better at golf, I’m going to focus on practicing around the green. Let’s take a look at a few things to keep in mind as we head into the summer months.
Drills
From the driving range to the practice green, it’s important to incorporate drills into your routine. Years ago, I spent a weekend working on my short game with James Sieckmann. He recommended doing drill work for 5–10 minutes, then returning to your main practice.
This way, you create a balance between structured drills and real-world scenarios, so you’re not confined to “perfect” situations. For example, hitting the same three-foot putt over and over is good for repetition, but after a while, it becomes less interactive for your brain.
My approach is to use a putting trainer with a narrow gate for the ball to pass through, or simply place tees just outside the width of the ball. I’ll hit a series of four putts through the gate for three sets. Then, from a similar distance, I’ll hit four putts without the training aid and repeat that sequence three times.
Next, I’ll hit a number of 15–25 foot putts in a random fashion, then circle back to repeat the short putt drills with and without the training aid.
This breaks up the rhythm of hitting short putts with the training aid. When you hit the same short putts over and over, it’s easy to get into a groove—which is great for the drill, but not reflective of actual course play. While finding a rhythm is fundamental for drills, I like to introduce variation with longer putts to keep things realistic.
Game Mode
Once you’ve established a foundation with drills, it’s time to simulate on-course scenarios. This is where a few practice games come in handy.
One that I’ve been enjoying lately involves putting 10- to 15-footers with two balls. If I make the putt, great! If I miss, I pull the missed ball back a putter length. Suddenly, that little tap-in becomes a nerve-wracking three-footer—at least at first. As you get better at this game, those three- and five-footers become much more comfortable and routine.
It may sound cliché, but each shot is just what it is—it’s how we react that makes the difference. I like this game because it blends the pressure of on-course putting with the consequence of leaving yourself a much longer putt than usual.
Another game I like is one I recently learned from Brad Faxon. Place three tees in a line at four different locations around the hole: one at 3 feet, one at 6 feet, and one at 8 feet. The 3- and 6-foot putts count as par, and the 8-footer is for birdie.
This game keeps you focused on scoring and helps you get into a competitive mindset. You can even think about this putting game while you’re on the course. I just started playing it, and last week I couldn’t get better than two under par.
Competition
Competition during practice is when drills and games come to life, and you start to see results. For me, nothing beats a putting contest with a friend or two. In the right setting, these contests can become talking points for the whole season.
Match play, a game of 21, or simply seeing who can make the most one-putts (with a small prize on the line) are all great ways to simulate real on-course pressure. Recently, I played in a putting contest where one competitor made back-to-back 30- and 50-foot putts. As they say, expect your opponent to make every putt—and he nearly did. That’s impressive, and it’s something you see on the course, too: you have to stay committed to your game plan, no matter what.
When it comes to practice, it’s important to blend feedback from recent rounds with the fundamentals you want to reinforce. Drills, games, and competition—from the driving range to the putting green—form the backbone of skills you’ll rely on during actual rounds.
Finding the right balance is something we’re all working on, one practice session at a time. With the beginning of June on the horizon and courses rounding into peak condition for the season, it’s time to hone the finer skills that often get rusty over the winter. More sunlight also means more time to get out on the course and work on your game. Whether it’s the practice green or the driving range, there’s always something to improve—whether you’re enjoying the fresh air or preparing for a weekend game or tournament. You can work on drills or freestyle around the green, and friendly competition is a great way to sharpen your skills. While there are endless ways to get better at golf, I’m going to focus on practicing around the green. Let’s take a look at a few things to keep in mind as we head into the summer months.
Drills
From the driving range to the practice green, it’s important to incorporate drills into your routine. Years ago, I spent a weekend working on my short game with James Sieckmann. He recommended doing drill work for 5–10 minutes, then returning to your main practice. This way, you create a balance between structured drills and real-world scenarios, so you’re not confined to “perfect” situations. For example, hitting the same three-foot putt over and over is good for repetition, but after a while, it becomes less interactive for your brain.
My approach is to use a putting trainer with a narrow gate for the ball to pass through, or simply place tees just outside the width of the ball. I’ll hit a series of four putts through the gate for three sets. Then, from a similar distance, I’ll hit four putts without the training aid and repeat that sequence three times. Next, I’ll hit a number of 15–25 foot putts in a random fashion, then circle back to repeat the short putt drills with and without the training aid.
This breaks up the rhythm of hitting short putts with the training aid. When you hit the same short putts over and over, it’s easy to get into a groove—which is great for the drill, but not reflective of actual course play. While finding a rhythm is fundamental for drills, I like to introduce variation with longer putts to keep things realistic.
Game Mode
Once you’ve established a foundation with drills, it’s time to simulate on-course scenarios. This is where a few practice games come in handy. One that I’ve been enjoying lately involves putting 10- to 15-footers with two balls. If I make the putt, great! If I miss, I pull the missed ball back a putter length.
Suddenly, that little tap-in becomes a nerve-wracking three-footer—at least at first. As you get better at this game, those three- and five-footers become much more comfortable and routine. It may sound cliché, but each shot is just what it is—it’s how we react that makes the difference. I like this game because it blends the pressure of on-course putting with the consequence of leaving yourself a much longer putt than usual.
Another game I like is one I recently learned from Brad Faxon. Place three tees in a line at four different locations around the hole: one at 3 feet, one at 6 feet, and one at 8 feet. The 3- and 6-foot putts count as par, and the 8-footer is for birdie.
This game keeps you focused on scoring and helps you get into a competitive mindset. You can even think about this putting game while you’re on the course. I just started playing it, and last week I couldn’t get better than two under par.
Competition
Competition during practice is when drills and games come to life, and you start to see results. For me, nothing beats a putting contest with a friend or two. In the right setting, these contests can become talking points for the whole season. Match play, a game of 21, or simply seeing who can make the most one-putts (with a small prize on the line) are all great ways to simulate real on-course pressure. Recently, I played in a putting contest where one competitor made back-to-back 30- and 50-foot putts. As they say, expect your opponent to make every putt—and he nearly did. That’s impressive, and it’s something you see on the course, too: you have to stay committed to your game plan, no matter what.
When it comes to practice, it’s important to blend feedback from recent rounds with the fundamentals you want to reinforce. Drills, games, and competition—from the driving range to the putting green—form the backbone of skills you’ll rely on during actual rounds. Finding the right balance is something we’re all working on, one practice session at a time.
Equipment
Seoul Sensibilities: Is Korean golf fashion starting to shape the world?
For Korean golfers, we always look forward to the last of the kkot-saem-chu-I for the true start of a new golf season. The term refers to a cold snap, but literally translates as “winter being jealous of the flowers beginning to bloom, thus lashing out one final time before surrendering to spring”.
A rather poetic mouthful packed into a short expression.
Koreans can be like that. Understated, yet oddly expressive at the same time. And nowhere is this more true on the golf course and in our golf bags. In fact, I suspect many Korean golfers look forward to new apparel and accessory drops more than they do actual equipment launches each year.

At this point, Korean golf fashion may exist on its own timeline. (courtesy of @seonbi_golfer)
There is ample evidence to support that suspicion. Korea is the world’s third-largest golf market behind the United States and Japan, yet its appetite for golf apparel exceeds that of both countries combined. Recent estimates suggest that Korea accounts for nearly 40 percent of the global golf apparel market, placing it among the world’s most influential golf fashion markets and punching well above its size.
Simply, we care deeply about how new golf clubs look and feel, but enjoy looking good while swinging them even more.
Golfers in the West may laugh and say that golf is played on a course, not a fashion runway. Perhaps. But what’s the harm in trying to look and feel good, if the added self-confidence can help actual performance? It certainly seems to have worked for Jason Day, who may have unlocked a new stats category: dormant strokes gained. Coincidence?

During the COVID-era, estimates placed the market near $9 billion, an astonishing figure for a single country.
As a proud member of Gen X, I’ve witnessed the highs and lows of golf fashion firsthand. The pleated trousers and wing-tipped shoes of Jack Nicklaus, the stylish plus-fours and knickers of Payne Stewart, the baggy black trousers and fitted mock-necks of Tiger Woods, and the thigh-hugging athletic tailoring of Rory McIlroy. Golf fashion, like the golf swing itself, has rarely stood still.
But nowhere have those trends shifted, evolved, and been scrutinized quite as relentlessly as in Korea. Here, golf fashion moves faster than fairway gossip, and consumers dissect brands with a level of discernment that can be both impressive and mildly terrifying. New brands are studied, judged, embraced, or dismissed with startling efficiency.
The result is a consumer base with one of the sharpest eyes for quality and authenticity anywhere in the world. It is difficult to quantify, but easy to recognize. Clean lines without trying too hard. Luxury mixed with utility. Trend awareness balanced by restraint and purpose.
It’s golf fashion shaped by one of the world’s most style-literate cities, something I like to call Seoul Sensibilities, referring to the taste level forged by a uniquely competitive environment.
And increasingly, global brands have noticed.

Many golf brands in Korea have their own flagship shops dedicated to apparel only
Titleist understood this years ago, when its apparel business in Korea took on a life of its own under new ownership and local direction. What had once been a straightforward extension of an iconic equipment giant became something sharper and more premium. By going all in on the serious Tour-player look (I couldn’t even fit into their XL sizes), Titleist struck the right chord with Korean consumers and helped its fledgling apparel business break into the mainstream. Titleist became a household name even for non-golfers who wore its caps, shirts, and windbreakers in daily life. In many ways, it proved that even heritage golf brands could carry real fashion credibility when viewed through a Korean lens.
Several years later, PXG took a page out of Titleist’s playbook and followed suit. Korean consumers helped transform the brand from one known largely for irons and loud commercials into something broader and more stylish. PXG apparel’s growth in Korea was explosive, where it found an early audience and turned the category into something more than mere logo merchandise. It is still hard to walk anywhere in Seoul without seeing its palindrome logo.
Malbon’s meteoric rise in the United States was genuine, but its ascent into a global golf lifestyle brand owes much to Korea, where it was elevated by a market already fluent in modern golf style. Korea did not simply embrace Malbon. It pressure-tested the concept, refined its appeal, and helped push it into the global spotlight.
As such, new brands may arrive from abroad, but more often than not, their sharpest evolution happens here. If a brand can earn credibility in Seoul, it’s deemed to have passed one of the toughest style audits in the game.
That is why the next meaningful chapter may not come from outside, but from a Korean brand moving in the opposite direction, carrying those Seoul Sensibilities outward as K-pop once did.

Play young Stay dope.
From Seoul, With Intent
Khalhon is a label that feels less like a trend-chasing newcomer and more like the product of a market that has already seen everything. Golfers here have long been surrounded by luxury logos, technical fabrics, and tour uniforms disguised as lifestyle wear and vice-versa. In other words, novelty alone rarely lasts here, and the Koreans seems to understand that instinctively.
Its style language leans into clean silhouettes, relaxed but tailored proportions, muted palettes, and premium materials that speak quietly but confidently. There is a modern city aesthetic running through it all, with strong layering pieces, thoughtful textures, and subtle branding that suggests sophistication rather than demanding attention.

“Built for the course. Designed beyond it.”
Most importantly, the garments seem designed to blur the line between golfwear and everyday style. Shirts, trousers, knitwear, and outer layers move comfortably between a game of screen golf, a lunch reservation, an airport gate, or an afternoon coffee in Gangnam with friends.
It raises the question of whether this is golfwear that happens to look good off the course, or everyday clothing that performs beautifully on the fairways.
Personally, I have long appreciated Nike Golf for its clean, athletic modernization of golf attire. It also has the useful side effect of making me look like a more serious golfer than I probably am. But off the course, there are times when being instantly identified as the golf guy in a crowd of non-golfers can feel a touch self-conscious.

“Built for the course. Designed beyond it.”
That is part of what drew me to Khalhon, which seemed to blend golf and everyday wear naturally. While some of the outfits may be slightly beyond my personal confidence level, the brand also offers tasteful options for older guys like me who still want to express a little personality without regretting the decision later.
These are not simply flashy outfits worn on the course and then banished to the closet until the next tee time. They work surprisingly well off the course too, and I suspect many of the pieces will still look right a couple of years from now, which would certainly be kinder to my wallet than most golf fashion trends tend to be.
And perhaps that broader lifestyle positioning also helps explain why someone like Sean Wotherspoon would find Khalhon creatively interesting in the first place.

“Built for the course. Designed beyond it.”
“Korea is not only one of the most fashion-forward golf markets in the world, but one of the most fashion-forward markets globally. Korea is ahead, and I love to watch and try to catch up.” – Sean Wotherspoon, Creative Director at Khalhon
Seoul and Beyond
If Khalhon’s rise says something about where Korean golf fashion is today, its relationship with Sean Wotherspoon says even more about where it is heading.
For readers less familiar with Sean Wotherspoon, his arrival at Khalhon is not some routine celebrity endorsement or influencer collaboration. In design and streetwear circles, Wotherspoon is regarded as one of the more influential creative voices of his generation, particularly when it comes to blending nostalgia, storytelling, and contemporary culture into products that people can connect with.
He first gained widespread attention through his now-famous Nike sneaker collaborations, where his vintage-inspired designs and instinct for color helped turn him into one of the defining artists of the late-2010s sneaker era. His work gradually expanded beyond footwear into apparel, automotive collaborations, collectibles, and broader lifestyle design.
Modern golf style now extends well beyond the fairways, where performance and functionality are largely expected by default. And while plenty of brands already make technically competent golfwear, Khalhon seems more focused on designing clothes people would genuinely want to wear even after the round ends.
And when guys at Wotherspoon’s level show genuine interest in working with a Korean golf brand as its new Creative Director, fashion circles tend to sit up and pay attention. There’s already a huge buzz among the fashion-conscious here about upcoming collabs with iconic sports stars and brands.

“My creative direction for Khalhon is disruptive, colorful, nostalgic, and modern. My goal is to blend these avenues seamlessly within each collection.” – Sean Wotherspoon
In chatting with Sean, what stood out most to me was how genuinely energized he sounded about the project itself. Despite having already worked across and countless other creative spaces, he described golf as a completely fresh category for him, saying that Khalhon “will be an amazing vehicle for my design work.”
At the same time, his enthusiasm seemed tied just as much to Korea itself. He spoke openly about admiring Korea’s fashion culture while repeatedly insisting he is still a terrible golfer.
There was something oddly refreshing about that humility. Rather than sounding like a celebrity parachuting into golf simply because the category suddenly became fashionable, Sean sounded genuinely curious about what Korea might do with the category next.
And perhaps that is what makes Khalhon feel interesting right now. The brand feels less like a trend-chaser and more like the natural result of a market now confident enough to export its own point of view.
For years, global brands came to Korea to sharpen their image against one of the most discerning audiences anywhere. Now, a Korean label appears ready to send those Seoul Sensibilities outward instead.
Which brings us back to kkot-saem-chu-i.
That final cold snap before spring always arrives with a reminder that seasons are changing, whether we notice it immediately or not. Golf fashion feels a little like that right now as well, as the old boundaries between sport, streetwear, luxury, and everyday style continue to soften.
And somewhere in Seoul, a Korean golf label already seems prepared for whatever season comes next. I just hope they have everything in my size.

reggie jaggers
Aug 26, 2013 at 3:37 pm
I am so glad to see someone, a teacher finally come forward and set all of this “all of these parts of the swing must be so and so, you need to have so much weight on this foot, that foot etc. etc. ” There isn’t any wonder that students have so much trouble taking away anything productive after a lesson. I’ve always thought use what suits you the best and don’t worry about what all the books say. They said Jack Nicklaus would never be a good PGA player (paraphrasing here) because his swing was too upright. Well I think Jacks record speaks for itself. I am a self taught golfer and am now 61 years old, soon to be 62 (Sept. 3) my best round at my home course was 64 and this was one year after taking up the game, but I was obsessed with it so I practiced daily. I can still shoot under par and hover around par on my bad days and I’ve never had any instruction. Thank you very much for your post, I wish more instructors would come clean and “fess up” as well. We have all become too reliant on today’s golf equipment ie: made to think we can buy a better game, practice is the only thing. Sorry straying a bit here, but again a great post and a much needed one.
Dennis Clark
May 19, 2013 at 2:56 pm
Well first thought is distance from the ball. Have you tried a little closer? Bill Haas does do that with an OUT hand path and you can bet he aint hooking off the toe. Its one of those compatible variations that you need to make,
Dennis Clark
May 19, 2013 at 7:07 pm
Chris send me a video; I’ll take a look
Dennis Clark
May 17, 2013 at 10:10 pm
whats the problem? swing problem i mean?
chris
May 18, 2013 at 6:03 am
Dennis,
I am around a scratch golfer yet I tend to hit the ball off the toe which causes me to hook/pull hook.. Video shows I move away from the ball on the downswing—can’t fix it to save my life. I have found pros like Bill Haas have a similar move.
Chris
May 16, 2013 at 11:17 pm
Best article I have read on the swing in a long long time. But Dennis, how do I improve and make my impact consistently pure? I’m working my tail off but at a loss here…
Well done!
Dennis Clark
May 16, 2013 at 8:19 pm
Exactly Mike. State Open or State Am is perfect example. A lot of zero handicaps who look like like they’re digging graves.
Steve Connolly
May 8, 2013 at 7:00 pm
Dennis, wouldn’t you say that anyone who is coming for a lesson needs to get a more repeatable swing?
I have been taught that up a more “correct” swing is more repeatable, and generates more speed with less effort than a swing filled with compensations. After all, not all of us can practice and play as much as the great players you mentioned.
Doesn’t a more “correct” swing produce fewer injuries as well?
Thank you!
Dennis Clark
May 9, 2013 at 3:32 pm
Steve: I am willing to bet your swing is as repeatable as a tour pro other than the face at impact. Please send me a video. If you have a V-1 app on your phone, I’d like to see it. Thx, DC
Mike Divot
May 15, 2013 at 9:23 pm
How many times have you seen a guy with a “correct” swing who looks really controlled and unnatural?
Or he has a beautiful swing and hits his driver 200?
And how many times have you played with a guy who hits it like a horse on roller skates, but somehow beats the pants off you?
Steve Pratt
May 4, 2013 at 8:53 pm
Bravo Dennis! As a teacher, I can imagine a number of PGA Tour pros coming to me for advice – say Kevin Stadler, Jim Furyk, et. al. And I really wouldn’t have any swing advice.
I think my first question would be – so how’s your putting?
Yes Clampett advocates a forward leaning shaft of the driver at impact.
Dennis Clark
May 4, 2013 at 10:35 pm
Yes sireee…Played with Eamonn Darcy many many years ago. If you’re not familiar, google him. I couldnt believe my eyes. But he never missed a shot in a 66 round. Alan Doyle same thing thing; he could swing in a closet. Pured it all day long!
Park
May 4, 2013 at 8:12 pm
Excellent, thanks
yo!
May 6, 2013 at 2:59 pm
Yes, I remember that from the book. He says that slow motion video shows that most pros hit the driver with a slightly descending blow. But I’m not sure he is advocating that. Also, I not sure that TGM is actually a method as opposed to a description of a golf swing. And I’ve seen TGM instructors disagree with each other because each person reads the book slightly differently or they incorporate their own bias into it.
yo!
May 4, 2013 at 11:10 am
bobby clampett the impact zone is an excellent book on this topic. he describes the one fundamental that all good golfers have in common
Dennis Clark
May 4, 2013 at 2:19 pm
The ony problem with the TGM driven “Impact Zone” is that he suggests hitting DOWN on your driver. Trackman proves that is not optimal…
yo!
May 6, 2013 at 3:00 pm
Yes, I remember that from the book. He says that slow motion video shows that most pros hit the driver with a slightly descending blow. But I’m not sure he is advocating that. Also, I not sure that TGM is actually a method as opposed to a description of a golf swing. And I’ve seen TGM instructors disagree with each other because each person reads the book slightly differently or they incorporate their own bias into it.
Dennis Clark
May 6, 2013 at 8:44 pm
TGM science claims that the club loses speed as soon as it begins to ascend. That low point is the highest speed of the club. Radar disagrees. It’s true that MOST Tour pros hit a bit down on the driver. When you’re in the 115 MPH zone, you don’t need more speed, you’re looking for control and some of them feel 1 degree down or so gives them that. For 99.9% of golfers, this is terrible advice!
ulejas
May 4, 2013 at 9:14 am
There are a few past golf teachers that could benefit from this article. We don’t all have to be cloned.
Speedster
May 3, 2013 at 1:02 pm
totally agree except for the grip issue. neutral is all relative to where you strike the ball(example, alot of people will grip it address neutral but regrip as they hit the ball, not ideal, but it happens). reality is such, we are all humans, and therefore we should generally hold the club with our left hand relatively the same, assuming you don’t have any physical impediments. the left hand grip IMO is probably the only thing that should be “standardized”
Nathan
May 3, 2013 at 10:43 am
I agree 100% with the article. I am one of those with a very unorthodox swing. Let say I use to take the club way outside, way over parallel, and then would drop my shoulders/hands way inside. The only way I hit the ball is quick hands, pop up at impact, and push the ball 30 yards right of my aim. The reason I changed/still changing is too get better. My thing was always consistancy. If timing was off my swing was gone. If I was on, I could play with anyone. That ultimately made me want to change my swing.
David
May 3, 2013 at 10:09 am
Could not agree more. Listening to people slip into hyperbole when arguing their theories of the *only* way to swing is worse than listening to idiots go on about their political party of choice.
That John Jacobs quote is important to everyone who loves the game.
Steve
May 3, 2013 at 7:28 am
GREAT article!!! One of the best I’ve ever read here — this one actually talks about ‘real’ golf instead! We all have our idiosynchratic elements, and boy I’ve seen a slew of ’em, but they often result in pure, accurate, and repeatable shots. Great work, keep up this sort of writing!
MJ.
May 3, 2013 at 5:04 am
The fact that writer thinks all ‘method teachers’ teach the same day in day out, means he has stopped learning an investigating at some point. Which is sad, because according to this article he seems to be a fantastic teacher ….
Undoubtedly writer follows a certain set of rules to help his students, whether conscious or not. That makes him as much a method teacher as any other teacher.
naflack
May 8, 2013 at 12:03 pm
Interesting logic…
Dennis Clark
May 19, 2013 at 3:04 pm
writer follows a set of rules that are FUNCTIONAL, not a set that are in someone’s book. COMPATIBLE variations is what this writer teaches. You?
Square
May 3, 2013 at 4:57 am
John Jacobs is the best; this article was worth the read.
Adrian
May 3, 2013 at 2:35 am
Awesome write up and very very true.
GSark
May 2, 2013 at 5:06 pm
Bravo! I am one of those guys who is a bit unorthodox but still manages to score. I’m a self taught once a week and carry a GHIN of 4.9. I take my driver back flat, come a little over the top and hit a fade down the middle. I take my short irons straight up, lay them off at the top, drop’em inside and hit a big draw. It’s what feels good, it’s what I do, and I can repeat it. It’s how I do it. Fundamentals are good, and if your mis-hitting it fundamentals can help put you on the ball,but fundamentals aren’t absolute and they sure as heck ain’t the same for everybody. When I built my swing I read alot and got really confused,really,really confused. Then the clouds parted and I realized… You wanna score, make putts. Get the ball up and down. Chip it when you can, pitch it if you can’t chip it. Swing only as hard as you are able to hit the ball flush. If this means pitch it, then pitch it,even with your driver. I won’t call it fundamental, what I will say is putting the club squarely on the back of the ball and putting the ball in the hole is REALLY all that matters.
Swing your swing indeed sir, Swing your swing indeed.