Opinion & Analysis
Orlando Follies: A history of the PGAM Show
First, a disclaimer. After my previous story a comment appeared under the name Barney Adams that essentially said cut the crap with the Mickey Mouse criticism. While I appreciate the person’s support it wasn’t posted by me; I have plenty of scars from being a visible person over the years. I’ve been praised and ripped — it’s the norm. If my wife even considered the thought that there were two of me, the shock would be overwhelming.
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For those of you who have never attended the PGA Merchandise Show, think of it as golfer nirvana. The Orlando Convention Center, which is more than 2 million square feet, displays everything you could think of that is associated with the game — clubs to clothes and in this era, electronics and computer-aided analysis.
For all the passionate golfers out there, it doesn’t get any better and that doesn’t count the dozens of seminars available to PGA professionals. Today, the Show starts off with Demo Day, which is outdoors and open to the public, and it is followed by three days of industry-only attendance inside the convention center that is truly a golf spectacle.
The Show started in 1954 (where were you 61 years ago?) and parallels can be drawn between it and the golf industry. Back in 1954, it was some reps showing their products on the putting green at Dunedin Golf Club in Florida where the Senior PGA championship was being held. It “expanded” to the parking lot, car trunks, display tables and the game was on.
In those days you could accurately describe the industry as an “old boys club” — basically friends getting together. The equipment world was one of forged blades and persimmon with a little maple thrown in. Pioneers like Ernie Sabayrac and Dick Tarlow were introducing the radical idea of carrying golf shoes and eventually clothing in golf shops. For the better part of the next 20 years, the Show had multiple locations and as late as 1977 exhibitors used the ballroom at the Disney Contemporary Hotel with smaller companies in small adjoining rooms.
What happened that the Show went from hotel rooms to the gigantic Orlando Convention Center? By far the single largest impetus occurred in a courtroom. In 1970, it was ruled that the practice of restricting “pro-line” clubs to PGA onsite golf shops was a restraint of trade. A store called Golf City in New Orleans made this claim and while contested by all the major manufacturers and the PGA itself the ruling was made. Hello retail!
Prior, there was pro-line equipment and store-line equipment and the former was considered superior and could only be purchased from your local PGA pro. It didn’t happen overnight, but with that ruling the equipment-selling game changed. The best golf equipment could be purchased directly by retailers, sold at whatever prices they chose and the industry would never be the same.
There were some holdouts who did their best to keep retail pricing in line with what the manufacturer suggested (Ping to this day), and some others who positioned themselves as selling to pro shop only. But on the whole the pro shops ceased to be a major factor (about 10 percent of sales), retail took over and there was a huge emphasis for manufacturers to supply technical improvement.
IN A PHRASE, MORE DISTANCE!
This so alarmed the USGA that it instituted the coefficient of restitution (COR) or spring-like limit of 0.860 in 2003 amended it to 0.830, defining max ball speed in the center of the face where it stands today. All of this coincided with the boom in amateur golf, a 50 percent increase from 1985 to 2005.
I was there during the boom years and it’s almost hard to describe, surreal in a way. For example, Callaway and Cobra were Carlsbad rivals and the Show became a case of booth one-upmanship. I promise their booths were bigger than the original outing in Florida, and they were close to each other. If one had music, the other had more… celebrities, golf pros, etc.. They were a show in themselves and very successful companies I might add.
The Show had “Main Street,” which is where the prominent companies were located, and attendees were not the golfing public but buyers. Translation: You wanted to be on or just off Main Street to get the traffic flow.
I can remember as a growing company having very mixed feelings about the Show. I started in a small booth in the back near the restrooms and we ended up on Main Street. It sounds like success and in a way it was, but it was very conflicting. The giant booths, celebrity guests, cocktail parties, did not withstand a ROI analysis. Fortunately our large booth had been purchased used and refurbished for our needs. Knowing this abated some of the cost anxiety.
ON THE ONE HAND, YOU FELT LIKE YOU HAD TO BE PART OF THE PARTY. ON THE OTHER YOU WERE THINKING, “WHY AM I SPENDING THIS MONEY? IS THERE AN ALTERNATIVE?”
I used the title Orlando Follies for this article, and when you look up the definition of the word follies “lack of good sense” leads the definitions.
To wit, the Show is an international show. When you buy space you are essentially saying you are ready to compete in that environment, otherwise why attend? I realize there are some small displays with neat ideas looking for a partner, someone to help them in the marketplace, but let’s talk about companies making golf clubs because their time is at hand to compete with the big boys.
I kept records of the companies that attended the PGA Merchandise Show each year, so I got out my old show books and counted in excess of 110 equipment companies that attended the Show between 1990 and 2002 — certainly a sustained period of industry growth. These companies are no longer significant competitors. Some are web sites, some were bought up by retailers for the brand name but they are in “other “ when it comes to market share. Follies influenced their presence, reality surfaced.
It was the people at Ping in 2003 who came up with a solution. They stopped attending! I remember thinking, who better? I wish I had Ping’s courage (and market position) and what it proved was that not attending had zero effect on the company’s business. Others got the message, booth sizes shrunk if not disappeared altogether and the music died.
Further, there was a seismic shift in the retail market. All those buyers from small shops and chains gave way to five major retail operations buying for multiple stores. That meant that most of the upcoming year’s buying decisions were made well before the Show started. It’s now about sell through, not sell in.
Like all major shifts in the pendulum, it seldom stops in the middle. The PGA Merchandise Show went from a bonanza when Reed Exhibitions bought it in 1992 to partial building occupation 15 years later. I don’t go any more — no reason and haven’t been for years. I still have old friends in the business and they tell me the Show is moving back to some of its former luster, especially with the big consumer Demo Day.
I was fortunate to see the Show develop first hand, starting with hotel rooms at the Disney Contemporary to the days of the giant booths. Follies, yes, but remember the word is associated with good times!
Club Junkie
Tour Edge Exotics mini driver review + TaylorMade Spider ZT Max first look – Club Junkie
On this episode of Club Junkie, I put the new Tour Edge Exotics Mini Driver to the test and break down the performance, forgiveness, distance, and where it fits compared to a traditional driver or strong fairway wood. If you have been curious about adding a mini driver to the bag, this one is worth a look.
I also dive into the new TaylorMade Spider ZT Max putter that was recently spotted and discuss the growing zero torque putter trend. Plus, there is a closer look at the new Project X Titan Yellow shaft showing up on the PGA Tour and what makes it different from other profiles currently out there.
Opinion & Analysis
AVL: We’re talking about practice! My best tips for taking your game to the course
With the beginning of June on the horizon and courses rounding into peak condition for the season, it’s time to hone the finer skills that often get rusty over the winter. More sunlight also means more time to get out on the course and work on your game.
Whether it’s the practice green or the driving range, there’s always something to improve—whether you’re enjoying the fresh air or preparing for a weekend game or tournament. You can work on drills or freestyle around the green, and friendly competition is a great way to sharpen your skills.
While there are endless ways to get better at golf, I’m going to focus on practicing around the green. Let’s take a look at a few things to keep in mind as we head into the summer months.
Drills
From the driving range to the practice green, it’s important to incorporate drills into your routine. Years ago, I spent a weekend working on my short game with James Sieckmann. He recommended doing drill work for 5–10 minutes, then returning to your main practice.
This way, you create a balance between structured drills and real-world scenarios, so you’re not confined to “perfect” situations. For example, hitting the same three-foot putt over and over is good for repetition, but after a while, it becomes less interactive for your brain.
My approach is to use a putting trainer with a narrow gate for the ball to pass through, or simply place tees just outside the width of the ball. I’ll hit a series of four putts through the gate for three sets. Then, from a similar distance, I’ll hit four putts without the training aid and repeat that sequence three times.
Next, I’ll hit a number of 15–25 foot putts in a random fashion, then circle back to repeat the short putt drills with and without the training aid.
This breaks up the rhythm of hitting short putts with the training aid. When you hit the same short putts over and over, it’s easy to get into a groove—which is great for the drill, but not reflective of actual course play. While finding a rhythm is fundamental for drills, I like to introduce variation with longer putts to keep things realistic.
Game Mode
Once you’ve established a foundation with drills, it’s time to simulate on-course scenarios. This is where a few practice games come in handy.
One that I’ve been enjoying lately involves putting 10- to 15-footers with two balls. If I make the putt, great! If I miss, I pull the missed ball back a putter length. Suddenly, that little tap-in becomes a nerve-wracking three-footer—at least at first. As you get better at this game, those three- and five-footers become much more comfortable and routine.
It may sound cliché, but each shot is just what it is—it’s how we react that makes the difference. I like this game because it blends the pressure of on-course putting with the consequence of leaving yourself a much longer putt than usual.
Another game I like is one I recently learned from Brad Faxon. Place three tees in a line at four different locations around the hole: one at 3 feet, one at 6 feet, and one at 8 feet. The 3- and 6-foot putts count as par, and the 8-footer is for birdie.
This game keeps you focused on scoring and helps you get into a competitive mindset. You can even think about this putting game while you’re on the course. I just started playing it, and last week I couldn’t get better than two under par.
Competition
Competition during practice is when drills and games come to life, and you start to see results. For me, nothing beats a putting contest with a friend or two. In the right setting, these contests can become talking points for the whole season.
Match play, a game of 21, or simply seeing who can make the most one-putts (with a small prize on the line) are all great ways to simulate real on-course pressure. Recently, I played in a putting contest where one competitor made back-to-back 30- and 50-foot putts. As they say, expect your opponent to make every putt—and he nearly did. That’s impressive, and it’s something you see on the course, too: you have to stay committed to your game plan, no matter what.
When it comes to practice, it’s important to blend feedback from recent rounds with the fundamentals you want to reinforce. Drills, games, and competition—from the driving range to the putting green—form the backbone of skills you’ll rely on during actual rounds.
Finding the right balance is something we’re all working on, one practice session at a time. With the beginning of June on the horizon and courses rounding into peak condition for the season, it’s time to hone the finer skills that often get rusty over the winter. More sunlight also means more time to get out on the course and work on your game. Whether it’s the practice green or the driving range, there’s always something to improve—whether you’re enjoying the fresh air or preparing for a weekend game or tournament. You can work on drills or freestyle around the green, and friendly competition is a great way to sharpen your skills. While there are endless ways to get better at golf, I’m going to focus on practicing around the green. Let’s take a look at a few things to keep in mind as we head into the summer months.
Drills
From the driving range to the practice green, it’s important to incorporate drills into your routine. Years ago, I spent a weekend working on my short game with James Sieckmann. He recommended doing drill work for 5–10 minutes, then returning to your main practice. This way, you create a balance between structured drills and real-world scenarios, so you’re not confined to “perfect” situations. For example, hitting the same three-foot putt over and over is good for repetition, but after a while, it becomes less interactive for your brain.
My approach is to use a putting trainer with a narrow gate for the ball to pass through, or simply place tees just outside the width of the ball. I’ll hit a series of four putts through the gate for three sets. Then, from a similar distance, I’ll hit four putts without the training aid and repeat that sequence three times. Next, I’ll hit a number of 15–25 foot putts in a random fashion, then circle back to repeat the short putt drills with and without the training aid.
This breaks up the rhythm of hitting short putts with the training aid. When you hit the same short putts over and over, it’s easy to get into a groove—which is great for the drill, but not reflective of actual course play. While finding a rhythm is fundamental for drills, I like to introduce variation with longer putts to keep things realistic.
Game Mode
Once you’ve established a foundation with drills, it’s time to simulate on-course scenarios. This is where a few practice games come in handy. One that I’ve been enjoying lately involves putting 10- to 15-footers with two balls. If I make the putt, great! If I miss, I pull the missed ball back a putter length.
Suddenly, that little tap-in becomes a nerve-wracking three-footer—at least at first. As you get better at this game, those three- and five-footers become much more comfortable and routine. It may sound cliché, but each shot is just what it is—it’s how we react that makes the difference. I like this game because it blends the pressure of on-course putting with the consequence of leaving yourself a much longer putt than usual.
Another game I like is one I recently learned from Brad Faxon. Place three tees in a line at four different locations around the hole: one at 3 feet, one at 6 feet, and one at 8 feet. The 3- and 6-foot putts count as par, and the 8-footer is for birdie.
This game keeps you focused on scoring and helps you get into a competitive mindset. You can even think about this putting game while you’re on the course. I just started playing it, and last week I couldn’t get better than two under par.
Competition
Competition during practice is when drills and games come to life, and you start to see results. For me, nothing beats a putting contest with a friend or two. In the right setting, these contests can become talking points for the whole season. Match play, a game of 21, or simply seeing who can make the most one-putts (with a small prize on the line) are all great ways to simulate real on-course pressure. Recently, I played in a putting contest where one competitor made back-to-back 30- and 50-foot putts. As they say, expect your opponent to make every putt—and he nearly did. That’s impressive, and it’s something you see on the course, too: you have to stay committed to your game plan, no matter what.
When it comes to practice, it’s important to blend feedback from recent rounds with the fundamentals you want to reinforce. Drills, games, and competition—from the driving range to the putting green—form the backbone of skills you’ll rely on during actual rounds. Finding the right balance is something we’re all working on, one practice session at a time.
Equipment
Seoul Sensibilities: Is Korean golf fashion starting to shape the world?
For Korean golfers, we always look forward to the last of the kkot-saem-chu-I for the true start of a new golf season. The term refers to a cold snap, but literally translates as “winter being jealous of the flowers beginning to bloom, thus lashing out one final time before surrendering to spring”.
A rather poetic mouthful packed into a short expression.
Koreans can be like that. Understated, yet oddly expressive at the same time. And nowhere is this more true on the golf course and in our golf bags. In fact, I suspect many Korean golfers look forward to new apparel and accessory drops more than they do actual equipment launches each year.

At this point, Korean golf fashion may exist on its own timeline. (courtesy of @seonbi_golfer)
There is ample evidence to support that suspicion. Korea is the world’s third-largest golf market behind the United States and Japan, yet its appetite for golf apparel exceeds that of both countries combined. Recent estimates suggest that Korea accounts for nearly 40 percent of the global golf apparel market, placing it among the world’s most influential golf fashion markets and punching well above its size.
Simply, we care deeply about how new golf clubs look and feel, but enjoy looking good while swinging them even more.
Golfers in the West may laugh and say that golf is played on a course, not a fashion runway. Perhaps. But what’s the harm in trying to look and feel good, if the added self-confidence can help actual performance? It certainly seems to have worked for Jason Day, who may have unlocked a new stats category: dormant strokes gained. Coincidence?

During the COVID-era, estimates placed the market near $9 billion, an astonishing figure for a single country.
As a proud member of Gen X, I’ve witnessed the highs and lows of golf fashion firsthand. The pleated trousers and wing-tipped shoes of Jack Nicklaus, the stylish plus-fours and knickers of Payne Stewart, the baggy black trousers and fitted mock-necks of Tiger Woods, and the thigh-hugging athletic tailoring of Rory McIlroy. Golf fashion, like the golf swing itself, has rarely stood still.
But nowhere have those trends shifted, evolved, and been scrutinized quite as relentlessly as in Korea. Here, golf fashion moves faster than fairway gossip, and consumers dissect brands with a level of discernment that can be both impressive and mildly terrifying. New brands are studied, judged, embraced, or dismissed with startling efficiency.
The result is a consumer base with one of the sharpest eyes for quality and authenticity anywhere in the world. It is difficult to quantify, but easy to recognize. Clean lines without trying too hard. Luxury mixed with utility. Trend awareness balanced by restraint and purpose.
It’s golf fashion shaped by one of the world’s most style-literate cities, something I like to call Seoul Sensibilities, referring to the taste level forged by a uniquely competitive environment.
And increasingly, global brands have noticed.

Many golf brands in Korea have their own flagship shops dedicated to apparel only
Titleist understood this years ago, when its apparel business in Korea took on a life of its own under new ownership and local direction. What had once been a straightforward extension of an iconic equipment giant became something sharper and more premium. By going all in on the serious Tour-player look (I couldn’t even fit into their XL sizes), Titleist struck the right chord with Korean consumers and helped its fledgling apparel business break into the mainstream. Titleist became a household name even for non-golfers who wore its caps, shirts, and windbreakers in daily life. In many ways, it proved that even heritage golf brands could carry real fashion credibility when viewed through a Korean lens.
Several years later, PXG took a page out of Titleist’s playbook and followed suit. Korean consumers helped transform the brand from one known largely for irons and loud commercials into something broader and more stylish. PXG apparel’s growth in Korea was explosive, where it found an early audience and turned the category into something more than mere logo merchandise. It is still hard to walk anywhere in Seoul without seeing its palindrome logo.
Malbon’s meteoric rise in the United States was genuine, but its ascent into a global golf lifestyle brand owes much to Korea, where it was elevated by a market already fluent in modern golf style. Korea did not simply embrace Malbon. It pressure-tested the concept, refined its appeal, and helped push it into the global spotlight.
As such, new brands may arrive from abroad, but more often than not, their sharpest evolution happens here. If a brand can earn credibility in Seoul, it’s deemed to have passed one of the toughest style audits in the game.
That is why the next meaningful chapter may not come from outside, but from a Korean brand moving in the opposite direction, carrying those Seoul Sensibilities outward as K-pop once did.

Play young Stay dope.
From Seoul, With Intent
Khalhon is a label that feels less like a trend-chasing newcomer and more like the product of a market that has already seen everything. Golfers here have long been surrounded by luxury logos, technical fabrics, and tour uniforms disguised as lifestyle wear and vice-versa. In other words, novelty alone rarely lasts here, and the Koreans seems to understand that instinctively.
Its style language leans into clean silhouettes, relaxed but tailored proportions, muted palettes, and premium materials that speak quietly but confidently. There is a modern city aesthetic running through it all, with strong layering pieces, thoughtful textures, and subtle branding that suggests sophistication rather than demanding attention.

“Built for the course. Designed beyond it.”
Most importantly, the garments seem designed to blur the line between golfwear and everyday style. Shirts, trousers, knitwear, and outer layers move comfortably between a game of screen golf, a lunch reservation, an airport gate, or an afternoon coffee in Gangnam with friends.
It raises the question of whether this is golfwear that happens to look good off the course, or everyday clothing that performs beautifully on the fairways.
Personally, I have long appreciated Nike Golf for its clean, athletic modernization of golf attire. It also has the useful side effect of making me look like a more serious golfer than I probably am. But off the course, there are times when being instantly identified as the golf guy in a crowd of non-golfers can feel a touch self-conscious.

“Built for the course. Designed beyond it.”
That is part of what drew me to Khalhon, which seemed to blend golf and everyday wear naturally. While some of the outfits may be slightly beyond my personal confidence level, the brand also offers tasteful options for older guys like me who still want to express a little personality without regretting the decision later.
These are not simply flashy outfits worn on the course and then banished to the closet until the next tee time. They work surprisingly well off the course too, and I suspect many of the pieces will still look right a couple of years from now, which would certainly be kinder to my wallet than most golf fashion trends tend to be.
And perhaps that broader lifestyle positioning also helps explain why someone like Sean Wotherspoon would find Khalhon creatively interesting in the first place.

“Built for the course. Designed beyond it.”
“Korea is not only one of the most fashion-forward golf markets in the world, but one of the most fashion-forward markets globally. Korea is ahead, and I love to watch and try to catch up.” – Sean Wotherspoon, Creative Director at Khalhon
Seoul and Beyond
If Khalhon’s rise says something about where Korean golf fashion is today, its relationship with Sean Wotherspoon says even more about where it is heading.
For readers less familiar with Sean Wotherspoon, his arrival at Khalhon is not some routine celebrity endorsement or influencer collaboration. In design and streetwear circles, Wotherspoon is regarded as one of the more influential creative voices of his generation, particularly when it comes to blending nostalgia, storytelling, and contemporary culture into products that people can connect with.
He first gained widespread attention through his now-famous Nike sneaker collaborations, where his vintage-inspired designs and instinct for color helped turn him into one of the defining artists of the late-2010s sneaker era. His work gradually expanded beyond footwear into apparel, automotive collaborations, collectibles, and broader lifestyle design.
Modern golf style now extends well beyond the fairways, where performance and functionality are largely expected by default. And while plenty of brands already make technically competent golfwear, Khalhon seems more focused on designing clothes people would genuinely want to wear even after the round ends.
And when guys at Wotherspoon’s level show genuine interest in working with a Korean golf brand as its new Creative Director, fashion circles tend to sit up and pay attention. There’s already a huge buzz among the fashion-conscious here about upcoming collabs with iconic sports stars and brands.

“My creative direction for Khalhon is disruptive, colorful, nostalgic, and modern. My goal is to blend these avenues seamlessly within each collection.” – Sean Wotherspoon
In chatting with Sean, what stood out most to me was how genuinely energized he sounded about the project itself. Despite having already worked across and countless other creative spaces, he described golf as a completely fresh category for him, saying that Khalhon “will be an amazing vehicle for my design work.”
At the same time, his enthusiasm seemed tied just as much to Korea itself. He spoke openly about admiring Korea’s fashion culture while repeatedly insisting he is still a terrible golfer.
There was something oddly refreshing about that humility. Rather than sounding like a celebrity parachuting into golf simply because the category suddenly became fashionable, Sean sounded genuinely curious about what Korea might do with the category next.
And perhaps that is what makes Khalhon feel interesting right now. The brand feels less like a trend-chaser and more like the natural result of a market now confident enough to export its own point of view.
For years, global brands came to Korea to sharpen their image against one of the most discerning audiences anywhere. Now, a Korean label appears ready to send those Seoul Sensibilities outward instead.
Which brings us back to kkot-saem-chu-i.
That final cold snap before spring always arrives with a reminder that seasons are changing, whether we notice it immediately or not. Golf fashion feels a little like that right now as well, as the old boundaries between sport, streetwear, luxury, and everyday style continue to soften.
And somewhere in Seoul, a Korean golf label already seems prepared for whatever season comes next. I just hope they have everything in my size.

Dick
Feb 3, 2015 at 2:46 pm
I was there in 2011 as a guest of Adams Golf and got to see Barney receive his award for Outstanding Contributions to the Game of Golf, complete, among other things, with video tributes to him from Arnold Palmer and President Bush. It was a fun exprience. The show is vast. My wife and I got to rub elbows and have conversations with Ryan Moore of the PGA Tour, Brittany Lang and Paula Creamer of the LPGA Tour, Hall-of-Famer Nancy Lopez, and famous instructors Dr. Gary Wiren, Jim Hardy, and Jim McLain, as well as the honoree himself. I recall that nearly every other booth was promoting some sort of elaborate electronic device that would measure/improve your golfing performance. And it seemed as if every third person exiting the show had one of those Tour Striker training clubs tucked under his/her arm. (I should have paid attention to that phenomenon – all we came away with were a couple of ball retrievers!). Items like that sell at a deep discount at the show. If you love the game, it’s easy to get caught-up in the spectacle of all that goes on there each year, despite its apparent downgrade from what it used to be.
Ryan M
Jan 31, 2015 at 2:34 pm
Definitely another good article Mr. Adams.
I really want to go to the show one of these years. Not to see TM, Cally, or Titleist but the smaller companies.
Gordon
Jan 31, 2015 at 1:58 am
C.O.R. reduction etc would be an interesting subject for a future article. As a naturally cynical person Mr Adams pieces are a breath of fresh air within the marketing hot air. Thanks
Jason
Jan 29, 2015 at 9:36 pm
Great story. As a PGA professional, I often walk the floor of the convention center and wonder, how do all these companies, especially the niche manufacturers make enough money to justify being here. I seldom set foot in a major manufacturer’s booth because they pay reps to come and see me at my facility. For me, the show is about relationship building and catching up with old friends in the industry. Its a hell of a show though, that’s for sure!
Walter
Jan 28, 2015 at 4:09 pm
Now they need to open it up to the public and charge a nominal entrance fee. This would put a new spin on it and create a new buzz.
Walter
Jan 28, 2015 at 4:05 pm
A sign of an ever changing economy and industry.
ABOMB
Jan 28, 2015 at 2:40 pm
I absolutely hate this website’s new format
Greg Pickett
Jan 28, 2015 at 1:29 pm
It doesn’t sound good,been in the repair , club building for 40 years in Memphis Tennessee , not good here.
Greg V
Jan 28, 2015 at 12:07 pm
Thanks for the history lesson!