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Opinion & Analysis

Myrtle Beach, Explored: February in South Carolina

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As I gain in experience and age, and familiarity breeds neither contempt nor disdain, I understand why people return to a place. A destination like Myrtle Beach offers a sizable supply and diversity of restaurants, entertainment venues, and shops that are predicated on the tenets of the service industry. Greet your customers with a smile and a kind word, and they will find comfort and assurance. Provide them with a memorable experience and they will suggest your place of business to others.

My first tour of Myrtle Beach took place in the mid-1980s, and consisted of one course: Gator Hole. I don’t remember much from that day, and since Gator Hole closed a decade later, I cannot revisit it to recollect what I’d lost. Since then, I’ve come to the Grand Strand a few times, and been fortunate to never place a course more than once. I’ve seen the Strantz courses to the south and dipped my toe in the North Carolina courses of Calabash. I’ve been to many in the middle, including Dunes, Pine Lakes, Grande Dunes among them.

2024 brought a quartet of new courses, including two at the Barefoot Resort. I’d heard about the North Myrtle Beach four-pack of courses that highlight the Barefoot property, including layouts from Pete Dye, Tom Fazio, Davis Love III, and Greg Norman. I had the opportunity to play and shoot the Dye and Fazio tracks, which means that I’ll have to return to see the other two. Sandwiched between them were the TPC-Myrtle Beach course, also from Tom Fazio, and the Pawley’s Plantation trace, by the hand of Jack Nicklaus. I anticipated a bit of the heroic, and bit of the strategic, and plenty of eye candy. None of those architects would ever be considered a minimalist, so there would be plenty of in-play and out-of-play bunkers and mounds to tantalize the senses.

My nephew arrived a few days early, to screen a few more courses. As a result, you the reader will have an extra quarter of mini-reviews, bringing the total of courses in this piece to eight. It was inconceivable that CJR would play four courses that I had never played nor photographed, but that was the case. His words appear at the end of this piece. We hope that you enjoy the tour.

Main Feature: Two Barefoots, a TPC, and Pawley’s Plantation

Barefoot Dye

What Paul “Pete” Dye brought back from his trips to the United Kingdom, hearkened back to what C.B. MacDonal did, some 65 years prior. There is a way of finding bunkers and fairways, and even green sites, that does not require major industrial work. The Dye course at Barefoot Resorts takes you on a journey over the rumpled terrain of distant places. If there’s one element missing, it’s the creased and turbulent fairways, so often found in England and Ireland. The one tenet of playing a Dye course, is to always aim away from temptation, from where your eyes draw you. Find the safe side of the target, and you’ll probably find your ball. It then stands that you will have a shot for your next attempt. Cut the corner, and you might have need to reload. The Barefoot course begins gently, in terms of distance, but challenges with visual deception. After two brief 4s and a 3, the real work begins. The course is exposed enough, to allow the coastal winds to dance along the fairways. Be ready to keep the ball low and take an extra club or two.

TPC-Myrtle Beach

If memory serves, TPCMB is my first trek around a TPC-branded course. It had all the trappings of a tour course, from the welcome, through the clubhouse, to the practice facilities and, of course, the course. TPC-Myrtle Beach is a Tom Fazio design, and if you never visit Augusta National, you’ll now have an idea of what it is like. You play Augusta’s 16th hole twice at TPCMB, and you enjoy it both times. Fazio really likes the pond-left, green-angle-around par three hole, and his two iterations of it are memorable.

You’ll also see those Augusta bunkers, the ones with the manicured edges that drop into a modestly-circular form. What distinguishes these sand pits is the manner in which they rise from the surrounding ground. They are unique in that they don’t resemble the geometric bunkering of a Seth Raynor, nor the organic pits found in origin courses. They are built, make no mistake, and recovery from them is manageable for all levels of bunker wizardry.

Barefoot Fazio

If you have the opportunity to play the two Tom Fazio courses back to back, you’ll notice a marked difference in styling. Let me digress for a moment, then circle back with an explanation. It was written that the NLE World Woods course designed by Fazio, Pine Barrens, was an homage to Pine Valley, the legendary, New Jersey club where Fazio is both a member and the architect on retainer. The Pine Barrens course was plowed under in 2022, so the homage no longer exists. At least, I didn’t think that it existed, until I played his Barefoot Resort course in North Myrtle Beach.

Pine Valley might be described as an aesthetic of scrub and sand. There are mighty, forced carries to travers, along with sempiternal, sandy lairs to avoid. Barefoot Fazio is quite similar. If you’re not faced with a forced carry, you’ll certainly contend with a fairway border or greenside necklace of sand. When you reach the 13th tee, you’ll face a drive into a fairway, and you might see a distant green, with a notable absence: flagstick. The 13th is the icing on the homage cake, a callout of the 8th hole at Pine Valley. Numero Ocho at the OG has two greens, side by side, and they change the manner in which the hole plays (so they say.) At Barefoot Fazio, the right-side green is a traditional approach, with an unimpeded run of fairway to putting surface. The left-side green (the one that I was fortunate to play) demands a pitch shot over a wasteland. It’s a fitting tribute for the rest of us to play.

Be certain to parrot the starter, Leon’s, advice, and play up a deck of tees. Barefoot Fazio offers five par-three holes, so the fours and fives play that much longer. Remember, too, that you are on vacation. Why not treat yourself to some birdie looks?

Pawley’s Plantation

The Jack Nicklaus course at Pawley’s Plantation emerged from a period of hibernation in 2024. The greens were torn up and their original contours were restored. Work was overseen by Troy Vincent, a member of the Nicklaus Architecture team. In addition, the putting corridors were reseeded with a hardier, dwarf bermuda that has experienced great success, all along the Grand Strand that is Myrtle Beach.

My visit allowed me to see the inward half first, and I understand why the resort wishes to conclude your day on those holes. The front nine of Pawley’s Plantation works its way through familiar, low country trees and wetlands. The back nine begins in similar fashion, then makes its way east, toward the marsh that separates mainland from Pawley’s Island. Recalling the powerful sun of that Wednesday morning, any round beginning on the second nine would face collateral damage from the warming star. Much better to hit holes 11 to close when the sun is higher in the sky.

The marshland holes (12 through 17) are spectacular in their raw, unprotected nature. The winds off the Atlantic are unrelenting and unforgiving, and the twin, par-three holes will remain in your memory banks for time’s march. In typical Golden Bear fashion, a majority of his putting targets are smallish in nature, reflecting his appreciation for accurate approach shots. Be sure to find the forgiving side of each green, and err to that portion. You’ll be grateful.

Bonus Coverage: Myrtlewood, Beechwood, Arrowhead, and King’s North

Arrowhead (Raymond Floyd and Tom Jackson)

A course built in the middle of a community, water threatens on most every hole. The Cypress 9 provides a few holes forcing a carried drive then challenge you with water surrounding the green. On Waterway, a drivable 2nd hole will tempt most, so make sure the group ahead has cleared the green.

Myrtlewood (Edmund Alt and Arthur Hills) and Beechwood (Gene Hamm)

A middle of the winter New Englander’s paradise. Wide open fairways, zero blind shots and light rough allow for shaking off the rust and plenty of forgiveness. A plethora of dog legs cause one to be cautious with every tee shot. Won’t break the bank nor the scorecard.

King’s North @ Myrtle Beach National (Arnold Palmer)

A signature Arnold Palmer course, waste areas, island greens and daring tee shots. Highlighted by the 4th hole Par 5 Gambler hole, if you can hit the smaller fairway on the left you are rewarded with a short approach to get to the green in 2. The back 9 is highlighted by an island green par 3 and a finisher with over 40 bunkers spread throughout. A challenge for any golfer.

Ronald Montesano writes for GolfWRX.com from western New York. He dabbles in coaching golf and teaching Spanish, in addition to scribbling columns on all aspects of golf, from apparel to architecture, from equipment to travel. Follow Ronald on Twitter at @buffalogolfer.

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Club Junkie

Tour Edge Exotics mini driver review + TaylorMade Spider ZT Max first look – Club Junkie

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On this episode of Club Junkie, I put the new Tour Edge Exotics Mini Driver to the test and break down the performance, forgiveness, distance, and where it fits compared to a traditional driver or strong fairway wood. If you have been curious about adding a mini driver to the bag, this one is worth a look.

I also dive into the new TaylorMade Spider ZT Max putter that was recently spotted and discuss the growing zero torque putter trend. Plus, there is a closer look at the new Project X Titan Yellow shaft showing up on the PGA Tour and what makes it different from other profiles currently out there.

 

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Opinion & Analysis

AVL: We’re talking about practice! My best tips for taking your game to the course

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With the beginning of June on the horizon and courses rounding into peak condition for the season, it’s time to hone the finer skills that often get rusty over the winter. More sunlight also means more time to get out on the course and work on your game.

Whether it’s the practice green or the driving range, there’s always something to improve—whether you’re enjoying the fresh air or preparing for a weekend game or tournament. You can work on drills or freestyle around the green, and friendly competition is a great way to sharpen your skills.

While there are endless ways to get better at golf, I’m going to focus on practicing around the green. Let’s take a look at a few things to keep in mind as we head into the summer months.

Drills

From the driving range to the practice green, it’s important to incorporate drills into your routine. Years ago, I spent a weekend working on my short game with James Sieckmann. He recommended doing drill work for 5–10 minutes, then returning to your main practice.

This way, you create a balance between structured drills and real-world scenarios, so you’re not confined to “perfect” situations. For example, hitting the same three-foot putt over and over is good for repetition, but after a while, it becomes less interactive for your brain.

My approach is to use a putting trainer with a narrow gate for the ball to pass through, or simply place tees just outside the width of the ball. I’ll hit a series of four putts through the gate for three sets. Then, from a similar distance, I’ll hit four putts without the training aid and repeat that sequence three times.

Next, I’ll hit a number of 15–25 foot putts in a random fashion, then circle back to repeat the short putt drills with and without the training aid.

This breaks up the rhythm of hitting short putts with the training aid. When you hit the same short putts over and over, it’s easy to get into a groove—which is great for the drill, but not reflective of actual course play. While finding a rhythm is fundamental for drills, I like to introduce variation with longer putts to keep things realistic.

Game Mode

Once you’ve established a foundation with drills, it’s time to simulate on-course scenarios. This is where a few practice games come in handy.

One that I’ve been enjoying lately involves putting 10- to 15-footers with two balls. If I make the putt, great! If I miss, I pull the missed ball back a putter length. Suddenly, that little tap-in becomes a nerve-wracking three-footer—at least at first. As you get better at this game, those three- and five-footers become much more comfortable and routine.

It may sound cliché, but each shot is just what it is—it’s how we react that makes the difference. I like this game because it blends the pressure of on-course putting with the consequence of leaving yourself a much longer putt than usual.

Another game I like is one I recently learned from Brad Faxon. Place three tees in a line at four different locations around the hole: one at 3 feet, one at 6 feet, and one at 8 feet. The 3- and 6-foot putts count as par, and the 8-footer is for birdie.

This game keeps you focused on scoring and helps you get into a competitive mindset. You can even think about this putting game while you’re on the course. I just started playing it, and last week I couldn’t get better than two under par.

Competition

Competition during practice is when drills and games come to life, and you start to see results. For me, nothing beats a putting contest with a friend or two. In the right setting, these contests can become talking points for the whole season.

Match play, a game of 21, or simply seeing who can make the most one-putts (with a small prize on the line) are all great ways to simulate real on-course pressure. Recently, I played in a putting contest where one competitor made back-to-back 30- and 50-foot putts. As they say, expect your opponent to make every putt—and he nearly did. That’s impressive, and it’s something you see on the course, too: you have to stay committed to your game plan, no matter what.

When it comes to practice, it’s important to blend feedback from recent rounds with the fundamentals you want to reinforce. Drills, games, and competition—from the driving range to the putting green—form the backbone of skills you’ll rely on during actual rounds.

Finding the right balance is something we’re all working on, one practice session at a time. With the beginning of June on the horizon and courses rounding into peak condition for the season, it’s time to hone the finer skills that often get rusty over the winter. More sunlight also means more time to get out on the course and work on your game. Whether it’s the practice green or the driving range, there’s always something to improve—whether you’re enjoying the fresh air or preparing for a weekend game or tournament. You can work on drills or freestyle around the green, and friendly competition is a great way to sharpen your skills. While there are endless ways to get better at golf, I’m going to focus on practicing around the green. Let’s take a look at a few things to keep in mind as we head into the summer months.

Drills

From the driving range to the practice green, it’s important to incorporate drills into your routine. Years ago, I spent a weekend working on my short game with James Sieckmann. He recommended doing drill work for 5–10 minutes, then returning to your main practice. This way, you create a balance between structured drills and real-world scenarios, so you’re not confined to “perfect” situations. For example, hitting the same three-foot putt over and over is good for repetition, but after a while, it becomes less interactive for your brain.

My approach is to use a putting trainer with a narrow gate for the ball to pass through, or simply place tees just outside the width of the ball. I’ll hit a series of four putts through the gate for three sets. Then, from a similar distance, I’ll hit four putts without the training aid and repeat that sequence three times. Next, I’ll hit a number of 15–25 foot putts in a random fashion, then circle back to repeat the short putt drills with and without the training aid.

This breaks up the rhythm of hitting short putts with the training aid. When you hit the same short putts over and over, it’s easy to get into a groove—which is great for the drill, but not reflective of actual course play. While finding a rhythm is fundamental for drills, I like to introduce variation with longer putts to keep things realistic.

Game Mode

Once you’ve established a foundation with drills, it’s time to simulate on-course scenarios. This is where a few practice games come in handy. One that I’ve been enjoying lately involves putting 10- to 15-footers with two balls. If I make the putt, great! If I miss, I pull the missed ball back a putter length.

Suddenly, that little tap-in becomes a nerve-wracking three-footer—at least at first. As you get better at this game, those three- and five-footers become much more comfortable and routine. It may sound cliché, but each shot is just what it is—it’s how we react that makes the difference. I like this game because it blends the pressure of on-course putting with the consequence of leaving yourself a much longer putt than usual.

Another game I like is one I recently learned from Brad Faxon. Place three tees in a line at four different locations around the hole: one at 3 feet, one at 6 feet, and one at 8 feet. The 3- and 6-foot putts count as par, and the 8-footer is for birdie.

This game keeps you focused on scoring and helps you get into a competitive mindset. You can even think about this putting game while you’re on the course. I just started playing it, and last week I couldn’t get better than two under par.

Competition

Competition during practice is when drills and games come to life, and you start to see results. For me, nothing beats a putting contest with a friend or two. In the right setting, these contests can become talking points for the whole season. Match play, a game of 21, or simply seeing who can make the most one-putts (with a small prize on the line) are all great ways to simulate real on-course pressure. Recently, I played in a putting contest where one competitor made back-to-back 30- and 50-foot putts. As they say, expect your opponent to make every putt—and he nearly did. That’s impressive, and it’s something you see on the course, too: you have to stay committed to your game plan, no matter what.

When it comes to practice, it’s important to blend feedback from recent rounds with the fundamentals you want to reinforce. Drills, games, and competition—from the driving range to the putting green—form the backbone of skills you’ll rely on during actual rounds. Finding the right balance is something we’re all working on, one practice session at a time.

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Equipment

Seoul Sensibilities: Is Korean golf fashion starting to shape the world?

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For Korean golfers, we always look forward to the last of the kkot-saem-chu-I for the true start of a new golf season. The term refers to a cold snap, but literally translates as “winter being jealous of the flowers beginning to bloom, thus lashing out one final time before surrendering to spring”.

A rather poetic mouthful packed into a short expression.

Koreans can be like that. Understated, yet oddly expressive at the same time. And nowhere is this more true on the golf course and in our golf bags. In fact, I suspect many Korean golfers look forward to new apparel and accessory drops more than they do actual equipment launches each year.

At this point, Korean golf fashion may exist on its own timeline. (courtesy of @seonbi_golfer)

There is ample evidence to support that suspicion. Korea is the world’s third-largest golf market behind the United States and Japan, yet its appetite for golf apparel exceeds that of both countries combined. Recent estimates suggest that Korea accounts for nearly 40 percent of the global golf apparel market, placing it among the world’s most influential golf fashion markets and punching well above its size.

Simply, we care deeply about how new golf clubs look and feel, but enjoy looking good while swinging them even more.

Golfers in the West may laugh and say that golf is played on a course, not a fashion runway. Perhaps. But what’s the harm in trying to look and feel good, if the added self-confidence can help actual performance? It certainly seems to have worked for Jason Day, who may have unlocked a new stats category: dormant strokes gained. Coincidence?

During the COVID-era, estimates placed the market near $9 billion, an astonishing figure for a single country.

As a proud member of Gen X, I’ve witnessed the highs and lows of golf fashion firsthand. The pleated trousers and wing-tipped shoes of Jack Nicklaus, the stylish plus-fours and knickers of Payne Stewart, the baggy black trousers and fitted mock-necks of Tiger Woods, and the thigh-hugging athletic tailoring of Rory McIlroy. Golf fashion, like the golf swing itself, has rarely stood still.

But nowhere have those trends shifted, evolved, and been scrutinized quite as relentlessly as in Korea. Here, golf fashion moves faster than fairway gossip, and consumers dissect brands with a level of discernment that can be both impressive and mildly terrifying. New brands are studied, judged, embraced, or dismissed with startling efficiency.

The result is a consumer base with one of the sharpest eyes for quality and authenticity anywhere in the world. It is difficult to quantify, but easy to recognize. Clean lines without trying too hard. Luxury mixed with utility. Trend awareness balanced by restraint and purpose.

It’s golf fashion shaped by one of the world’s most style-literate cities, something I like to call Seoul Sensibilities, referring to the taste level forged by a uniquely competitive environment.

And increasingly, global brands have noticed.

Many golf brands in Korea have their own flagship shops dedicated to apparel only

Titleist understood this years ago, when its apparel business in Korea took on a life of its own under new ownership and local direction. What had once been a straightforward extension of an iconic equipment giant became something sharper and more premium. By going all in on the serious Tour-player look (I couldn’t even fit into their XL sizes), Titleist struck the right chord with Korean consumers and helped its fledgling apparel business break into the mainstream. Titleist became a household name even for non-golfers who wore its caps, shirts, and windbreakers in daily life. In many ways, it proved that even heritage golf brands could carry real fashion credibility when viewed through a Korean lens.

Several years later, PXG took a page out of Titleist’s playbook and followed suit. Korean consumers helped transform the brand from one known largely for irons and loud commercials into something broader and more stylish. PXG apparel’s growth in Korea was explosive, where it found an early audience and turned the category into something more than mere logo merchandise. It is still hard to walk anywhere in Seoul without seeing its palindrome logo.

Malbon’s meteoric rise in the United States was genuine, but its ascent into a global golf lifestyle brand owes much to Korea, where it was elevated by a market already fluent in modern golf style. Korea did not simply embrace Malbon. It pressure-tested the concept, refined its appeal, and helped push it into the global spotlight.

As such, new brands may arrive from abroad, but more often than not, their sharpest evolution happens here. If a brand can earn credibility in Seoul, it’s deemed to have passed one of the toughest style audits in the game.

That is why the next meaningful chapter may not come from outside, but from a Korean brand moving in the opposite direction, carrying those Seoul Sensibilities outward as K-pop once did.

Play young Stay dope.

From Seoul, With Intent

Khalhon is a label that feels less like a trend-chasing newcomer and more like the product of a market that has already seen everything. Golfers here have long been surrounded by luxury logos, technical fabrics, and tour uniforms disguised as lifestyle wear and vice-versa. In other words, novelty alone rarely lasts here, and the Koreans seems to understand that instinctively.

Its style language leans into clean silhouettes, relaxed but tailored proportions, muted palettes, and premium materials that speak quietly but confidently. There is a modern city aesthetic running through it all, with strong layering pieces, thoughtful textures, and subtle branding that suggests sophistication rather than demanding attention.

“Built for the course. Designed beyond it.”

Most importantly, the garments seem designed to blur the line between golfwear and everyday style. Shirts, trousers, knitwear, and outer layers move comfortably between a game of screen golf, a lunch reservation, an airport gate, or an afternoon coffee in Gangnam with friends.

It raises the question of whether this is golfwear that happens to look good off the course, or everyday clothing that performs beautifully on the fairways.

Personally, I have long appreciated Nike Golf for its clean, athletic modernization of golf attire. It also has the useful side effect of making me look like a more serious golfer than I probably am. But off the course, there are times when being instantly identified as the golf guy in a crowd of non-golfers can feel a touch self-conscious.

“Built for the course. Designed beyond it.”

That is part of what drew me to Khalhon, which seemed to blend golf and everyday wear naturally. While some of the outfits may be slightly beyond my personal confidence level, the brand also offers tasteful options for older guys like me who still want to express a little personality without regretting the decision later.

These are not simply flashy outfits worn on the course and then banished to the closet until the next tee time. They work surprisingly well off the course too, and I suspect many of the pieces will still look right a couple of years from now, which would certainly be kinder to my wallet than most golf fashion trends tend to be.

And perhaps that broader lifestyle positioning also helps explain why someone like Sean Wotherspoon would find Khalhon creatively interesting in the first place.

“Built for the course. Designed beyond it.”

“Korea is not only one of the most fashion-forward golf markets in the world, but one of the most fashion-forward markets globally. Korea is ahead, and I love to watch and try to catch up.” – Sean Wotherspoon, Creative Director at Khalhon

Seoul and Beyond

If Khalhon’s rise says something about where Korean golf fashion is today, its relationship with Sean Wotherspoon says even more about where it is heading.

For readers less familiar with Sean Wotherspoon, his arrival at Khalhon is not some routine celebrity endorsement or influencer collaboration. In design and streetwear circles, Wotherspoon is regarded as one of the more influential creative voices of his generation, particularly when it comes to blending nostalgia, storytelling, and contemporary culture into products that people can connect with.

He first gained widespread attention through his now-famous Nike sneaker collaborations, where his vintage-inspired designs and instinct for color helped turn him into one of the defining artists of the late-2010s sneaker era. His work gradually expanded beyond footwear into apparel, automotive collaborations, collectibles, and broader lifestyle design.

Modern golf style now extends well beyond the fairways, where performance and functionality are largely expected by default. And while plenty of brands already make technically competent golfwear, Khalhon seems more focused on designing clothes people would genuinely want to wear even after the round ends.

And when guys at Wotherspoon’s level show genuine interest in working with a Korean golf brand as its new Creative Director, fashion circles tend to sit up and pay attention. There’s already a huge buzz among the fashion-conscious here about upcoming collabs with iconic sports stars and brands.

“My creative direction for Khalhon is disruptive, colorful, nostalgic, and modern. My goal is to blend these avenues seamlessly within each collection.” – Sean Wotherspoon

In chatting with Sean, what stood out most to me was how genuinely energized he sounded about the project itself. Despite having already worked across and countless other creative spaces, he described golf as a completely fresh category for him, saying that Khalhon “will be an amazing vehicle for my design work.”

At the same time, his enthusiasm seemed tied just as much to Korea itself. He spoke openly about admiring Korea’s fashion culture while repeatedly insisting he is still a terrible golfer.

There was something oddly refreshing about that humility. Rather than sounding like a celebrity parachuting into golf simply because the category suddenly became fashionable, Sean sounded genuinely curious about what Korea might do with the category next.

And perhaps that is what makes Khalhon feel interesting right now. The brand feels less like a trend-chaser and more like the natural result of a market now confident enough to export its own point of view.

For years, global brands came to Korea to sharpen their image against one of the most discerning audiences anywhere. Now, a Korean label appears ready to send those Seoul Sensibilities outward instead.

Which brings us back to kkot-saem-chu-i.

That final cold snap before spring always arrives with a reminder that seasons are changing, whether we notice it immediately or not. Golf fashion feels a little like that right now as well, as the old boundaries between sport, streetwear, luxury, and everyday style continue to soften.

And somewhere in Seoul, a Korean golf label already seems prepared for whatever season comes next. I just hope they have everything in my size.

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