Opinion & Analysis
Ben Hogan: The myths, the man
In the world of books devoted to the great Ben Hogan, a few stand above the rest. James Dodson’s Ben Hogan: An American Life, Curt Sampson’s Hogan, Jody Vasquez’s Afternoons with Mr. Hogan, and Kris Tschetter’s Mr. Hogan: The Man I Knew all fit together to form the most complete portrait of the often misunderstood and mischaracterized golfing legend.
Tim Scott has added an entry to the canon of Hogan texts with Ben Hogan: The Myths Everyone Knows, The Man No One Knew.
Scott worked worked at the Ben Hogan Company from 1969 to 1982, the last eight years as the Vice President of Sales & Marketing. He had the opportunity to know and work with Ben Hogan personally. More importantly for the purposes of his book, however, he had access to Mr. Hogan’s network of close friends, employees of the golf equipment company, and members at Ben Hogan’s home course in his later years, Shady Oaks.
He has organized a compendium of brilliant Hogan anecdotes in his new book, many of which even the most dedicated of Hogan of aficionados will be hearing for the first time.
I spoke with Mr. Scott by phone about meeting and working for Ben Hogan, what inspired a former executive to put pen to paper, and what the process of collecting some of the most revealing Hogan episodes ever contained in a text was like.
B.A.: What was the first time you met Ben Hogan like?
T.S.: The first time I met him, I had just gone to work for AMF. I was on a year training program up in Connecticut in the sports products group. The Hogan company was part of that. I came to Ft. Worth…was taken into Mr. Hogan’s office and introduced…I was very intimidated. Of course, I knew who Mr. Hogan was. I didn’t know much about his image at that time, so I didn’t have any preconceived notions. Certainly, at that time, he was the greatest golfer ever.
He had a good sense of humor. I was a junior member at Shady Oaks [where Hogan played]. I was playing golf over there one Saturday…Hogan walked up and asked if he could join us.
In 1969, Hogan had surgery on his shoulder, so he wasn’t playing in the company golf tournament. He was driving around, saying hello to everybody and watching us play. I was about to tee off. There about six feet away from my ball was the wheel of a cart…in it was Mr. Hogan. I was 25 years old at the time. I had played basketball, so I was in pretty good condition. If I hadn’t been 25 and in real good physical condition, I’d have thought I was having a heart attack. I actually don’t know how I swung the golf club. I was normally a slicer…I hit a duck hook.
I was never comfortable enough to ask him to play golf, but he asked me to play about a half-a-dozen times. That broke down some of the walls I’d kind of self imposed because of his stature.
At this point, after the AMF sale, was he coming into the office every day?
He sold his company to AMF in 1960. I joined the company in 1969. He came into the office every day. He had to be told when it was a holiday. He came in every day and he stayed until about 12 or 1 o’clock. He would go to Shady Oaks in the afternoon and hit balls.
He’d eat lunch before he hit balls…he’d play cards…talk with his friends. When he was hitting balls, he was usually trying something new or different or testing something. He wasn’t just out there hitting for fun…he had a purpose.
What was his office like?
He had a big office. He had two or three chairs in his office for people. Usually, when he wanted to talk, he invited us to his office to talk. He had a good size desk. He had a picture…he and Clifford Roberts, President Eisenhower…and I don’t know if the fourth was Byron Nelson, but they were sitting on a bench at Augusta.
What was the genesis of wanting to set the record straight, if you will, regarding Mr. Hogan and how did that lead into the book?
Over time, as I got to know him better, and played golf at Shady Oaks and talked with people who knew him there, what I was hearing didn’t mesh with what I was seeing personally and what these other people were communicating to me.
I suggested that he write an autobiography, and that people would really enjoy it…and maybe feel differently toward him. He wasn’t interested.
Did you find him to be very formal?
We had a number of casual conversations. At the sales meetings, he’d stand around talking to people. People would ask, like, what are your favorite golf courses and he’d be happy to talk about that.
One thing he was very guarded about…was that his father committed suicide. From what I understand, he was in the room when his father shot himself.
He and Gary Player had a conversation, I think it was at Westchester…Player said they were standing on the 18th tee. Hogan said, and this was toward the end of his career, “I wouldn’t want to be a professional coming in today because there’s no privacy.”
And if you quoted him, he wanted it quoted exactly right. There were a number of instances where they [reporters] took things and kind of twisted them a little bit…so he just said, “The hell with them.”
So you don’t think he’d be comfortable with the climate of professional golf today?
The media is very intrusive into the private lives of golfers now. They have no problem…asking you questions that…you really don’t want to deal with.
Just recently, you had these NCAA coaches trying to get ready for a tournament and there getting asked questions about this Indiana law. That’s not something that Hogan would want to participate in. It’s not that he didn’t have an opinion…but I guess that he felt that his opinion was his opinion and everybody is entitled to their own opinion.
Indeed. I can’t imagine him maintaining a Twitter presence or being stalked by the paparazzi comfortably…
(Laughing) No. That just doesn’t seem to mesh.
You talked a little about the origin of the book. So from there, that kind of compelled you to reach out to those who knew Mr. Hogan?
I’d finally heard enough of that stuff…eight or 10 years after I left the company. It made me mad. I thought, “This isn’t right.”
I once said to him, “I think it’d be great if you wrote your autobiography.” He said, “It’s too much work. I couldn’t do that.”
So he never did.
The thought crossed my mind, “If I don’t, who will?” I was in kind of a unique position: Being a member at Shady Oaks, being the Sales & Marketing Vice President, and my father died when I was six years old. And I didn’t know about his father, but he knew about mine. I don’t know whether he made compensation for me in that regard or what.
But he treated me very nicely.
And I was no writer, but between my two years at Amos Tuck Business School at Dartmouth, one of the marketing professors asked me to work for him that summer to write business cases for a textbook.
And I was in the marketing area so I did some writing. I thought, “What the heck? I write down my personal experiences with him and what I saw myself, and then talk to some people at the Hogan Company…”
I talked to some people at Shady Oaks that I knew. And then they would suggest, “You need to talk to so-and-so.”
So I talked to people he played golf with…Shelly Mayfield over at Brook Hollow, and Eldridge Miles, who I think at the time was at the Dallas Country Club.
Talking to all them, the same things kept coming from them that I was thinking. I thought, I got something here. This is a totally different side of Ben that, in his privacy, he chose not to make public.
For example, a lot of them saw his generosity that he did through other people on the condition that they never tell who it was that gave them the money or the gifts or whatever.

Very interesting. Tell me a little more about the book.
Well, it’s not a typical biography. There’s 47 pages of biography at the front for people who don’t know anything about Ben Hogan. The rest of it is anecdotes, true-life experiences of these people that they had with this man. And I kind of categorized them by different traits of his personality.
I’m not a writer, but the experiences that I’ve had, all those things, I said, “You’re in a pretty unique position, so put it together and see what happens.” It took me 21 years, but I got it done!
What was that process like for you?
As I look back on it, there was a significant learning process. Not about Ben Hogan necessarily, but about life in general.
One of the things I realized was that Ben Hogan was a very humble man. After he won the British Open somebody asked him how he won all these tournaments he said, “I couldn’t have done it without the Lord.”
I hope that he did it as an encouragement for those who have been seriously sick or broken in body as he once was.
I know that after the accident and the outpouring of concern and support he felt he was playing for something greater than himself. But I don’t think he’d ever have said that…
No he wouldn’t. You know, he’d write letters to people, people who’d been stricken with cancer or had been in some serious accident.
And he’d begin his letters…with, with your permission or something to let them know he didn’t want to interrupt their lives. The same thing with golf, he didn’t just walk up there and join our group…he asked first. He was very considerate of others.
But looking back on my life, and how I came to the Ben Hogan company, I came to the conclusion that I was supposed to write this book. [There have been] too many turns in the road, many of which I had nothing to do with — it began with my father passing away when I was six — too many things to call them coincidence.
Club Junkie
Tour Edge Exotics mini driver review + TaylorMade Spider ZT Max first look – Club Junkie
On this episode of Club Junkie, I put the new Tour Edge Exotics Mini Driver to the test and break down the performance, forgiveness, distance, and where it fits compared to a traditional driver or strong fairway wood. If you have been curious about adding a mini driver to the bag, this one is worth a look.
I also dive into the new TaylorMade Spider ZT Max putter that was recently spotted and discuss the growing zero torque putter trend. Plus, there is a closer look at the new Project X Titan Yellow shaft showing up on the PGA Tour and what makes it different from other profiles currently out there.
Opinion & Analysis
AVL: We’re talking about practice! My best tips for taking your game to the course
With the beginning of June on the horizon and courses rounding into peak condition for the season, it’s time to hone the finer skills that often get rusty over the winter. More sunlight also means more time to get out on the course and work on your game.
Whether it’s the practice green or the driving range, there’s always something to improve—whether you’re enjoying the fresh air or preparing for a weekend game or tournament. You can work on drills or freestyle around the green, and friendly competition is a great way to sharpen your skills.
While there are endless ways to get better at golf, I’m going to focus on practicing around the green. Let’s take a look at a few things to keep in mind as we head into the summer months.
Drills
From the driving range to the practice green, it’s important to incorporate drills into your routine. Years ago, I spent a weekend working on my short game with James Sieckmann. He recommended doing drill work for 5–10 minutes, then returning to your main practice.
This way, you create a balance between structured drills and real-world scenarios, so you’re not confined to “perfect” situations. For example, hitting the same three-foot putt over and over is good for repetition, but after a while, it becomes less interactive for your brain.
My approach is to use a putting trainer with a narrow gate for the ball to pass through, or simply place tees just outside the width of the ball. I’ll hit a series of four putts through the gate for three sets. Then, from a similar distance, I’ll hit four putts without the training aid and repeat that sequence three times.
Next, I’ll hit a number of 15–25 foot putts in a random fashion, then circle back to repeat the short putt drills with and without the training aid.
This breaks up the rhythm of hitting short putts with the training aid. When you hit the same short putts over and over, it’s easy to get into a groove—which is great for the drill, but not reflective of actual course play. While finding a rhythm is fundamental for drills, I like to introduce variation with longer putts to keep things realistic.
Game Mode
Once you’ve established a foundation with drills, it’s time to simulate on-course scenarios. This is where a few practice games come in handy.
One that I’ve been enjoying lately involves putting 10- to 15-footers with two balls. If I make the putt, great! If I miss, I pull the missed ball back a putter length. Suddenly, that little tap-in becomes a nerve-wracking three-footer—at least at first. As you get better at this game, those three- and five-footers become much more comfortable and routine.
It may sound cliché, but each shot is just what it is—it’s how we react that makes the difference. I like this game because it blends the pressure of on-course putting with the consequence of leaving yourself a much longer putt than usual.
Another game I like is one I recently learned from Brad Faxon. Place three tees in a line at four different locations around the hole: one at 3 feet, one at 6 feet, and one at 8 feet. The 3- and 6-foot putts count as par, and the 8-footer is for birdie.
This game keeps you focused on scoring and helps you get into a competitive mindset. You can even think about this putting game while you’re on the course. I just started playing it, and last week I couldn’t get better than two under par.
Competition
Competition during practice is when drills and games come to life, and you start to see results. For me, nothing beats a putting contest with a friend or two. In the right setting, these contests can become talking points for the whole season.
Match play, a game of 21, or simply seeing who can make the most one-putts (with a small prize on the line) are all great ways to simulate real on-course pressure. Recently, I played in a putting contest where one competitor made back-to-back 30- and 50-foot putts. As they say, expect your opponent to make every putt—and he nearly did. That’s impressive, and it’s something you see on the course, too: you have to stay committed to your game plan, no matter what.
When it comes to practice, it’s important to blend feedback from recent rounds with the fundamentals you want to reinforce. Drills, games, and competition—from the driving range to the putting green—form the backbone of skills you’ll rely on during actual rounds.
Finding the right balance is something we’re all working on, one practice session at a time. With the beginning of June on the horizon and courses rounding into peak condition for the season, it’s time to hone the finer skills that often get rusty over the winter. More sunlight also means more time to get out on the course and work on your game. Whether it’s the practice green or the driving range, there’s always something to improve—whether you’re enjoying the fresh air or preparing for a weekend game or tournament. You can work on drills or freestyle around the green, and friendly competition is a great way to sharpen your skills. While there are endless ways to get better at golf, I’m going to focus on practicing around the green. Let’s take a look at a few things to keep in mind as we head into the summer months.
Drills
From the driving range to the practice green, it’s important to incorporate drills into your routine. Years ago, I spent a weekend working on my short game with James Sieckmann. He recommended doing drill work for 5–10 minutes, then returning to your main practice. This way, you create a balance between structured drills and real-world scenarios, so you’re not confined to “perfect” situations. For example, hitting the same three-foot putt over and over is good for repetition, but after a while, it becomes less interactive for your brain.
My approach is to use a putting trainer with a narrow gate for the ball to pass through, or simply place tees just outside the width of the ball. I’ll hit a series of four putts through the gate for three sets. Then, from a similar distance, I’ll hit four putts without the training aid and repeat that sequence three times. Next, I’ll hit a number of 15–25 foot putts in a random fashion, then circle back to repeat the short putt drills with and without the training aid.
This breaks up the rhythm of hitting short putts with the training aid. When you hit the same short putts over and over, it’s easy to get into a groove—which is great for the drill, but not reflective of actual course play. While finding a rhythm is fundamental for drills, I like to introduce variation with longer putts to keep things realistic.
Game Mode
Once you’ve established a foundation with drills, it’s time to simulate on-course scenarios. This is where a few practice games come in handy. One that I’ve been enjoying lately involves putting 10- to 15-footers with two balls. If I make the putt, great! If I miss, I pull the missed ball back a putter length.
Suddenly, that little tap-in becomes a nerve-wracking three-footer—at least at first. As you get better at this game, those three- and five-footers become much more comfortable and routine. It may sound cliché, but each shot is just what it is—it’s how we react that makes the difference. I like this game because it blends the pressure of on-course putting with the consequence of leaving yourself a much longer putt than usual.
Another game I like is one I recently learned from Brad Faxon. Place three tees in a line at four different locations around the hole: one at 3 feet, one at 6 feet, and one at 8 feet. The 3- and 6-foot putts count as par, and the 8-footer is for birdie.
This game keeps you focused on scoring and helps you get into a competitive mindset. You can even think about this putting game while you’re on the course. I just started playing it, and last week I couldn’t get better than two under par.
Competition
Competition during practice is when drills and games come to life, and you start to see results. For me, nothing beats a putting contest with a friend or two. In the right setting, these contests can become talking points for the whole season. Match play, a game of 21, or simply seeing who can make the most one-putts (with a small prize on the line) are all great ways to simulate real on-course pressure. Recently, I played in a putting contest where one competitor made back-to-back 30- and 50-foot putts. As they say, expect your opponent to make every putt—and he nearly did. That’s impressive, and it’s something you see on the course, too: you have to stay committed to your game plan, no matter what.
When it comes to practice, it’s important to blend feedback from recent rounds with the fundamentals you want to reinforce. Drills, games, and competition—from the driving range to the putting green—form the backbone of skills you’ll rely on during actual rounds. Finding the right balance is something we’re all working on, one practice session at a time.
Equipment
Seoul Sensibilities: Is Korean golf fashion starting to shape the world?
For Korean golfers, we always look forward to the last of the kkot-saem-chu-I for the true start of a new golf season. The term refers to a cold snap, but literally translates as “winter being jealous of the flowers beginning to bloom, thus lashing out one final time before surrendering to spring”.
A rather poetic mouthful packed into a short expression.
Koreans can be like that. Understated, yet oddly expressive at the same time. And nowhere is this more true on the golf course and in our golf bags. In fact, I suspect many Korean golfers look forward to new apparel and accessory drops more than they do actual equipment launches each year.

At this point, Korean golf fashion may exist on its own timeline. (courtesy of @seonbi_golfer)
There is ample evidence to support that suspicion. Korea is the world’s third-largest golf market behind the United States and Japan, yet its appetite for golf apparel exceeds that of both countries combined. Recent estimates suggest that Korea accounts for nearly 40 percent of the global golf apparel market, placing it among the world’s most influential golf fashion markets and punching well above its size.
Simply, we care deeply about how new golf clubs look and feel, but enjoy looking good while swinging them even more.
Golfers in the West may laugh and say that golf is played on a course, not a fashion runway. Perhaps. But what’s the harm in trying to look and feel good, if the added self-confidence can help actual performance? It certainly seems to have worked for Jason Day, who may have unlocked a new stats category: dormant strokes gained. Coincidence?

During the COVID-era, estimates placed the market near $9 billion, an astonishing figure for a single country.
As a proud member of Gen X, I’ve witnessed the highs and lows of golf fashion firsthand. The pleated trousers and wing-tipped shoes of Jack Nicklaus, the stylish plus-fours and knickers of Payne Stewart, the baggy black trousers and fitted mock-necks of Tiger Woods, and the thigh-hugging athletic tailoring of Rory McIlroy. Golf fashion, like the golf swing itself, has rarely stood still.
But nowhere have those trends shifted, evolved, and been scrutinized quite as relentlessly as in Korea. Here, golf fashion moves faster than fairway gossip, and consumers dissect brands with a level of discernment that can be both impressive and mildly terrifying. New brands are studied, judged, embraced, or dismissed with startling efficiency.
The result is a consumer base with one of the sharpest eyes for quality and authenticity anywhere in the world. It is difficult to quantify, but easy to recognize. Clean lines without trying too hard. Luxury mixed with utility. Trend awareness balanced by restraint and purpose.
It’s golf fashion shaped by one of the world’s most style-literate cities, something I like to call Seoul Sensibilities, referring to the taste level forged by a uniquely competitive environment.
And increasingly, global brands have noticed.

Many golf brands in Korea have their own flagship shops dedicated to apparel only
Titleist understood this years ago, when its apparel business in Korea took on a life of its own under new ownership and local direction. What had once been a straightforward extension of an iconic equipment giant became something sharper and more premium. By going all in on the serious Tour-player look (I couldn’t even fit into their XL sizes), Titleist struck the right chord with Korean consumers and helped its fledgling apparel business break into the mainstream. Titleist became a household name even for non-golfers who wore its caps, shirts, and windbreakers in daily life. In many ways, it proved that even heritage golf brands could carry real fashion credibility when viewed through a Korean lens.
Several years later, PXG took a page out of Titleist’s playbook and followed suit. Korean consumers helped transform the brand from one known largely for irons and loud commercials into something broader and more stylish. PXG apparel’s growth in Korea was explosive, where it found an early audience and turned the category into something more than mere logo merchandise. It is still hard to walk anywhere in Seoul without seeing its palindrome logo.
Malbon’s meteoric rise in the United States was genuine, but its ascent into a global golf lifestyle brand owes much to Korea, where it was elevated by a market already fluent in modern golf style. Korea did not simply embrace Malbon. It pressure-tested the concept, refined its appeal, and helped push it into the global spotlight.
As such, new brands may arrive from abroad, but more often than not, their sharpest evolution happens here. If a brand can earn credibility in Seoul, it’s deemed to have passed one of the toughest style audits in the game.
That is why the next meaningful chapter may not come from outside, but from a Korean brand moving in the opposite direction, carrying those Seoul Sensibilities outward as K-pop once did.

Play young Stay dope.
From Seoul, With Intent
Khalhon is a label that feels less like a trend-chasing newcomer and more like the product of a market that has already seen everything. Golfers here have long been surrounded by luxury logos, technical fabrics, and tour uniforms disguised as lifestyle wear and vice-versa. In other words, novelty alone rarely lasts here, and the Koreans seems to understand that instinctively.
Its style language leans into clean silhouettes, relaxed but tailored proportions, muted palettes, and premium materials that speak quietly but confidently. There is a modern city aesthetic running through it all, with strong layering pieces, thoughtful textures, and subtle branding that suggests sophistication rather than demanding attention.

“Built for the course. Designed beyond it.”
Most importantly, the garments seem designed to blur the line between golfwear and everyday style. Shirts, trousers, knitwear, and outer layers move comfortably between a game of screen golf, a lunch reservation, an airport gate, or an afternoon coffee in Gangnam with friends.
It raises the question of whether this is golfwear that happens to look good off the course, or everyday clothing that performs beautifully on the fairways.
Personally, I have long appreciated Nike Golf for its clean, athletic modernization of golf attire. It also has the useful side effect of making me look like a more serious golfer than I probably am. But off the course, there are times when being instantly identified as the golf guy in a crowd of non-golfers can feel a touch self-conscious.

“Built for the course. Designed beyond it.”
That is part of what drew me to Khalhon, which seemed to blend golf and everyday wear naturally. While some of the outfits may be slightly beyond my personal confidence level, the brand also offers tasteful options for older guys like me who still want to express a little personality without regretting the decision later.
These are not simply flashy outfits worn on the course and then banished to the closet until the next tee time. They work surprisingly well off the course too, and I suspect many of the pieces will still look right a couple of years from now, which would certainly be kinder to my wallet than most golf fashion trends tend to be.
And perhaps that broader lifestyle positioning also helps explain why someone like Sean Wotherspoon would find Khalhon creatively interesting in the first place.

“Built for the course. Designed beyond it.”
“Korea is not only one of the most fashion-forward golf markets in the world, but one of the most fashion-forward markets globally. Korea is ahead, and I love to watch and try to catch up.” – Sean Wotherspoon, Creative Director at Khalhon
Seoul and Beyond
If Khalhon’s rise says something about where Korean golf fashion is today, its relationship with Sean Wotherspoon says even more about where it is heading.
For readers less familiar with Sean Wotherspoon, his arrival at Khalhon is not some routine celebrity endorsement or influencer collaboration. In design and streetwear circles, Wotherspoon is regarded as one of the more influential creative voices of his generation, particularly when it comes to blending nostalgia, storytelling, and contemporary culture into products that people can connect with.
He first gained widespread attention through his now-famous Nike sneaker collaborations, where his vintage-inspired designs and instinct for color helped turn him into one of the defining artists of the late-2010s sneaker era. His work gradually expanded beyond footwear into apparel, automotive collaborations, collectibles, and broader lifestyle design.
Modern golf style now extends well beyond the fairways, where performance and functionality are largely expected by default. And while plenty of brands already make technically competent golfwear, Khalhon seems more focused on designing clothes people would genuinely want to wear even after the round ends.
And when guys at Wotherspoon’s level show genuine interest in working with a Korean golf brand as its new Creative Director, fashion circles tend to sit up and pay attention. There’s already a huge buzz among the fashion-conscious here about upcoming collabs with iconic sports stars and brands.

“My creative direction for Khalhon is disruptive, colorful, nostalgic, and modern. My goal is to blend these avenues seamlessly within each collection.” – Sean Wotherspoon
In chatting with Sean, what stood out most to me was how genuinely energized he sounded about the project itself. Despite having already worked across and countless other creative spaces, he described golf as a completely fresh category for him, saying that Khalhon “will be an amazing vehicle for my design work.”
At the same time, his enthusiasm seemed tied just as much to Korea itself. He spoke openly about admiring Korea’s fashion culture while repeatedly insisting he is still a terrible golfer.
There was something oddly refreshing about that humility. Rather than sounding like a celebrity parachuting into golf simply because the category suddenly became fashionable, Sean sounded genuinely curious about what Korea might do with the category next.
And perhaps that is what makes Khalhon feel interesting right now. The brand feels less like a trend-chaser and more like the natural result of a market now confident enough to export its own point of view.
For years, global brands came to Korea to sharpen their image against one of the most discerning audiences anywhere. Now, a Korean label appears ready to send those Seoul Sensibilities outward instead.
Which brings us back to kkot-saem-chu-i.
That final cold snap before spring always arrives with a reminder that seasons are changing, whether we notice it immediately or not. Golf fashion feels a little like that right now as well, as the old boundaries between sport, streetwear, luxury, and everyday style continue to soften.
And somewhere in Seoul, a Korean golf label already seems prepared for whatever season comes next. I just hope they have everything in my size.


Paul Daley
Jul 4, 2016 at 3:11 am
I have read Tim Scott’s book from cover to cover. It is a wonderful account of the world’s greatest ever golfer.
My hope is that when my new book on Ben Hogan comes out (15 December 2016), that it does half as good a job as Tim did.
The books are completely different, as my account is a pictorial depiction of all the big moments in Hogan’s career. Plus, there are many non-golf images of BH, and plenty of memorabilia.
Strictly limited to 500 copies, and carrying a subscribers’ list on the inside front page, I am happy to reserve anyone a copy. Many of the 125 images have never been seen before by the public.
Contact Paul Daley on my email: [email protected]
Ben
May 15, 2015 at 2:10 am
Best non-instructional article I’ve read on WRX. Does anyone know who owns the rights to the Hogan Company? I didn’t realize they were selling a new iron and wedge model
tooc
May 11, 2015 at 5:39 pm
IKE is 100% correct
Ike
May 11, 2015 at 1:44 pm
He did cup his left wrist. What he never said in film or in his books is that the first move of the wrist was to make it flat. Jim McClean has many films of Mr. Hogan and has written extensively about his swing. Watch the films and look at the pictures. It is a very telling move that allowed him to take the club back in a relatively shallow plane and start down with the club in a great position for the second plane and the contact he desired. P 31 and 88 in Five Lessons.
Gerald Chessen
May 11, 2015 at 3:33 pm
He explained the cupping in a Life Magazine article, which he was paid a great deal of money for those times. He was a chronic ‘hooker’ until he went to the cupped wrist. If you didn’t get rid of the cup you would hit the ball dead right.
Jang Hyung-sun
May 10, 2015 at 4:55 pm
Definitely cupped left wrist. The exact opposite of say Dustin Johnson, which has a bowed left wrist. Not flat, not bowed….but CUPPED!
MHendon
May 10, 2015 at 3:39 pm
I think many private or socially shy, awkward people are mistaken as being rude, conceited, d–ks. My guess is one day they’ll be writing this same book about Tiger.
gvogel
May 10, 2015 at 10:43 am
Good article. I just picked up the book on Kindle.
Simeon
May 9, 2015 at 6:25 pm
Great photo on the cover which clearly shows his cupped left wrist!
RG
May 10, 2015 at 1:19 am
Dude, Hogan didn’t cup his wrist, he cocked his wrist.
slimeone
May 10, 2015 at 9:44 am
Nah it’s cupped, that was his “secret” apparently. Cocking is a different motion altogether and not the opposite of cupped, which is bowed.
Scott
May 15, 2015 at 5:24 pm
Could you explain the difference between cupping and cocking? they seem similar to me.
MHendon
May 10, 2015 at 3:34 pm
looks basically flat to me
BC
May 9, 2015 at 9:10 am
Excellent article about Mr. Hogan. You said that you talked with Eldridge Miles about Mr. Hogan, who played a lot with Mr. Hogan. I know Eldridge (friends call him ‘Big E’) well. I see Big E 3-4 times a week. He lives in North Dallas, is a member of the Texas Golf Hall of Fame and still gives lessons at age 81. Big E played over 200 rounds of golf with Mr. Hogan (the most of anyone still alive), and has a lot of very interesting stories to tell about the man and also his golf swing.
Bill
May 10, 2015 at 10:43 am
That’s pretty neat. I bet he has some great stories.