Opinion & Analysis
Graphite Design makes a bad move closing its doors
Strategies don’t often change in the middle of a hot streak.
That’s why it came as a shock to the golf industry that Graphite Design International, the company that manufactures Tiger Woods’ driver shaft, has decided to vacate North America, closing its U.S. headquarters in San Diego and laying off all of its employees effective Nov. 30.
Margins for shaft makers have been shrinking in recent years, as OEMs have insisted on lower prices from component makers. But the timing of GDI’s decision is strange, given the success the company has enjoyed in recent years.
The company was founded in Japan in 1989, where it has dominated marketshare for more than a decade. But since Woods first began using the company’s Tour AD DI 6X shaft in his driver in 2010, the GDI products have seen a spike in usage on the PGA Tour.
Webb Simpson, Matt Kuchar, Jonas Blixt, Mark Wilson and Johnson Wagner all trusted at least one GDI shaft in route to victory on the PGA Tour in 2012. And Adam Scott, who is No. 6 in the Official Golf World Rankings, plays the company’s shafts in his driver and hybrid.
According to sources who spoke on the condition of anonomity, GDI decided to consolidate operations to its world headquarters of Chichibu, Japan for tax purposes. They said that the company will also remove its shaft representatives from the PGA Tour in 2013 and is in the process of ending its current contracts in North America.
PGA Tour players depend on reps for product information and custom shaft services. How can GDI expect to maintain its presence on the PGA Tour and its affiliated tours in North America without representation? Does the company expect OEM tour reps to provide these services for them?
Chances are they won’t. In the ultra-competitive golf shaft industry, OEMs will work with companies that provide great products and great service. Who is Nike supposed to call for support when Tiger wants a new shaft for an updated driver model … Japan?
GDI will find out what a bad decision this was in the years to come. Graphite Design’s recent success can be directly attributed to the usage of its products by Woods and other top golfers. The company’s decision to leave North America jeopardizes PGA Tour usage of GDI products, and also adds communication hurdles between the GDI and major OEMs.
If Graphite Design sticks to their current strategy, “Graphite who?” will become the sentiment in the Americas.
Click here for more discussion in the forums.
This story was a combined effort of the GolfWRX Staff
Club Junkie
Tour Edge Exotics mini driver review + TaylorMade Spider ZT Max first look – Club Junkie
On this episode of Club Junkie, I put the new Tour Edge Exotics Mini Driver to the test and break down the performance, forgiveness, distance, and where it fits compared to a traditional driver or strong fairway wood. If you have been curious about adding a mini driver to the bag, this one is worth a look.
I also dive into the new TaylorMade Spider ZT Max putter that was recently spotted and discuss the growing zero torque putter trend. Plus, there is a closer look at the new Project X Titan Yellow shaft showing up on the PGA Tour and what makes it different from other profiles currently out there.
Opinion & Analysis
AVL: We’re talking about practice! My best tips for taking your game to the course
With the beginning of June on the horizon and courses rounding into peak condition for the season, it’s time to hone the finer skills that often get rusty over the winter. More sunlight also means more time to get out on the course and work on your game.
Whether it’s the practice green or the driving range, there’s always something to improve—whether you’re enjoying the fresh air or preparing for a weekend game or tournament. You can work on drills or freestyle around the green, and friendly competition is a great way to sharpen your skills.
While there are endless ways to get better at golf, I’m going to focus on practicing around the green. Let’s take a look at a few things to keep in mind as we head into the summer months.
Drills
From the driving range to the practice green, it’s important to incorporate drills into your routine. Years ago, I spent a weekend working on my short game with James Sieckmann. He recommended doing drill work for 5–10 minutes, then returning to your main practice.
This way, you create a balance between structured drills and real-world scenarios, so you’re not confined to “perfect” situations. For example, hitting the same three-foot putt over and over is good for repetition, but after a while, it becomes less interactive for your brain.
My approach is to use a putting trainer with a narrow gate for the ball to pass through, or simply place tees just outside the width of the ball. I’ll hit a series of four putts through the gate for three sets. Then, from a similar distance, I’ll hit four putts without the training aid and repeat that sequence three times.
Next, I’ll hit a number of 15–25 foot putts in a random fashion, then circle back to repeat the short putt drills with and without the training aid.
This breaks up the rhythm of hitting short putts with the training aid. When you hit the same short putts over and over, it’s easy to get into a groove—which is great for the drill, but not reflective of actual course play. While finding a rhythm is fundamental for drills, I like to introduce variation with longer putts to keep things realistic.
Game Mode
Once you’ve established a foundation with drills, it’s time to simulate on-course scenarios. This is where a few practice games come in handy.
One that I’ve been enjoying lately involves putting 10- to 15-footers with two balls. If I make the putt, great! If I miss, I pull the missed ball back a putter length. Suddenly, that little tap-in becomes a nerve-wracking three-footer—at least at first. As you get better at this game, those three- and five-footers become much more comfortable and routine.
It may sound cliché, but each shot is just what it is—it’s how we react that makes the difference. I like this game because it blends the pressure of on-course putting with the consequence of leaving yourself a much longer putt than usual.
Another game I like is one I recently learned from Brad Faxon. Place three tees in a line at four different locations around the hole: one at 3 feet, one at 6 feet, and one at 8 feet. The 3- and 6-foot putts count as par, and the 8-footer is for birdie.
This game keeps you focused on scoring and helps you get into a competitive mindset. You can even think about this putting game while you’re on the course. I just started playing it, and last week I couldn’t get better than two under par.
Competition
Competition during practice is when drills and games come to life, and you start to see results. For me, nothing beats a putting contest with a friend or two. In the right setting, these contests can become talking points for the whole season.
Match play, a game of 21, or simply seeing who can make the most one-putts (with a small prize on the line) are all great ways to simulate real on-course pressure. Recently, I played in a putting contest where one competitor made back-to-back 30- and 50-foot putts. As they say, expect your opponent to make every putt—and he nearly did. That’s impressive, and it’s something you see on the course, too: you have to stay committed to your game plan, no matter what.
When it comes to practice, it’s important to blend feedback from recent rounds with the fundamentals you want to reinforce. Drills, games, and competition—from the driving range to the putting green—form the backbone of skills you’ll rely on during actual rounds.
Finding the right balance is something we’re all working on, one practice session at a time. With the beginning of June on the horizon and courses rounding into peak condition for the season, it’s time to hone the finer skills that often get rusty over the winter. More sunlight also means more time to get out on the course and work on your game. Whether it’s the practice green or the driving range, there’s always something to improve—whether you’re enjoying the fresh air or preparing for a weekend game or tournament. You can work on drills or freestyle around the green, and friendly competition is a great way to sharpen your skills. While there are endless ways to get better at golf, I’m going to focus on practicing around the green. Let’s take a look at a few things to keep in mind as we head into the summer months.
Drills
From the driving range to the practice green, it’s important to incorporate drills into your routine. Years ago, I spent a weekend working on my short game with James Sieckmann. He recommended doing drill work for 5–10 minutes, then returning to your main practice. This way, you create a balance between structured drills and real-world scenarios, so you’re not confined to “perfect” situations. For example, hitting the same three-foot putt over and over is good for repetition, but after a while, it becomes less interactive for your brain.
My approach is to use a putting trainer with a narrow gate for the ball to pass through, or simply place tees just outside the width of the ball. I’ll hit a series of four putts through the gate for three sets. Then, from a similar distance, I’ll hit four putts without the training aid and repeat that sequence three times. Next, I’ll hit a number of 15–25 foot putts in a random fashion, then circle back to repeat the short putt drills with and without the training aid.
This breaks up the rhythm of hitting short putts with the training aid. When you hit the same short putts over and over, it’s easy to get into a groove—which is great for the drill, but not reflective of actual course play. While finding a rhythm is fundamental for drills, I like to introduce variation with longer putts to keep things realistic.
Game Mode
Once you’ve established a foundation with drills, it’s time to simulate on-course scenarios. This is where a few practice games come in handy. One that I’ve been enjoying lately involves putting 10- to 15-footers with two balls. If I make the putt, great! If I miss, I pull the missed ball back a putter length.
Suddenly, that little tap-in becomes a nerve-wracking three-footer—at least at first. As you get better at this game, those three- and five-footers become much more comfortable and routine. It may sound cliché, but each shot is just what it is—it’s how we react that makes the difference. I like this game because it blends the pressure of on-course putting with the consequence of leaving yourself a much longer putt than usual.
Another game I like is one I recently learned from Brad Faxon. Place three tees in a line at four different locations around the hole: one at 3 feet, one at 6 feet, and one at 8 feet. The 3- and 6-foot putts count as par, and the 8-footer is for birdie.
This game keeps you focused on scoring and helps you get into a competitive mindset. You can even think about this putting game while you’re on the course. I just started playing it, and last week I couldn’t get better than two under par.
Competition
Competition during practice is when drills and games come to life, and you start to see results. For me, nothing beats a putting contest with a friend or two. In the right setting, these contests can become talking points for the whole season. Match play, a game of 21, or simply seeing who can make the most one-putts (with a small prize on the line) are all great ways to simulate real on-course pressure. Recently, I played in a putting contest where one competitor made back-to-back 30- and 50-foot putts. As they say, expect your opponent to make every putt—and he nearly did. That’s impressive, and it’s something you see on the course, too: you have to stay committed to your game plan, no matter what.
When it comes to practice, it’s important to blend feedback from recent rounds with the fundamentals you want to reinforce. Drills, games, and competition—from the driving range to the putting green—form the backbone of skills you’ll rely on during actual rounds. Finding the right balance is something we’re all working on, one practice session at a time.
Equipment
Seoul Sensibilities: Is Korean golf fashion starting to shape the world?
For Korean golfers, we always look forward to the last of the kkot-saem-chu-I for the true start of a new golf season. The term refers to a cold snap, but literally translates as “winter being jealous of the flowers beginning to bloom, thus lashing out one final time before surrendering to spring”.
A rather poetic mouthful packed into a short expression.
Koreans can be like that. Understated, yet oddly expressive at the same time. And nowhere is this more true on the golf course and in our golf bags. In fact, I suspect many Korean golfers look forward to new apparel and accessory drops more than they do actual equipment launches each year.

At this point, Korean golf fashion may exist on its own timeline. (courtesy of @seonbi_golfer)
There is ample evidence to support that suspicion. Korea is the world’s third-largest golf market behind the United States and Japan, yet its appetite for golf apparel exceeds that of both countries combined. Recent estimates suggest that Korea accounts for nearly 40 percent of the global golf apparel market, placing it among the world’s most influential golf fashion markets and punching well above its size.
Simply, we care deeply about how new golf clubs look and feel, but enjoy looking good while swinging them even more.
Golfers in the West may laugh and say that golf is played on a course, not a fashion runway. Perhaps. But what’s the harm in trying to look and feel good, if the added self-confidence can help actual performance? It certainly seems to have worked for Jason Day, who may have unlocked a new stats category: dormant strokes gained. Coincidence?

During the COVID-era, estimates placed the market near $9 billion, an astonishing figure for a single country.
As a proud member of Gen X, I’ve witnessed the highs and lows of golf fashion firsthand. The pleated trousers and wing-tipped shoes of Jack Nicklaus, the stylish plus-fours and knickers of Payne Stewart, the baggy black trousers and fitted mock-necks of Tiger Woods, and the thigh-hugging athletic tailoring of Rory McIlroy. Golf fashion, like the golf swing itself, has rarely stood still.
But nowhere have those trends shifted, evolved, and been scrutinized quite as relentlessly as in Korea. Here, golf fashion moves faster than fairway gossip, and consumers dissect brands with a level of discernment that can be both impressive and mildly terrifying. New brands are studied, judged, embraced, or dismissed with startling efficiency.
The result is a consumer base with one of the sharpest eyes for quality and authenticity anywhere in the world. It is difficult to quantify, but easy to recognize. Clean lines without trying too hard. Luxury mixed with utility. Trend awareness balanced by restraint and purpose.
It’s golf fashion shaped by one of the world’s most style-literate cities, something I like to call Seoul Sensibilities, referring to the taste level forged by a uniquely competitive environment.
And increasingly, global brands have noticed.

Many golf brands in Korea have their own flagship shops dedicated to apparel only
Titleist understood this years ago, when its apparel business in Korea took on a life of its own under new ownership and local direction. What had once been a straightforward extension of an iconic equipment giant became something sharper and more premium. By going all in on the serious Tour-player look (I couldn’t even fit into their XL sizes), Titleist struck the right chord with Korean consumers and helped its fledgling apparel business break into the mainstream. Titleist became a household name even for non-golfers who wore its caps, shirts, and windbreakers in daily life. In many ways, it proved that even heritage golf brands could carry real fashion credibility when viewed through a Korean lens.
Several years later, PXG took a page out of Titleist’s playbook and followed suit. Korean consumers helped transform the brand from one known largely for irons and loud commercials into something broader and more stylish. PXG apparel’s growth in Korea was explosive, where it found an early audience and turned the category into something more than mere logo merchandise. It is still hard to walk anywhere in Seoul without seeing its palindrome logo.
Malbon’s meteoric rise in the United States was genuine, but its ascent into a global golf lifestyle brand owes much to Korea, where it was elevated by a market already fluent in modern golf style. Korea did not simply embrace Malbon. It pressure-tested the concept, refined its appeal, and helped push it into the global spotlight.
As such, new brands may arrive from abroad, but more often than not, their sharpest evolution happens here. If a brand can earn credibility in Seoul, it’s deemed to have passed one of the toughest style audits in the game.
That is why the next meaningful chapter may not come from outside, but from a Korean brand moving in the opposite direction, carrying those Seoul Sensibilities outward as K-pop once did.

Play young Stay dope.
From Seoul, With Intent
Khalhon is a label that feels less like a trend-chasing newcomer and more like the product of a market that has already seen everything. Golfers here have long been surrounded by luxury logos, technical fabrics, and tour uniforms disguised as lifestyle wear and vice-versa. In other words, novelty alone rarely lasts here, and the Koreans seems to understand that instinctively.
Its style language leans into clean silhouettes, relaxed but tailored proportions, muted palettes, and premium materials that speak quietly but confidently. There is a modern city aesthetic running through it all, with strong layering pieces, thoughtful textures, and subtle branding that suggests sophistication rather than demanding attention.

“Built for the course. Designed beyond it.”
Most importantly, the garments seem designed to blur the line between golfwear and everyday style. Shirts, trousers, knitwear, and outer layers move comfortably between a game of screen golf, a lunch reservation, an airport gate, or an afternoon coffee in Gangnam with friends.
It raises the question of whether this is golfwear that happens to look good off the course, or everyday clothing that performs beautifully on the fairways.
Personally, I have long appreciated Nike Golf for its clean, athletic modernization of golf attire. It also has the useful side effect of making me look like a more serious golfer than I probably am. But off the course, there are times when being instantly identified as the golf guy in a crowd of non-golfers can feel a touch self-conscious.

“Built for the course. Designed beyond it.”
That is part of what drew me to Khalhon, which seemed to blend golf and everyday wear naturally. While some of the outfits may be slightly beyond my personal confidence level, the brand also offers tasteful options for older guys like me who still want to express a little personality without regretting the decision later.
These are not simply flashy outfits worn on the course and then banished to the closet until the next tee time. They work surprisingly well off the course too, and I suspect many of the pieces will still look right a couple of years from now, which would certainly be kinder to my wallet than most golf fashion trends tend to be.
And perhaps that broader lifestyle positioning also helps explain why someone like Sean Wotherspoon would find Khalhon creatively interesting in the first place.

“Built for the course. Designed beyond it.”
“Korea is not only one of the most fashion-forward golf markets in the world, but one of the most fashion-forward markets globally. Korea is ahead, and I love to watch and try to catch up.” – Sean Wotherspoon, Creative Director at Khalhon
Seoul and Beyond
If Khalhon’s rise says something about where Korean golf fashion is today, its relationship with Sean Wotherspoon says even more about where it is heading.
For readers less familiar with Sean Wotherspoon, his arrival at Khalhon is not some routine celebrity endorsement or influencer collaboration. In design and streetwear circles, Wotherspoon is regarded as one of the more influential creative voices of his generation, particularly when it comes to blending nostalgia, storytelling, and contemporary culture into products that people can connect with.
He first gained widespread attention through his now-famous Nike sneaker collaborations, where his vintage-inspired designs and instinct for color helped turn him into one of the defining artists of the late-2010s sneaker era. His work gradually expanded beyond footwear into apparel, automotive collaborations, collectibles, and broader lifestyle design.
Modern golf style now extends well beyond the fairways, where performance and functionality are largely expected by default. And while plenty of brands already make technically competent golfwear, Khalhon seems more focused on designing clothes people would genuinely want to wear even after the round ends.
And when guys at Wotherspoon’s level show genuine interest in working with a Korean golf brand as its new Creative Director, fashion circles tend to sit up and pay attention. There’s already a huge buzz among the fashion-conscious here about upcoming collabs with iconic sports stars and brands.

“My creative direction for Khalhon is disruptive, colorful, nostalgic, and modern. My goal is to blend these avenues seamlessly within each collection.” – Sean Wotherspoon
In chatting with Sean, what stood out most to me was how genuinely energized he sounded about the project itself. Despite having already worked across and countless other creative spaces, he described golf as a completely fresh category for him, saying that Khalhon “will be an amazing vehicle for my design work.”
At the same time, his enthusiasm seemed tied just as much to Korea itself. He spoke openly about admiring Korea’s fashion culture while repeatedly insisting he is still a terrible golfer.
There was something oddly refreshing about that humility. Rather than sounding like a celebrity parachuting into golf simply because the category suddenly became fashionable, Sean sounded genuinely curious about what Korea might do with the category next.
And perhaps that is what makes Khalhon feel interesting right now. The brand feels less like a trend-chaser and more like the natural result of a market now confident enough to export its own point of view.
For years, global brands came to Korea to sharpen their image against one of the most discerning audiences anywhere. Now, a Korean label appears ready to send those Seoul Sensibilities outward instead.
Which brings us back to kkot-saem-chu-i.
That final cold snap before spring always arrives with a reminder that seasons are changing, whether we notice it immediately or not. Golf fashion feels a little like that right now as well, as the old boundaries between sport, streetwear, luxury, and everyday style continue to soften.
And somewhere in Seoul, a Korean golf label already seems prepared for whatever season comes next. I just hope they have everything in my size.


Dan
Aug 6, 2014 at 5:08 pm
GD shafts are very, very good but, so are Miyazaki, Aldila, Fujikura, etc. Now, if all of these companies jump ship we might need to panic.
Joe Golfer
Jul 8, 2014 at 11:23 pm
I think the professional ranks will still have access to plenty of GDI shafts if they want them. It’s not like they have to order them and have them overnighted. They simply keep a fair amount in stock.
As for the average golfer, they aren’t playing aftermarket shafts to a great extent, since they don’t want to pay $360 or whatever for that shaft after purchasing a driver.
As for these being stock shafts in OEM drivers? Dream on. Some of these name brand shafts that go into OEM drivers are not even made by the actual company that is branded on the shaft. The name brand company allows some lesser company to make the shaft, then use their name and shaft model, then they stick it into an OEM clubhead, but it is no where near the quality of the real $300 to $400 shaft.
The only aspect of this that would hurt GDI is if they eliminate their tour reps that tout their shafts to the professionals.
If they were smart, they’d still keep a couple of tour reps on staff, as that would not be costly, and it would keep their shafts in the public eye. Keep putting those $360 shafts into pro’s bags, give them a very distinctive paint job that the public recognizes, then put cheap crappy $20 versions of that shaft with the same paint job into the OEM clubs that we buy in golf stores.
gocanucksfan123
Mar 17, 2014 at 3:42 pm
For all those thinking this will go away on tour, just watch some really good emerging golfer (ex. young Tiger) start playing this shaft, and then watch everyone else start playing it too.
phil
Feb 24, 2014 at 11:21 am
It just speaks to more greed and bigger margins for equipment companies….The industry speaks out of both sides of their mouth, on one hand they pay lip service to growing the game and making it more accessible to the masses but on the other hand make it hands down the most expensive recreational sport to participate in. That being said 70 plus rounds a year and a basement full of the latest gear I drink the kool-aid by the liter.
Rixi
Feb 24, 2014 at 11:12 am
Well, let’s face it, other nations are emerging while we are submerging. Will Graphite Design lose market share because they left Cal? Doubtful.
The price of my GD Tour AD 65i’s were included with my new 712 AP1s and well within budget. You can find GD shafts reasonably priced if you hunt.
I love the reaction and the performance improvement with my Tour AD 65i’s over my former TT steels. I really, hopefully think they will very much remain in the US market, if they can keep up with the stiff competition. Pun intended.
My $.02.
Ben
Feb 20, 2014 at 1:17 pm
The problem with their shafts is that they are super high prices. The golf masses aren’t gonna kick down 300 bucks for a premium shaft when they can get a driver for 400 with a decent shaft.
Justin
Sep 11, 2014 at 12:00 am
I’ve had my best driver numbers with an 85g Wishon S2S Black shaft… Most people don’t realize that the $300 (heII, even $100+) models aren’t the only “it” models. Quality and decent price can go hand in hand, if a person’s willing to look.
Ken Boucher
Dec 29, 2012 at 2:29 pm
I am a GD dealer, I have been informed of all the changes and it looks like it will be a better deal for customers. Cost of a shaft will decrease if anything and I will easily be able to get shafts be it for woods hybreds or irons. As a Miura dealer I can attest to the quaility these tour ad iron shafts are especially matched with Miura irons. Best of the best, so yes they are still going to be available and this was nothing more than a simple business decision
Rixi
Feb 24, 2014 at 11:25 am
I have to agree with you. These are the best shafts I have ever hit with my brand new 712 AP1s. I am an avid (Ah hem, wagering) recreational golfer. So I need/want the best equipment for the best price. GD shafts are a good choice for any player who wants to do better.
I absolutely do not see them walking away from the US market.
Mark Burke
Nov 5, 2012 at 5:24 pm
The Graphite Design Shafts are so expensive. Last time I broke my driver shaft when I threw a temper tantrum on the course during a tournament on my way to another 86. I reshafted with a stick I found by the homeless shelter. My buddy New York gave me some tape and bam new driver shaft.
This has been a tip from Mark Burke Golf Bum
PS I am Still trying to clear my name
Rixi
Feb 24, 2014 at 11:30 am
How many yards can you get with that new “whip flex” duck tape, El Cheapo driver stick? ;>)
Carl
Nov 4, 2012 at 5:36 am
HOW WILL ANYONE GET IOMIC GRIPS IF THEY ARE ALL THE WAY IN JAPAN??? WHAT DO YOU THINK THERE IS SOME TYPE OF MAGICAL MACHINE THAT CAN FLY THEM THRU THE SKY AND INTO THE COUNTRY FOR DOMESTIC USE?!?!?! Oh wait….
Look, The bottom line is that OEMs will do whatever it takes to get the shafts that tour players want to play, in the players hands and ready to play (and hopefully win).
—“What are they going to do call JaPaN?”
Yes. That is exactly what they are going to do. And I am positive that GDI will get the OEMs a truckload of their shafts, ready for play, within a reasonable timeframe (3-5 days).
Graphite Design shafts are already manufactured in Japan. The only thing that is going to change for the NA consumer is where their shafts are being directly shipped from.
The day that Graphite Design becomes “Graphite Who?” in the Americas, is the day that this site dies.
Cameron
Nov 3, 2012 at 1:47 pm
People are misinformed if they think GDI is leaving because of California tax policy. If GDI is leaving because of tax issues it is due to federal taxes not state taxes.
ACGOLFWRX
Nov 3, 2012 at 7:30 am
They have made the right decision! The company will do better outside the U.S.A anyway….
Adam
Nov 2, 2012 at 10:36 pm
Smart move. Get out of Cali and away from the massive taxes. No smart company will stay in America. We are taxing ourselves to death. Hate to go overseas. But you have to do what you have to do to survive.
Jay
Nov 2, 2012 at 9:27 pm
This might be one of the daftest golf related opeds i’ve ever read. Thanks for the entertainment zak.
timmy
Nov 2, 2012 at 6:15 pm
I think its a good business decision
Also not having a sales rep on site is not going to be a big deal
Players will have access to the shaft no matter what and if they want to know more about the specifics they can simply send them an email or contact the rep in japan via social media.
Will this decision diminish the presence of GDI shafts on the tour? Definitely not. Professional sports is all about performance and GDI has proven its quality and performance in such a powerful way people and players will continue to look for their product.
Richard
Nov 4, 2012 at 8:43 am
I disagree. Just my opinion but I see the future in this one. Only memories of GD shafts in a few years. Little on tour since no reps to peddle them and very little if any on OEM shafts since there will be no presence in North America.
Nuke LaLoosh
Nov 2, 2012 at 6:14 pm
It is a result of California tax policy. Why stay in a high tax state/country when you can manufacture elsewhere and import. Simple economics!
EJ
Nov 2, 2012 at 5:23 pm
WHO CARES, ROBOTI SAYS STEEL IS BETTER ANYWAY! LOL
Paul Carlson
Nov 2, 2012 at 2:53 pm
This post seems a bit hasty to me. I would have appreciated a more thoughtful analysis of their US decision. If the shafts are in demand, the reps will find a way to get them. I agree with JR & John on this one.
There must be a reason they’ve done this. Could it be they’d rather focus on eastern markets? China? Korea?
Just my .02
John Muir
Nov 2, 2012 at 2:19 pm
Graphite Design shafts will still be available, they’ve granted exclusive aftermarket distributorship to a group led by their current CFO and their current vp of sales.
John Muir
clubmaker online
jr
Nov 2, 2012 at 1:47 pm
How can you say it’s a bad decision? Have you seen their books? Do you know what their making? Losing? Have you run a worldwide shaft manufacturing company? These companies don’t make decisions by the seat of their pants.
sdgfhjkhgjkdfsfg
Nov 2, 2012 at 6:20 pm
This article went from informative to an op-ed quicker than a Cameron scam.