Opinion & Analysis
The Wedge Guy: An examination of proper “release”
One of my favorite ‘contributions’ to this game I love is helping golfers t an “ah-ha” moment, wherein they gain an understanding of the idiosyncrasies of the golf swing that helps them make progress in their ball striking. In so many cases with recreational golfers, keys to improvement can be much more conceptual than physical. In other words, helping a golfer discover what really should be happening in various parts of the golf swing leads them to make their own swing alterations to adopt this new understanding.
I firmly believe that teaching through understanding is much more productive than trying to teach “a new move” through the physical approach. From my observation of recreational golfers, particularly those with “homemade” swings (which all have the potential to produce better and more consistent results in my opinion), one of the most misunderstood intricacies of the golf swing is how the club should be “released” through the impact zone.
Almost universally, golfers seem to think that the club releases through impact by or with an unhinging of the wrists, so that the left arm and shaft form a straight line.
If you genuinely want to improve your ball striking, your distance, your consistency and your scores, I suggest you pursue a genuine and technical understanding of this critical segment of the golf swing. Because most of you are
stuck in front of your TV right now–watching more golf than you are playing–you can make this time count. Every chance you get, watch the slow-motion videos of the golf swing from behind the golfer, looking down the line. A
straight-on view of the golf swing does not reveal this angle, but that is mostly what we are given in swing analysis by television and magazines, unfortunately.
[I’ll offer too, that you can learn a lot more from watching the LPGA players than the guys, as these very talented ladies are much closer to our own strength profiles. In my opinion, most of them are much more fundamentally
sound in their mechanics as they simply have to get the most efficiency out of the swing.]
What you will see, particularly with the wedge and short iron shots is that the hands and arms follow a path through impact that very nearly “covers” their position at address, where a distinct angle is formed by the left arm and shaft of the club…again, looking from behind the golfer down the target line.
As you study these videos and still photos, you’ll see that in the longer, more powerful swings–driver, metals, hybrids–the hands drift a little higher and away from the body more than they do with the middle and short irons, but the angle is still there. As you watch these guys hit the delicate short shots around the greens, the hands almost identically cover their address position.
That’s because a proper “release” of the club is not as much an unhinging of the wrists, but rather a rotation of the hands and arms through impact, in concert with and driven by the rotation of the body core itself. Close examination shows that the hands remain almost directly in front of the sternum through the entire impact zone, and the forearms and hands rotate – not unhinge – so that the club is squared at the ball for consistent impact.
Now, all this diagnosis would not be worth a dime to you if I didn’t show you how to experience this for yourself. Like most new physical activities, you are always best served by trying to LEARN IT IN SLOW MOTION! Simply pick up your 8- or 9-iron and find a place in your house or garage where you won’t take out a table lamp, and make very S-L-O-W swings, while concentrating on making this rotational release motion.
Your goal is to set up at address with the left arm hanging naturally from your shoulder, not pushed out toward the ball. Take the club back with a rotation of the body core, and then back through the impact zone, concentrating on making the left arm and hands exactly “cover” their address position. The angle of the wrists is maintained, and the club rotates through the ball, as your body rotates through impact.
Once you get the feel of it in slow motion, make slightly faster swings, concentrating on the path of the arms and that rotational release. When you actually hit balls with this newly-learned release–DO IT AT 35-50% POWER–you’ll be amazed at the boring trajectories and effortless distance you will get!
Let’s get some feedback on this, guys. How did you do?
Club Junkie
Tour Edge Exotics mini driver review + TaylorMade Spider ZT Max first look – Club Junkie
On this episode of Club Junkie, I put the new Tour Edge Exotics Mini Driver to the test and break down the performance, forgiveness, distance, and where it fits compared to a traditional driver or strong fairway wood. If you have been curious about adding a mini driver to the bag, this one is worth a look.
I also dive into the new TaylorMade Spider ZT Max putter that was recently spotted and discuss the growing zero torque putter trend. Plus, there is a closer look at the new Project X Titan Yellow shaft showing up on the PGA Tour and what makes it different from other profiles currently out there.
Opinion & Analysis
AVL: We’re talking about practice! My best tips for taking your game to the course
With the beginning of June on the horizon and courses rounding into peak condition for the season, it’s time to hone the finer skills that often get rusty over the winter. More sunlight also means more time to get out on the course and work on your game.
Whether it’s the practice green or the driving range, there’s always something to improve—whether you’re enjoying the fresh air or preparing for a weekend game or tournament. You can work on drills or freestyle around the green, and friendly competition is a great way to sharpen your skills.
While there are endless ways to get better at golf, I’m going to focus on practicing around the green. Let’s take a look at a few things to keep in mind as we head into the summer months.
Drills
From the driving range to the practice green, it’s important to incorporate drills into your routine. Years ago, I spent a weekend working on my short game with James Sieckmann. He recommended doing drill work for 5–10 minutes, then returning to your main practice.
This way, you create a balance between structured drills and real-world scenarios, so you’re not confined to “perfect” situations. For example, hitting the same three-foot putt over and over is good for repetition, but after a while, it becomes less interactive for your brain.
My approach is to use a putting trainer with a narrow gate for the ball to pass through, or simply place tees just outside the width of the ball. I’ll hit a series of four putts through the gate for three sets. Then, from a similar distance, I’ll hit four putts without the training aid and repeat that sequence three times.
Next, I’ll hit a number of 15–25 foot putts in a random fashion, then circle back to repeat the short putt drills with and without the training aid.
This breaks up the rhythm of hitting short putts with the training aid. When you hit the same short putts over and over, it’s easy to get into a groove—which is great for the drill, but not reflective of actual course play. While finding a rhythm is fundamental for drills, I like to introduce variation with longer putts to keep things realistic.
Game Mode
Once you’ve established a foundation with drills, it’s time to simulate on-course scenarios. This is where a few practice games come in handy.
One that I’ve been enjoying lately involves putting 10- to 15-footers with two balls. If I make the putt, great! If I miss, I pull the missed ball back a putter length. Suddenly, that little tap-in becomes a nerve-wracking three-footer—at least at first. As you get better at this game, those three- and five-footers become much more comfortable and routine.
It may sound cliché, but each shot is just what it is—it’s how we react that makes the difference. I like this game because it blends the pressure of on-course putting with the consequence of leaving yourself a much longer putt than usual.
Another game I like is one I recently learned from Brad Faxon. Place three tees in a line at four different locations around the hole: one at 3 feet, one at 6 feet, and one at 8 feet. The 3- and 6-foot putts count as par, and the 8-footer is for birdie.
This game keeps you focused on scoring and helps you get into a competitive mindset. You can even think about this putting game while you’re on the course. I just started playing it, and last week I couldn’t get better than two under par.
Competition
Competition during practice is when drills and games come to life, and you start to see results. For me, nothing beats a putting contest with a friend or two. In the right setting, these contests can become talking points for the whole season.
Match play, a game of 21, or simply seeing who can make the most one-putts (with a small prize on the line) are all great ways to simulate real on-course pressure. Recently, I played in a putting contest where one competitor made back-to-back 30- and 50-foot putts. As they say, expect your opponent to make every putt—and he nearly did. That’s impressive, and it’s something you see on the course, too: you have to stay committed to your game plan, no matter what.
When it comes to practice, it’s important to blend feedback from recent rounds with the fundamentals you want to reinforce. Drills, games, and competition—from the driving range to the putting green—form the backbone of skills you’ll rely on during actual rounds.
Finding the right balance is something we’re all working on, one practice session at a time. With the beginning of June on the horizon and courses rounding into peak condition for the season, it’s time to hone the finer skills that often get rusty over the winter. More sunlight also means more time to get out on the course and work on your game. Whether it’s the practice green or the driving range, there’s always something to improve—whether you’re enjoying the fresh air or preparing for a weekend game or tournament. You can work on drills or freestyle around the green, and friendly competition is a great way to sharpen your skills. While there are endless ways to get better at golf, I’m going to focus on practicing around the green. Let’s take a look at a few things to keep in mind as we head into the summer months.
Drills
From the driving range to the practice green, it’s important to incorporate drills into your routine. Years ago, I spent a weekend working on my short game with James Sieckmann. He recommended doing drill work for 5–10 minutes, then returning to your main practice. This way, you create a balance between structured drills and real-world scenarios, so you’re not confined to “perfect” situations. For example, hitting the same three-foot putt over and over is good for repetition, but after a while, it becomes less interactive for your brain.
My approach is to use a putting trainer with a narrow gate for the ball to pass through, or simply place tees just outside the width of the ball. I’ll hit a series of four putts through the gate for three sets. Then, from a similar distance, I’ll hit four putts without the training aid and repeat that sequence three times. Next, I’ll hit a number of 15–25 foot putts in a random fashion, then circle back to repeat the short putt drills with and without the training aid.
This breaks up the rhythm of hitting short putts with the training aid. When you hit the same short putts over and over, it’s easy to get into a groove—which is great for the drill, but not reflective of actual course play. While finding a rhythm is fundamental for drills, I like to introduce variation with longer putts to keep things realistic.
Game Mode
Once you’ve established a foundation with drills, it’s time to simulate on-course scenarios. This is where a few practice games come in handy. One that I’ve been enjoying lately involves putting 10- to 15-footers with two balls. If I make the putt, great! If I miss, I pull the missed ball back a putter length.
Suddenly, that little tap-in becomes a nerve-wracking three-footer—at least at first. As you get better at this game, those three- and five-footers become much more comfortable and routine. It may sound cliché, but each shot is just what it is—it’s how we react that makes the difference. I like this game because it blends the pressure of on-course putting with the consequence of leaving yourself a much longer putt than usual.
Another game I like is one I recently learned from Brad Faxon. Place three tees in a line at four different locations around the hole: one at 3 feet, one at 6 feet, and one at 8 feet. The 3- and 6-foot putts count as par, and the 8-footer is for birdie.
This game keeps you focused on scoring and helps you get into a competitive mindset. You can even think about this putting game while you’re on the course. I just started playing it, and last week I couldn’t get better than two under par.
Competition
Competition during practice is when drills and games come to life, and you start to see results. For me, nothing beats a putting contest with a friend or two. In the right setting, these contests can become talking points for the whole season. Match play, a game of 21, or simply seeing who can make the most one-putts (with a small prize on the line) are all great ways to simulate real on-course pressure. Recently, I played in a putting contest where one competitor made back-to-back 30- and 50-foot putts. As they say, expect your opponent to make every putt—and he nearly did. That’s impressive, and it’s something you see on the course, too: you have to stay committed to your game plan, no matter what.
When it comes to practice, it’s important to blend feedback from recent rounds with the fundamentals you want to reinforce. Drills, games, and competition—from the driving range to the putting green—form the backbone of skills you’ll rely on during actual rounds. Finding the right balance is something we’re all working on, one practice session at a time.
Equipment
Seoul Sensibilities: Is Korean golf fashion starting to shape the world?
For Korean golfers, we always look forward to the last of the kkot-saem-chu-I for the true start of a new golf season. The term refers to a cold snap, but literally translates as “winter being jealous of the flowers beginning to bloom, thus lashing out one final time before surrendering to spring”.
A rather poetic mouthful packed into a short expression.
Koreans can be like that. Understated, yet oddly expressive at the same time. And nowhere is this more true on the golf course and in our golf bags. In fact, I suspect many Korean golfers look forward to new apparel and accessory drops more than they do actual equipment launches each year.

At this point, Korean golf fashion may exist on its own timeline. (courtesy of @seonbi_golfer)
There is ample evidence to support that suspicion. Korea is the world’s third-largest golf market behind the United States and Japan, yet its appetite for golf apparel exceeds that of both countries combined. Recent estimates suggest that Korea accounts for nearly 40 percent of the global golf apparel market, placing it among the world’s most influential golf fashion markets and punching well above its size.
Simply, we care deeply about how new golf clubs look and feel, but enjoy looking good while swinging them even more.
Golfers in the West may laugh and say that golf is played on a course, not a fashion runway. Perhaps. But what’s the harm in trying to look and feel good, if the added self-confidence can help actual performance? It certainly seems to have worked for Jason Day, who may have unlocked a new stats category: dormant strokes gained. Coincidence?

During the COVID-era, estimates placed the market near $9 billion, an astonishing figure for a single country.
As a proud member of Gen X, I’ve witnessed the highs and lows of golf fashion firsthand. The pleated trousers and wing-tipped shoes of Jack Nicklaus, the stylish plus-fours and knickers of Payne Stewart, the baggy black trousers and fitted mock-necks of Tiger Woods, and the thigh-hugging athletic tailoring of Rory McIlroy. Golf fashion, like the golf swing itself, has rarely stood still.
But nowhere have those trends shifted, evolved, and been scrutinized quite as relentlessly as in Korea. Here, golf fashion moves faster than fairway gossip, and consumers dissect brands with a level of discernment that can be both impressive and mildly terrifying. New brands are studied, judged, embraced, or dismissed with startling efficiency.
The result is a consumer base with one of the sharpest eyes for quality and authenticity anywhere in the world. It is difficult to quantify, but easy to recognize. Clean lines without trying too hard. Luxury mixed with utility. Trend awareness balanced by restraint and purpose.
It’s golf fashion shaped by one of the world’s most style-literate cities, something I like to call Seoul Sensibilities, referring to the taste level forged by a uniquely competitive environment.
And increasingly, global brands have noticed.

Many golf brands in Korea have their own flagship shops dedicated to apparel only
Titleist understood this years ago, when its apparel business in Korea took on a life of its own under new ownership and local direction. What had once been a straightforward extension of an iconic equipment giant became something sharper and more premium. By going all in on the serious Tour-player look (I couldn’t even fit into their XL sizes), Titleist struck the right chord with Korean consumers and helped its fledgling apparel business break into the mainstream. Titleist became a household name even for non-golfers who wore its caps, shirts, and windbreakers in daily life. In many ways, it proved that even heritage golf brands could carry real fashion credibility when viewed through a Korean lens.
Several years later, PXG took a page out of Titleist’s playbook and followed suit. Korean consumers helped transform the brand from one known largely for irons and loud commercials into something broader and more stylish. PXG apparel’s growth in Korea was explosive, where it found an early audience and turned the category into something more than mere logo merchandise. It is still hard to walk anywhere in Seoul without seeing its palindrome logo.
Malbon’s meteoric rise in the United States was genuine, but its ascent into a global golf lifestyle brand owes much to Korea, where it was elevated by a market already fluent in modern golf style. Korea did not simply embrace Malbon. It pressure-tested the concept, refined its appeal, and helped push it into the global spotlight.
As such, new brands may arrive from abroad, but more often than not, their sharpest evolution happens here. If a brand can earn credibility in Seoul, it’s deemed to have passed one of the toughest style audits in the game.
That is why the next meaningful chapter may not come from outside, but from a Korean brand moving in the opposite direction, carrying those Seoul Sensibilities outward as K-pop once did.

Play young Stay dope.
From Seoul, With Intent
Khalhon is a label that feels less like a trend-chasing newcomer and more like the product of a market that has already seen everything. Golfers here have long been surrounded by luxury logos, technical fabrics, and tour uniforms disguised as lifestyle wear and vice-versa. In other words, novelty alone rarely lasts here, and the Koreans seems to understand that instinctively.
Its style language leans into clean silhouettes, relaxed but tailored proportions, muted palettes, and premium materials that speak quietly but confidently. There is a modern city aesthetic running through it all, with strong layering pieces, thoughtful textures, and subtle branding that suggests sophistication rather than demanding attention.

“Built for the course. Designed beyond it.”
Most importantly, the garments seem designed to blur the line between golfwear and everyday style. Shirts, trousers, knitwear, and outer layers move comfortably between a game of screen golf, a lunch reservation, an airport gate, or an afternoon coffee in Gangnam with friends.
It raises the question of whether this is golfwear that happens to look good off the course, or everyday clothing that performs beautifully on the fairways.
Personally, I have long appreciated Nike Golf for its clean, athletic modernization of golf attire. It also has the useful side effect of making me look like a more serious golfer than I probably am. But off the course, there are times when being instantly identified as the golf guy in a crowd of non-golfers can feel a touch self-conscious.

“Built for the course. Designed beyond it.”
That is part of what drew me to Khalhon, which seemed to blend golf and everyday wear naturally. While some of the outfits may be slightly beyond my personal confidence level, the brand also offers tasteful options for older guys like me who still want to express a little personality without regretting the decision later.
These are not simply flashy outfits worn on the course and then banished to the closet until the next tee time. They work surprisingly well off the course too, and I suspect many of the pieces will still look right a couple of years from now, which would certainly be kinder to my wallet than most golf fashion trends tend to be.
And perhaps that broader lifestyle positioning also helps explain why someone like Sean Wotherspoon would find Khalhon creatively interesting in the first place.

“Built for the course. Designed beyond it.”
“Korea is not only one of the most fashion-forward golf markets in the world, but one of the most fashion-forward markets globally. Korea is ahead, and I love to watch and try to catch up.” – Sean Wotherspoon, Creative Director at Khalhon
Seoul and Beyond
If Khalhon’s rise says something about where Korean golf fashion is today, its relationship with Sean Wotherspoon says even more about where it is heading.
For readers less familiar with Sean Wotherspoon, his arrival at Khalhon is not some routine celebrity endorsement or influencer collaboration. In design and streetwear circles, Wotherspoon is regarded as one of the more influential creative voices of his generation, particularly when it comes to blending nostalgia, storytelling, and contemporary culture into products that people can connect with.
He first gained widespread attention through his now-famous Nike sneaker collaborations, where his vintage-inspired designs and instinct for color helped turn him into one of the defining artists of the late-2010s sneaker era. His work gradually expanded beyond footwear into apparel, automotive collaborations, collectibles, and broader lifestyle design.
Modern golf style now extends well beyond the fairways, where performance and functionality are largely expected by default. And while plenty of brands already make technically competent golfwear, Khalhon seems more focused on designing clothes people would genuinely want to wear even after the round ends.
And when guys at Wotherspoon’s level show genuine interest in working with a Korean golf brand as its new Creative Director, fashion circles tend to sit up and pay attention. There’s already a huge buzz among the fashion-conscious here about upcoming collabs with iconic sports stars and brands.

“My creative direction for Khalhon is disruptive, colorful, nostalgic, and modern. My goal is to blend these avenues seamlessly within each collection.” – Sean Wotherspoon
In chatting with Sean, what stood out most to me was how genuinely energized he sounded about the project itself. Despite having already worked across and countless other creative spaces, he described golf as a completely fresh category for him, saying that Khalhon “will be an amazing vehicle for my design work.”
At the same time, his enthusiasm seemed tied just as much to Korea itself. He spoke openly about admiring Korea’s fashion culture while repeatedly insisting he is still a terrible golfer.
There was something oddly refreshing about that humility. Rather than sounding like a celebrity parachuting into golf simply because the category suddenly became fashionable, Sean sounded genuinely curious about what Korea might do with the category next.
And perhaps that is what makes Khalhon feel interesting right now. The brand feels less like a trend-chaser and more like the natural result of a market now confident enough to export its own point of view.
For years, global brands came to Korea to sharpen their image against one of the most discerning audiences anywhere. Now, a Korean label appears ready to send those Seoul Sensibilities outward instead.
Which brings us back to kkot-saem-chu-i.
That final cold snap before spring always arrives with a reminder that seasons are changing, whether we notice it immediately or not. Golf fashion feels a little like that right now as well, as the old boundaries between sport, streetwear, luxury, and everyday style continue to soften.
And somewhere in Seoul, a Korean golf label already seems prepared for whatever season comes next. I just hope they have everything in my size.

Ray Bennett
Feb 19, 2020 at 4:45 pm
Reads like an open to shut release or a knuckle over through impact. This release doesn’t match up well with a core or spine driven swing because there are too many closing elements present during the strike. A better match is a square to square or a a shut to open release where the clubface is square or shut to the swing plane immediately before impact and remains square or opens past the divot (left palm up to left palm down through the release with a neutral grip).
Ed LeBeau
Feb 19, 2020 at 10:57 am
I think I agree with Terry but I think the term “release” carries a lot of baggage. To experience what he is describing, here is a drill you can do. 1) insert about a half inch of a long tee into the hole in the butt end of a grip, 2)set up at address, 3)observe the relationship of the tee to your leading forearm [its probably an inch or so from the forearm], 4) assume the shaft at address is 6 o’clock, s l o w l y make a backswing to 7 o’clock while carefully maintaining the tee’s relationship to your left forearm. 5) do the same now from 7 o’clock to 8 o’clock, 6) now reverse this and make the forward swing s l o w l y from 8 to 7 to 6 to 5 to 4, 7) what you will see is that your body and club are in the same position as in the photo in Terry’s article.
By maintaining the tee’s position relative to your forearm you are in fact maintaining the club’s relationship to you. The club stays in front of you and as you turn the club turns with you. As your body rotates through the ball the club does as well and arrives square to the target line producing the ball flight Terry describes.
Drew
Feb 19, 2020 at 2:42 am
This doesn’t make much sense to me either. “Covering” the ball is a term I’ve heard before but I’m convinced it only makes sense until after you’ve learned how to do it. It’s not an action you can teach players to do by just saying the word “cover!”. No idea at all what you’re talking about in this article, unfortunately. It’s amazing how much poorly written golf instruction is out there. Try not to be a part of it!
freowho
Feb 18, 2020 at 11:50 pm
Could not disagree with this more.
Pause the video below at 1:49min.
https://www.youtube.com/watch?v=ln-3D-NxH0E
Blixt is trying to keep his arms extended. Snead is trying to fold them as much as possible. You shouldn’t be trying to replicate impact. It occurs because of momentum from folding the arms back to folding the arms through while spinning with the legs. What you see at impact is not what the greats were trying to do.
Luke Keefner
Feb 18, 2020 at 8:07 pm
Jason dufners waggle seems like a great preparatory practice drill for the feeling of a correct release. Check out Mike Malaska’s videos on YouTube. I’ve been working on this all winter in the living room. Come on spring!!!
RayRise
Feb 19, 2020 at 11:20 am
Two important points you make Luke – Dufner does indeed waggle his line away and to the ball in a relaxed manner and I also find Malaska is an exceptional. I too can’t wait for the rain and cold to end in UK.
Kyle Leskiw
Feb 18, 2020 at 7:23 pm
Extending the club shaft up your lead arm with an alignment stick to prevent the wrists from flipping is probably a better way to explain this ????
Tour Player (retired)
Feb 18, 2020 at 2:33 pm
Amateur golfers are notoriously arm swingers…and higher handicap amateurs also attempt to use their hands and wrists. Whereas the golf swing of professionals and scratch golfers is initiated from the center of the body – the unwinding rotation of their torso or their shoulders, not from any intentional use of their arms. Your shoulders are like the middle of a merry-go-round – they don’t have to spin very fast in order for there to be tremendous forces at play that you can’t overcome. When you can learn to lead the downswing with either the torso or the shoulders unwinding that in-turn bring the (lagging behind) arms and clubs with that unwinding motion you’ll see results like never before. Trying to intentionally pull the lead arm down causes you to stall the shoulders, early extension, over-the-top and lack of clubhead speed. The arms, wrists/hands should be passive to the motor unwinding of the shoulders or torso. It’s a matter of changing your intentions because our golf swings reflect what we believe, and that’s where our incorrect concepts get us into trouble. The release happens naturally when your swing is driven from the unwinding of your torso or shoulders.
Pete S
Feb 18, 2020 at 1:57 pm
This would be much easier to follow if there were pictures or video included.
Jack
Feb 18, 2020 at 8:59 pm
That’s exactly what I was thinking.
Jim T
Feb 19, 2020 at 11:53 am
Likewise
Cam
Feb 20, 2020 at 12:10 am
Yes! Diagrams or something to explain the angles you’re referring to!