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Opinion & Analysis

2021 year in review: Books, books, and more books

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“I don’t know how to put this but I’m kind of a big deal. People know me. I’m very important. I have many leather-bound books and my apartment smells of rich mahogany.”

There aren’t any heroes named Ron. There are foils (Ron Weasely) and pratfalls (Ron Burgundy). There are lovable goofballs (Ron Stoppable) and animated supporters (Ron Cadillac). The closest we have to a legendary Ron is Ron Swanson, and that’s only because he has the spoofed pyramid of greatness (thank you, John Wooden.) Actually, I’ll take those five Rons, and ron run with them. That’s one heck of a way to introduce a quote from the fictional Ron Burgundy, about books, which is what this rich essay pretends to profile.

2021 offered the opportunity for me to acquire a number of books to add to my collection. Not all are leather-bound, but how many really are these days? Some are old, while others are new. Some came as review copies from publishing companies, while others tumbled down from dusty shelves of book nooks. Below you’ll find my rundown of 14 volumes related to golf if not outright dedicated to the subject.

1. A wee nip at the 19th hole

Richard Mackzenzie, 1997 (Sleeping Bear Press) 1998 (Bantam Books). Mine is the later edition; I suspect the first is in massive demand. SBP was the godsend of publishing in the decade of 1995 to 2005. The best golf books came out of Michigan. This tome treats the lore of the caddie.

2. Mr. Punch on the links

E.V. Knox, editor 1929 (Henkle). My brother has taken to finding absolutely ridiculous books for the collection. This one has a 1935 Xmas dedication from Helen Dwight Reid to someone special in her life. To put things in perspective, my dad was 15 months old when she wrote that dedication. It’s a collection of stories, and I’ll gingerly turn the pages this year.

3. The Country Club of Buffalo: The first hundred years

Austin Fox 1989 (published by the club). I grew up on the second CCB layout, which came after the first hosted the 1912 U.S. Open and predates the current Ross routing. The first layout is occupied by elegant housing. The second (my stomping grounds) is a municipal course. I’m on the lookout always for photos from the U.S. Open course. I’m not certain that they exist, outside the archives of the club. I’ll have a read of this volume and let you know.

4. Bringing the monster to its knees

Edward Gruver 2021 (Lyons Press). Speaking of U.S. Open championships, the 1951 edition set the stage for what I consider to be decades of missteps by the USGA. The trajectory had to happen, what with the Cold War, the Space Race, and all that overworld competition between political superpowers. It only stood to reason that golf course architecture would embrace bigger + badder + brutal equates with better. And Robert Trent Jones, Sr. was there to oblige. I feel bad for Trent. His early stuff was playable and great, and some of his later courses were of the same, strategic ilk. It’s just that middle period when everything inflated. This book examines the events, locales, and figures that culminated in one of the most famous quotes from Ben Hogan.

5. The sport of Prince’s: Reflections of a golfer

Laddie Lucas 1980 (Stanley Paul) If you know Hamilton, you know that it opens like this:

How does a bastard, orphan, son of a whore
and a Scotsman, dropped in the middle of a
forgotten spot in the Caribbean by providence,
impoverished, in squalor,
grow up to be a hero and a scholar?

Here’s the Percy Belgrave Lucas version:

How does a child, born in a clubhouse
along the Kent coastline, swinging from the port side
join the Royal Air Force, returning from a battle
land his broken plane on the fairways he was nurtured on,
grow up to be a champion golfer and a writer?

Laddie Lucas, legend.

6. Lines of charm

Geoff Shackleford 2005 (Sports Media Group) Another collection of essays, by one of the golf world’s most humble figures, this agglomeration of perspectives gathers the insights of golf course architects from way back then to the turn of the millennium.

7. Cracking the code

Paul Azinger and Ron Braund 2010 (Looking Glass Books) In 2008, Paul Azinger and his diminutive staff of assistant coaches crafted a strategy on how to group team members and win back the Ryder Cup. They did so, and the PGA of America honored them by ignoring their work and abandoning their precepts. If you coach, or teach, or parent, you should read this volume.

8. The Amen Corner

James Baldwin 1954   In 1958, Herbert Warren Wind christened a three-hole stretch of golf holes at the Augusta National Golf Club as Amen Corner. Historians have been quick to attribute the influence to an old spiritual Shouting in/at that Amen corner. It seems ridiculous to suspect that someone as well-read as Wind, would not be aware of a theatrical piece, published by one of the most important writers of the decade. I move that Baldwin’s play, beyond its importance to the wider world, be recognized as impactful on Wind’s naming of holes 11 through 13 at the home of the Masters

9. Cinderella Story

Bill Murray 1999 (Doubleday) The Bill Murray that we see on television today, is not the Bill Murray that we knew from the 1970s to the 1990s. There is something about youthful pratfall that is waaayyy funnier than elderly pratfall. Trust me; I’m approaching elderly. It reminds me of John Mulaney’s take on Bill Clinton: that is not the Bill Clinton that we all signed up for, twenty years ago. The Bill Murray that we signed up for, the one who made the greatest golf movie for once and all time, is older now. Best you read his words from the old millennium.

10. The confidential guide to golf courses: volume five

Tom Doak, et al 2018 (Renaissance Golf Publishing) Tom Doak became accessible to me. That’s kind of a murky statement, but murk inspires. It should inspire you to make your heroes accessible to you, provided that they are still alive and not in prison. Tom Doak is alive and is not in prison. Tom Doak designs great golf courses. Tom Doak writes about the history and the contemporary of golf course architecture. Tom Doak suffers no fools. His confidential guide has had two lives. This one is the second, and consists of five volumes. The first three came in chronological order, in 2014, 2015, and 2016. Volume five came out two years later. The fourth volume has yet to make an appearance. If you want to learn about what makes great golf courses, where those courses are on this planet, and what four people (Tom and his coterie) sincerely, honestly, and unabashedly think of them, you read this series of books.

11. The nine virtues of golf

Jay Revell 2020 (self-published) is a fine golf writer. He is a current golf writer. He is a southern golf writer, and that is a very different thing from a northern golf writer, a European golf writer, or a midwestern golf writer. His first book is an assemblage of nine delightful meditations, is self-published, and is an absolute steal, no matter the price.

12. Scotland’s Gift Golf

Charles Blair MacDonald 2020 (Coventry House) The original was published over a century ago; CBM has not returned from the angry dead. Someone had to be the father of American golf  because women were not considered equal to men, and so MacDonald fit the bill. He did his legwork, and he left us with the notion of template holes. These are slowly making their way into public golf courses. The day will come when a municipality takes the money and says Blow up the muni and replace it with the great golf holes. Until then, you’ll have to sneak onto the private clubs with me. And read what MacDonald considered to be important.

13. Dangerous Beauty

Samuel Ingwersen 2019 (Dangerous Beauty) The actual title of the book is Watercolor paintings and insights from the artist on the dangerous beauty of modern golf course design. Whoooooo. 27 syllables later, we’ve chopped it down to five and we’re running with it. Perhaps you know that I love to take photographs of golf courses. I can’t sing, I cannot draw, and I’ll never hold a brush and make it do the things I want it to, even on the broad side of a barn. I have a soft spot for those who can use the voice, pencil, and paint, to make beautiful things. I have a soft spot for this book.

14. The making of Pacific Dunes

Tom Doak 2021 (Renaissance Golf Publishing) Remember that name I dropped, a few books ago? Well, he has another book on my list. Can I help it if the books he produces are fit for mahogany coffee tables, especially ones that smell like new money, that 60 percent of the time, work all the time? These are wonderful books, about wonderful places, and they are worth the wonderful money that I collect from returning pop bottles. If only I lived in Michigan, where Doak lives. I could buy twice as many books, since bottles fetch 10 cents each in the Mitten state. Pacific Dunes is a magical place on the Oregon coast and is one of five, full-sized courses on the Bandon Dunes property. It is spectacular, as is this book.

Epilogue

I met a marketing genius for a golf resort and asked him if he had seen what a certain author had written about his resort, under a certain title. He indicated that it was on his desk. This meant that, along with forty other books, it was on his desk. This meant that he would get to it, probably, on the first of never, and then only for a quick scan. Why did I care? Because on page 104 or thereabouts, I was mentioned in the book. And I was trying to lead him to that fact, and cement my own importance alongside the resort and the book. Didn’t pan out.

What did pan out are these books. I’ll spend 2022 hunting for more, and I hope that you will, too. The playing of golf is a marvelous opportunity, but the reading of far-off adventures, alongside far-away courses, is a privilege.

Ronald Montesano writes for GolfWRX.com from western New York. He dabbles in coaching golf and teaching Spanish, in addition to scribbling columns on all aspects of golf, from apparel to architecture, from equipment to travel. Follow Ronald on Twitter at @buffalogolfer.

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Club Junkie

Tour Edge Exotics mini driver review + TaylorMade Spider ZT Max first look – Club Junkie

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On this episode of Club Junkie, I put the new Tour Edge Exotics Mini Driver to the test and break down the performance, forgiveness, distance, and where it fits compared to a traditional driver or strong fairway wood. If you have been curious about adding a mini driver to the bag, this one is worth a look.

I also dive into the new TaylorMade Spider ZT Max putter that was recently spotted and discuss the growing zero torque putter trend. Plus, there is a closer look at the new Project X Titan Yellow shaft showing up on the PGA Tour and what makes it different from other profiles currently out there.

 

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Opinion & Analysis

AVL: We’re talking about practice! My best tips for taking your game to the course

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With the beginning of June on the horizon and courses rounding into peak condition for the season, it’s time to hone the finer skills that often get rusty over the winter. More sunlight also means more time to get out on the course and work on your game.

Whether it’s the practice green or the driving range, there’s always something to improve—whether you’re enjoying the fresh air or preparing for a weekend game or tournament. You can work on drills or freestyle around the green, and friendly competition is a great way to sharpen your skills.

While there are endless ways to get better at golf, I’m going to focus on practicing around the green. Let’s take a look at a few things to keep in mind as we head into the summer months.

Drills

From the driving range to the practice green, it’s important to incorporate drills into your routine. Years ago, I spent a weekend working on my short game with James Sieckmann. He recommended doing drill work for 5–10 minutes, then returning to your main practice.

This way, you create a balance between structured drills and real-world scenarios, so you’re not confined to “perfect” situations. For example, hitting the same three-foot putt over and over is good for repetition, but after a while, it becomes less interactive for your brain.

My approach is to use a putting trainer with a narrow gate for the ball to pass through, or simply place tees just outside the width of the ball. I’ll hit a series of four putts through the gate for three sets. Then, from a similar distance, I’ll hit four putts without the training aid and repeat that sequence three times.

Next, I’ll hit a number of 15–25 foot putts in a random fashion, then circle back to repeat the short putt drills with and without the training aid.

This breaks up the rhythm of hitting short putts with the training aid. When you hit the same short putts over and over, it’s easy to get into a groove—which is great for the drill, but not reflective of actual course play. While finding a rhythm is fundamental for drills, I like to introduce variation with longer putts to keep things realistic.

Game Mode

Once you’ve established a foundation with drills, it’s time to simulate on-course scenarios. This is where a few practice games come in handy.

One that I’ve been enjoying lately involves putting 10- to 15-footers with two balls. If I make the putt, great! If I miss, I pull the missed ball back a putter length. Suddenly, that little tap-in becomes a nerve-wracking three-footer—at least at first. As you get better at this game, those three- and five-footers become much more comfortable and routine.

It may sound cliché, but each shot is just what it is—it’s how we react that makes the difference. I like this game because it blends the pressure of on-course putting with the consequence of leaving yourself a much longer putt than usual.

Another game I like is one I recently learned from Brad Faxon. Place three tees in a line at four different locations around the hole: one at 3 feet, one at 6 feet, and one at 8 feet. The 3- and 6-foot putts count as par, and the 8-footer is for birdie.

This game keeps you focused on scoring and helps you get into a competitive mindset. You can even think about this putting game while you’re on the course. I just started playing it, and last week I couldn’t get better than two under par.

Competition

Competition during practice is when drills and games come to life, and you start to see results. For me, nothing beats a putting contest with a friend or two. In the right setting, these contests can become talking points for the whole season.

Match play, a game of 21, or simply seeing who can make the most one-putts (with a small prize on the line) are all great ways to simulate real on-course pressure. Recently, I played in a putting contest where one competitor made back-to-back 30- and 50-foot putts. As they say, expect your opponent to make every putt—and he nearly did. That’s impressive, and it’s something you see on the course, too: you have to stay committed to your game plan, no matter what.

When it comes to practice, it’s important to blend feedback from recent rounds with the fundamentals you want to reinforce. Drills, games, and competition—from the driving range to the putting green—form the backbone of skills you’ll rely on during actual rounds.

Finding the right balance is something we’re all working on, one practice session at a time. With the beginning of June on the horizon and courses rounding into peak condition for the season, it’s time to hone the finer skills that often get rusty over the winter. More sunlight also means more time to get out on the course and work on your game. Whether it’s the practice green or the driving range, there’s always something to improve—whether you’re enjoying the fresh air or preparing for a weekend game or tournament. You can work on drills or freestyle around the green, and friendly competition is a great way to sharpen your skills. While there are endless ways to get better at golf, I’m going to focus on practicing around the green. Let’s take a look at a few things to keep in mind as we head into the summer months.

Drills

From the driving range to the practice green, it’s important to incorporate drills into your routine. Years ago, I spent a weekend working on my short game with James Sieckmann. He recommended doing drill work for 5–10 minutes, then returning to your main practice. This way, you create a balance between structured drills and real-world scenarios, so you’re not confined to “perfect” situations. For example, hitting the same three-foot putt over and over is good for repetition, but after a while, it becomes less interactive for your brain.

My approach is to use a putting trainer with a narrow gate for the ball to pass through, or simply place tees just outside the width of the ball. I’ll hit a series of four putts through the gate for three sets. Then, from a similar distance, I’ll hit four putts without the training aid and repeat that sequence three times. Next, I’ll hit a number of 15–25 foot putts in a random fashion, then circle back to repeat the short putt drills with and without the training aid.

This breaks up the rhythm of hitting short putts with the training aid. When you hit the same short putts over and over, it’s easy to get into a groove—which is great for the drill, but not reflective of actual course play. While finding a rhythm is fundamental for drills, I like to introduce variation with longer putts to keep things realistic.

Game Mode

Once you’ve established a foundation with drills, it’s time to simulate on-course scenarios. This is where a few practice games come in handy. One that I’ve been enjoying lately involves putting 10- to 15-footers with two balls. If I make the putt, great! If I miss, I pull the missed ball back a putter length.

Suddenly, that little tap-in becomes a nerve-wracking three-footer—at least at first. As you get better at this game, those three- and five-footers become much more comfortable and routine. It may sound cliché, but each shot is just what it is—it’s how we react that makes the difference. I like this game because it blends the pressure of on-course putting with the consequence of leaving yourself a much longer putt than usual.

Another game I like is one I recently learned from Brad Faxon. Place three tees in a line at four different locations around the hole: one at 3 feet, one at 6 feet, and one at 8 feet. The 3- and 6-foot putts count as par, and the 8-footer is for birdie.

This game keeps you focused on scoring and helps you get into a competitive mindset. You can even think about this putting game while you’re on the course. I just started playing it, and last week I couldn’t get better than two under par.

Competition

Competition during practice is when drills and games come to life, and you start to see results. For me, nothing beats a putting contest with a friend or two. In the right setting, these contests can become talking points for the whole season. Match play, a game of 21, or simply seeing who can make the most one-putts (with a small prize on the line) are all great ways to simulate real on-course pressure. Recently, I played in a putting contest where one competitor made back-to-back 30- and 50-foot putts. As they say, expect your opponent to make every putt—and he nearly did. That’s impressive, and it’s something you see on the course, too: you have to stay committed to your game plan, no matter what.

When it comes to practice, it’s important to blend feedback from recent rounds with the fundamentals you want to reinforce. Drills, games, and competition—from the driving range to the putting green—form the backbone of skills you’ll rely on during actual rounds. Finding the right balance is something we’re all working on, one practice session at a time.

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Equipment

Seoul Sensibilities: Is Korean golf fashion starting to shape the world?

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For Korean golfers, we always look forward to the last of the kkot-saem-chu-I for the true start of a new golf season. The term refers to a cold snap, but literally translates as “winter being jealous of the flowers beginning to bloom, thus lashing out one final time before surrendering to spring”.

A rather poetic mouthful packed into a short expression.

Koreans can be like that. Understated, yet oddly expressive at the same time. And nowhere is this more true on the golf course and in our golf bags. In fact, I suspect many Korean golfers look forward to new apparel and accessory drops more than they do actual equipment launches each year.

At this point, Korean golf fashion may exist on its own timeline. (courtesy of @seonbi_golfer)

There is ample evidence to support that suspicion. Korea is the world’s third-largest golf market behind the United States and Japan, yet its appetite for golf apparel exceeds that of both countries combined. Recent estimates suggest that Korea accounts for nearly 40 percent of the global golf apparel market, placing it among the world’s most influential golf fashion markets and punching well above its size.

Simply, we care deeply about how new golf clubs look and feel, but enjoy looking good while swinging them even more.

Golfers in the West may laugh and say that golf is played on a course, not a fashion runway. Perhaps. But what’s the harm in trying to look and feel good, if the added self-confidence can help actual performance? It certainly seems to have worked for Jason Day, who may have unlocked a new stats category: dormant strokes gained. Coincidence?

During the COVID-era, estimates placed the market near $9 billion, an astonishing figure for a single country.

As a proud member of Gen X, I’ve witnessed the highs and lows of golf fashion firsthand. The pleated trousers and wing-tipped shoes of Jack Nicklaus, the stylish plus-fours and knickers of Payne Stewart, the baggy black trousers and fitted mock-necks of Tiger Woods, and the thigh-hugging athletic tailoring of Rory McIlroy. Golf fashion, like the golf swing itself, has rarely stood still.

But nowhere have those trends shifted, evolved, and been scrutinized quite as relentlessly as in Korea. Here, golf fashion moves faster than fairway gossip, and consumers dissect brands with a level of discernment that can be both impressive and mildly terrifying. New brands are studied, judged, embraced, or dismissed with startling efficiency.

The result is a consumer base with one of the sharpest eyes for quality and authenticity anywhere in the world. It is difficult to quantify, but easy to recognize. Clean lines without trying too hard. Luxury mixed with utility. Trend awareness balanced by restraint and purpose.

It’s golf fashion shaped by one of the world’s most style-literate cities, something I like to call Seoul Sensibilities, referring to the taste level forged by a uniquely competitive environment.

And increasingly, global brands have noticed.

Many golf brands in Korea have their own flagship shops dedicated to apparel only

Titleist understood this years ago, when its apparel business in Korea took on a life of its own under new ownership and local direction. What had once been a straightforward extension of an iconic equipment giant became something sharper and more premium. By going all in on the serious Tour-player look (I couldn’t even fit into their XL sizes), Titleist struck the right chord with Korean consumers and helped its fledgling apparel business break into the mainstream. Titleist became a household name even for non-golfers who wore its caps, shirts, and windbreakers in daily life. In many ways, it proved that even heritage golf brands could carry real fashion credibility when viewed through a Korean lens.

Several years later, PXG took a page out of Titleist’s playbook and followed suit. Korean consumers helped transform the brand from one known largely for irons and loud commercials into something broader and more stylish. PXG apparel’s growth in Korea was explosive, where it found an early audience and turned the category into something more than mere logo merchandise. It is still hard to walk anywhere in Seoul without seeing its palindrome logo.

Malbon’s meteoric rise in the United States was genuine, but its ascent into a global golf lifestyle brand owes much to Korea, where it was elevated by a market already fluent in modern golf style. Korea did not simply embrace Malbon. It pressure-tested the concept, refined its appeal, and helped push it into the global spotlight.

As such, new brands may arrive from abroad, but more often than not, their sharpest evolution happens here. If a brand can earn credibility in Seoul, it’s deemed to have passed one of the toughest style audits in the game.

That is why the next meaningful chapter may not come from outside, but from a Korean brand moving in the opposite direction, carrying those Seoul Sensibilities outward as K-pop once did.

Play young Stay dope.

From Seoul, With Intent

Khalhon is a label that feels less like a trend-chasing newcomer and more like the product of a market that has already seen everything. Golfers here have long been surrounded by luxury logos, technical fabrics, and tour uniforms disguised as lifestyle wear and vice-versa. In other words, novelty alone rarely lasts here, and the Koreans seems to understand that instinctively.

Its style language leans into clean silhouettes, relaxed but tailored proportions, muted palettes, and premium materials that speak quietly but confidently. There is a modern city aesthetic running through it all, with strong layering pieces, thoughtful textures, and subtle branding that suggests sophistication rather than demanding attention.

“Built for the course. Designed beyond it.”

Most importantly, the garments seem designed to blur the line between golfwear and everyday style. Shirts, trousers, knitwear, and outer layers move comfortably between a game of screen golf, a lunch reservation, an airport gate, or an afternoon coffee in Gangnam with friends.

It raises the question of whether this is golfwear that happens to look good off the course, or everyday clothing that performs beautifully on the fairways.

Personally, I have long appreciated Nike Golf for its clean, athletic modernization of golf attire. It also has the useful side effect of making me look like a more serious golfer than I probably am. But off the course, there are times when being instantly identified as the golf guy in a crowd of non-golfers can feel a touch self-conscious.

“Built for the course. Designed beyond it.”

That is part of what drew me to Khalhon, which seemed to blend golf and everyday wear naturally. While some of the outfits may be slightly beyond my personal confidence level, the brand also offers tasteful options for older guys like me who still want to express a little personality without regretting the decision later.

These are not simply flashy outfits worn on the course and then banished to the closet until the next tee time. They work surprisingly well off the course too, and I suspect many of the pieces will still look right a couple of years from now, which would certainly be kinder to my wallet than most golf fashion trends tend to be.

And perhaps that broader lifestyle positioning also helps explain why someone like Sean Wotherspoon would find Khalhon creatively interesting in the first place.

“Built for the course. Designed beyond it.”

“Korea is not only one of the most fashion-forward golf markets in the world, but one of the most fashion-forward markets globally. Korea is ahead, and I love to watch and try to catch up.” – Sean Wotherspoon, Creative Director at Khalhon

Seoul and Beyond

If Khalhon’s rise says something about where Korean golf fashion is today, its relationship with Sean Wotherspoon says even more about where it is heading.

For readers less familiar with Sean Wotherspoon, his arrival at Khalhon is not some routine celebrity endorsement or influencer collaboration. In design and streetwear circles, Wotherspoon is regarded as one of the more influential creative voices of his generation, particularly when it comes to blending nostalgia, storytelling, and contemporary culture into products that people can connect with.

He first gained widespread attention through his now-famous Nike sneaker collaborations, where his vintage-inspired designs and instinct for color helped turn him into one of the defining artists of the late-2010s sneaker era. His work gradually expanded beyond footwear into apparel, automotive collaborations, collectibles, and broader lifestyle design.

Modern golf style now extends well beyond the fairways, where performance and functionality are largely expected by default. And while plenty of brands already make technically competent golfwear, Khalhon seems more focused on designing clothes people would genuinely want to wear even after the round ends.

And when guys at Wotherspoon’s level show genuine interest in working with a Korean golf brand as its new Creative Director, fashion circles tend to sit up and pay attention. There’s already a huge buzz among the fashion-conscious here about upcoming collabs with iconic sports stars and brands.

“My creative direction for Khalhon is disruptive, colorful, nostalgic, and modern. My goal is to blend these avenues seamlessly within each collection.” – Sean Wotherspoon

In chatting with Sean, what stood out most to me was how genuinely energized he sounded about the project itself. Despite having already worked across and countless other creative spaces, he described golf as a completely fresh category for him, saying that Khalhon “will be an amazing vehicle for my design work.”

At the same time, his enthusiasm seemed tied just as much to Korea itself. He spoke openly about admiring Korea’s fashion culture while repeatedly insisting he is still a terrible golfer.

There was something oddly refreshing about that humility. Rather than sounding like a celebrity parachuting into golf simply because the category suddenly became fashionable, Sean sounded genuinely curious about what Korea might do with the category next.

And perhaps that is what makes Khalhon feel interesting right now. The brand feels less like a trend-chaser and more like the natural result of a market now confident enough to export its own point of view.

For years, global brands came to Korea to sharpen their image against one of the most discerning audiences anywhere. Now, a Korean label appears ready to send those Seoul Sensibilities outward instead.

Which brings us back to kkot-saem-chu-i.

That final cold snap before spring always arrives with a reminder that seasons are changing, whether we notice it immediately or not. Golf fashion feels a little like that right now as well, as the old boundaries between sport, streetwear, luxury, and everyday style continue to soften.

And somewhere in Seoul, a Korean golf label already seems prepared for whatever season comes next. I just hope they have everything in my size.

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