Opinion & Analysis
A tip to make your round better: Bring your camera
One of the main criticisms of golf is the time it takes to play a round.
A lot could be accomplished off the golf course in those four or more hours. You could clean the house, mow the lawn or organize your garage in that span of time, or you could watch an entire Peter Jackson movie.
I share your concerns about the time spent on the course. But if I could make one simple suggestion to make the day feel more accomplished and have your round seem more complete, may I suggest using your camera on the course?
Depending on where I am in the world, I’ve been known to bring my SLR (single lens reflex) camera with me on the course to capture the essence of the course the way I see it — from a golfer’s point of view. Like most of you, I own my share of golf calendars and books full of lush, green photos of faraway golf destinations. But these beautiful photos are typically from a bird’s eye view, capturing a perspective of the course that a player typically doesn’t have access to.
We have been spoiled to appreciate the beautiful landscapes of these golf courses by these professional photos and the amazing TV coverage from cranes and the MetLife blimp. But often times the beauty of the golf course is how the players see it, at eye level staring down at the pin 100 yards away. If I can provide you some tips for taking great photos on the course quickly and easily, I would argue that most of you would be able to produce your own album of golf photos that others would enviably say, “Wow! Where is this?”
But before I get into it a bit more, I want to add a caveat by pointing out that I’m not encouraging you to spend time walking the course and looking for the right photo opportunity. I’m sure you can imagine someone wandering off the fairway when they should be playing ready golf and I’m sure you can feel the frustration as you look at your partners asking:
“Would you look at this clown? What is he doing?”
Great photographs take time to compose, whether it is the right light, the right moment or the way the wind is blowing. That is what a lot of professional photographers are doing when taking the photos you see in books, and chances are they are not playing the course nor have a group of four behind them waiting (sometimes impatiently) to take your golf shot. Please use these five tips when the time is right and when you are not contributing to slow play on the golf course. If you are able to remember some of these tips while walking or riding the course, you should be able to take a quick photo in stride and not affect your speed of play. Besides, I don’t want the golf community to be angry with me for encouraging you to wander around the course like a tourist…or a clown.
Tip# 1: The best camera you have is the one you have available
There is nothing worse for a photographer like being unprepared for a photo opportunity and having to fidget around with controls, setting and lenses to ensure they get the right shot. That takes up time and annoys even a photographer like myself. Mobile phones have come a long way and are adequately equipped to take excellent photos, just as good as a point and shoot camera and some SLR’s. And because most everyone carries a smartphone nowadays, it is already with you and ready at the hip to take a quick shot. The photo above was taken using my iPhone — no special lighting, filters or lenses. I couldn’t miss this opportunity and grabbed the most available camera I had on hand. If convenient, and you were able to bring a camera bag with you, I would recommend taking an SLR camera with a wide angle lens as well, but typically the camera on your phone will be able to capture interesting and memorable photos if you are able to see things differently, which leads me to…
Tip #2: See the course differently
What separates an amateur photographer from a working professional is the ability to see the everyday in a different way. Now that might be a mind blowing concept for someone who doesn’t take photos very often, but I am talking to golfers and I know for a fact that golfers have an innate ability to visualize – whether it is seeing how the ball will draw/fade, how to manage the swirling breeze that just kicked up or reading a 60-foot putt that appears to have a double break and two elevation changes. That ability to visualize and see things differently is exactly what a photographer does before they take the shot. No one likes a “spray and pray” golfer — same goes for photographers.
For example, it is very common to take a photo at eye level standing up. There’s nothing wrong with that at all, but you can make things a bit different and interesting if you were to see the course and the image differently. Maybe stand behind your ball and give it a dramatic view by taking a photo on the ground. The ball is the focal point, but the essence of the photo is still the backdrop of the hole, keeping the viewer well tuned that this is a golf photo on a real golf course. Think about an ant’s eye view rather than the bird’s eye view we are all accustomed to seeing.
Another example would be to take photos of the interesting lies you left yourself with. Maybe you are off the fairway in the woods and there is a small bit of daylight that lets you see the pin a few hundred yards away. Take that image as if you were setting up for the shot, with the ball in the frame and the pin a sliver of color and it gives the viewer a sense of the challenge you faced. Perhaps you ended up dropping the ball in the fairway, but at least the image shows the difficulty level of the shot. And you can always lie about how you punched the shot through the branches and landed it within 10 feet to save par. Bring the viewer to the course the way you saw it and the unconventional suddenly becomes interesting.
Tip #3: Use a focal point
The reason why golf courses design a “signature hole” is to create a focal point, a chosen hole that makes the course interesting and sets it apart from other golf courses in the world. They will use images of the signature hole for promotional purposes to frame and speak to the beauty of their golf course symbolized by this one hole.
You don’t necessarily have to wait for the signature hole to take photos though. The course itself has many features that make it different from others, and it is those features that can make a photo stand out. In Arizona, you can use the cacti or the visible division of fairway versus off-fairway details of desert golf to bring interest to the photo. In Orlando, the use of palm trees to line a golf hole makes it certain that this wasn’t a hole in Canada. In Alberta, many holes are framed by evergreen trees and the backdrop of the Rocky Mountains, something you would never see in Orlando. Include some golf details where possible to remind yourself that these amazing sights were taken on a golf course.
Other easy examples of focal points to compose interesting images are right in your bag. The reflection of your driver head can be used to capture your foursome and if you are really adventurous, you can hold the driver up off the ground and squeeze in the landscape into the photograph as well. This can be done at the tee box and wouldn’t take much time at all.
Tip#4: It’s all about light
Ask any professional photographer and they will tell you that the secret to taking great photographs of anything is light. Light is what enables us to see an image, and the use of light will determine the mood of a photo. Take a look at the professional golf photos in those calendars and books – you know what you will see? Almost all of them were taken at sunrise or sunset. During those two times of the day, we are given the best natural light for any photos. It is why many of us have a sunset/sunrise photo or two in our collection, we all know it is the most beautiful a sky can get.
So for the early morning golfer and the after work dusk golfer, you are in luck because most any photo you take during these times of the day will turn out really nice (light wise, composition is still up to you). The softness of the sun will always highlight objects and scenery with a pleasant warm glow that will certainly make you look like you knew what you were doing. Though the convention is to never shoot into the sun, it is during this time where you should experiment with it and allow yourself the opportunity to get the sun’s effect on the clouds and how it illuminates the sky with dazzling color.
For the other unfortunate souls who have to deal with midday light, I got nothing for you. Sorry.
Just kidding. In midday light, you will have good results when you have the sun slightly behind you or to the side. Even better is a partially cloudy day when the sun is hidden and the shade provides the best midday light possible. Without getting too technical, shaded light enables you to capture highlights, mid tones and shadows in the image which in turn provides dimension and avoids the appearance of a “flat looking photograph.” Photos at sunrise and sunset are successful because of the dramatic tones and transitions from light to shadow, allowing you to see the undulations of the fairway and greens and giving a sense of depth and dimension.
Tip#5: Take non-golf photos too
This one might take a little convincing, but if you were to enjoy the golf course as a chance to be outdoors and not just an activity where you drink and bet dinners with your friends, you will likely find it is no different than going for a nice walk or hike (just with a few tossed clubs and four letter words thrown in). And when people go for a nice walk or hike, they will take the time to see the flowers or the birds and really immerse themselves into the nature of their surroundings.
If you have a chance, don’t hesitate to take a quick snapshot of the eagle perched on the top of a tree or the flowers that greet you at the tee box. Unlike nature, golf courses are well manicured and taken care of so the flora you come across may seem too perfect. That is a perfect chance to get that image because like a food photo from a magazine, the staging is already done for you and all you need to do is take the photo.
Similar to Tip #3, use your surroundings to remind yourself that you aren’t in your own backyard. Take photos of the interesting features that you don’t see very often at home. I’m personally fascinated by architecture and have enjoyed seeing some of the amazing mid-century modern homes from the 50’s and 60’s that lined many fairways in Palm Springs. These are homes that I only get to see in magazines, and being able to see it in person was thrilling and almost transported me back in time until I had to pull out my 2012-model driver.
Taking photographs during your round is arguably a good way to multitask and can help you feel as though you’ve achieved a lot more than just golf in four hours (and it’s way better than sending work emails). As long as you are able to take the photos within the flow of the game and not slow down the pace of your foursome, you will be rewarded with some great images to share and look back on. It can also tame the frustrations of a challenging 18 hole ordeal — maybe your score didn’t prove it, but at least your photos can provide evidence that it was in fact a beautiful day.
Club Junkie
Tour Edge Exotics mini driver review + TaylorMade Spider ZT Max first look – Club Junkie
On this episode of Club Junkie, I put the new Tour Edge Exotics Mini Driver to the test and break down the performance, forgiveness, distance, and where it fits compared to a traditional driver or strong fairway wood. If you have been curious about adding a mini driver to the bag, this one is worth a look.
I also dive into the new TaylorMade Spider ZT Max putter that was recently spotted and discuss the growing zero torque putter trend. Plus, there is a closer look at the new Project X Titan Yellow shaft showing up on the PGA Tour and what makes it different from other profiles currently out there.
Opinion & Analysis
AVL: We’re talking about practice! My best tips for taking your game to the course
With the beginning of June on the horizon and courses rounding into peak condition for the season, it’s time to hone the finer skills that often get rusty over the winter. More sunlight also means more time to get out on the course and work on your game.
Whether it’s the practice green or the driving range, there’s always something to improve—whether you’re enjoying the fresh air or preparing for a weekend game or tournament. You can work on drills or freestyle around the green, and friendly competition is a great way to sharpen your skills.
While there are endless ways to get better at golf, I’m going to focus on practicing around the green. Let’s take a look at a few things to keep in mind as we head into the summer months.
Drills
From the driving range to the practice green, it’s important to incorporate drills into your routine. Years ago, I spent a weekend working on my short game with James Sieckmann. He recommended doing drill work for 5–10 minutes, then returning to your main practice.
This way, you create a balance between structured drills and real-world scenarios, so you’re not confined to “perfect” situations. For example, hitting the same three-foot putt over and over is good for repetition, but after a while, it becomes less interactive for your brain.
My approach is to use a putting trainer with a narrow gate for the ball to pass through, or simply place tees just outside the width of the ball. I’ll hit a series of four putts through the gate for three sets. Then, from a similar distance, I’ll hit four putts without the training aid and repeat that sequence three times.
Next, I’ll hit a number of 15–25 foot putts in a random fashion, then circle back to repeat the short putt drills with and without the training aid.
This breaks up the rhythm of hitting short putts with the training aid. When you hit the same short putts over and over, it’s easy to get into a groove—which is great for the drill, but not reflective of actual course play. While finding a rhythm is fundamental for drills, I like to introduce variation with longer putts to keep things realistic.
Game Mode
Once you’ve established a foundation with drills, it’s time to simulate on-course scenarios. This is where a few practice games come in handy.
One that I’ve been enjoying lately involves putting 10- to 15-footers with two balls. If I make the putt, great! If I miss, I pull the missed ball back a putter length. Suddenly, that little tap-in becomes a nerve-wracking three-footer—at least at first. As you get better at this game, those three- and five-footers become much more comfortable and routine.
It may sound cliché, but each shot is just what it is—it’s how we react that makes the difference. I like this game because it blends the pressure of on-course putting with the consequence of leaving yourself a much longer putt than usual.
Another game I like is one I recently learned from Brad Faxon. Place three tees in a line at four different locations around the hole: one at 3 feet, one at 6 feet, and one at 8 feet. The 3- and 6-foot putts count as par, and the 8-footer is for birdie.
This game keeps you focused on scoring and helps you get into a competitive mindset. You can even think about this putting game while you’re on the course. I just started playing it, and last week I couldn’t get better than two under par.
Competition
Competition during practice is when drills and games come to life, and you start to see results. For me, nothing beats a putting contest with a friend or two. In the right setting, these contests can become talking points for the whole season.
Match play, a game of 21, or simply seeing who can make the most one-putts (with a small prize on the line) are all great ways to simulate real on-course pressure. Recently, I played in a putting contest where one competitor made back-to-back 30- and 50-foot putts. As they say, expect your opponent to make every putt—and he nearly did. That’s impressive, and it’s something you see on the course, too: you have to stay committed to your game plan, no matter what.
When it comes to practice, it’s important to blend feedback from recent rounds with the fundamentals you want to reinforce. Drills, games, and competition—from the driving range to the putting green—form the backbone of skills you’ll rely on during actual rounds.
Finding the right balance is something we’re all working on, one practice session at a time. With the beginning of June on the horizon and courses rounding into peak condition for the season, it’s time to hone the finer skills that often get rusty over the winter. More sunlight also means more time to get out on the course and work on your game. Whether it’s the practice green or the driving range, there’s always something to improve—whether you’re enjoying the fresh air or preparing for a weekend game or tournament. You can work on drills or freestyle around the green, and friendly competition is a great way to sharpen your skills. While there are endless ways to get better at golf, I’m going to focus on practicing around the green. Let’s take a look at a few things to keep in mind as we head into the summer months.
Drills
From the driving range to the practice green, it’s important to incorporate drills into your routine. Years ago, I spent a weekend working on my short game with James Sieckmann. He recommended doing drill work for 5–10 minutes, then returning to your main practice. This way, you create a balance between structured drills and real-world scenarios, so you’re not confined to “perfect” situations. For example, hitting the same three-foot putt over and over is good for repetition, but after a while, it becomes less interactive for your brain.
My approach is to use a putting trainer with a narrow gate for the ball to pass through, or simply place tees just outside the width of the ball. I’ll hit a series of four putts through the gate for three sets. Then, from a similar distance, I’ll hit four putts without the training aid and repeat that sequence three times. Next, I’ll hit a number of 15–25 foot putts in a random fashion, then circle back to repeat the short putt drills with and without the training aid.
This breaks up the rhythm of hitting short putts with the training aid. When you hit the same short putts over and over, it’s easy to get into a groove—which is great for the drill, but not reflective of actual course play. While finding a rhythm is fundamental for drills, I like to introduce variation with longer putts to keep things realistic.
Game Mode
Once you’ve established a foundation with drills, it’s time to simulate on-course scenarios. This is where a few practice games come in handy. One that I’ve been enjoying lately involves putting 10- to 15-footers with two balls. If I make the putt, great! If I miss, I pull the missed ball back a putter length.
Suddenly, that little tap-in becomes a nerve-wracking three-footer—at least at first. As you get better at this game, those three- and five-footers become much more comfortable and routine. It may sound cliché, but each shot is just what it is—it’s how we react that makes the difference. I like this game because it blends the pressure of on-course putting with the consequence of leaving yourself a much longer putt than usual.
Another game I like is one I recently learned from Brad Faxon. Place three tees in a line at four different locations around the hole: one at 3 feet, one at 6 feet, and one at 8 feet. The 3- and 6-foot putts count as par, and the 8-footer is for birdie.
This game keeps you focused on scoring and helps you get into a competitive mindset. You can even think about this putting game while you’re on the course. I just started playing it, and last week I couldn’t get better than two under par.
Competition
Competition during practice is when drills and games come to life, and you start to see results. For me, nothing beats a putting contest with a friend or two. In the right setting, these contests can become talking points for the whole season. Match play, a game of 21, or simply seeing who can make the most one-putts (with a small prize on the line) are all great ways to simulate real on-course pressure. Recently, I played in a putting contest where one competitor made back-to-back 30- and 50-foot putts. As they say, expect your opponent to make every putt—and he nearly did. That’s impressive, and it’s something you see on the course, too: you have to stay committed to your game plan, no matter what.
When it comes to practice, it’s important to blend feedback from recent rounds with the fundamentals you want to reinforce. Drills, games, and competition—from the driving range to the putting green—form the backbone of skills you’ll rely on during actual rounds. Finding the right balance is something we’re all working on, one practice session at a time.
Equipment
Seoul Sensibilities: Is Korean golf fashion starting to shape the world?
For Korean golfers, we always look forward to the last of the kkot-saem-chu-I for the true start of a new golf season. The term refers to a cold snap, but literally translates as “winter being jealous of the flowers beginning to bloom, thus lashing out one final time before surrendering to spring”.
A rather poetic mouthful packed into a short expression.
Koreans can be like that. Understated, yet oddly expressive at the same time. And nowhere is this more true on the golf course and in our golf bags. In fact, I suspect many Korean golfers look forward to new apparel and accessory drops more than they do actual equipment launches each year.

At this point, Korean golf fashion may exist on its own timeline. (courtesy of @seonbi_golfer)
There is ample evidence to support that suspicion. Korea is the world’s third-largest golf market behind the United States and Japan, yet its appetite for golf apparel exceeds that of both countries combined. Recent estimates suggest that Korea accounts for nearly 40 percent of the global golf apparel market, placing it among the world’s most influential golf fashion markets and punching well above its size.
Simply, we care deeply about how new golf clubs look and feel, but enjoy looking good while swinging them even more.
Golfers in the West may laugh and say that golf is played on a course, not a fashion runway. Perhaps. But what’s the harm in trying to look and feel good, if the added self-confidence can help actual performance? It certainly seems to have worked for Jason Day, who may have unlocked a new stats category: dormant strokes gained. Coincidence?

During the COVID-era, estimates placed the market near $9 billion, an astonishing figure for a single country.
As a proud member of Gen X, I’ve witnessed the highs and lows of golf fashion firsthand. The pleated trousers and wing-tipped shoes of Jack Nicklaus, the stylish plus-fours and knickers of Payne Stewart, the baggy black trousers and fitted mock-necks of Tiger Woods, and the thigh-hugging athletic tailoring of Rory McIlroy. Golf fashion, like the golf swing itself, has rarely stood still.
But nowhere have those trends shifted, evolved, and been scrutinized quite as relentlessly as in Korea. Here, golf fashion moves faster than fairway gossip, and consumers dissect brands with a level of discernment that can be both impressive and mildly terrifying. New brands are studied, judged, embraced, or dismissed with startling efficiency.
The result is a consumer base with one of the sharpest eyes for quality and authenticity anywhere in the world. It is difficult to quantify, but easy to recognize. Clean lines without trying too hard. Luxury mixed with utility. Trend awareness balanced by restraint and purpose.
It’s golf fashion shaped by one of the world’s most style-literate cities, something I like to call Seoul Sensibilities, referring to the taste level forged by a uniquely competitive environment.
And increasingly, global brands have noticed.

Many golf brands in Korea have their own flagship shops dedicated to apparel only
Titleist understood this years ago, when its apparel business in Korea took on a life of its own under new ownership and local direction. What had once been a straightforward extension of an iconic equipment giant became something sharper and more premium. By going all in on the serious Tour-player look (I couldn’t even fit into their XL sizes), Titleist struck the right chord with Korean consumers and helped its fledgling apparel business break into the mainstream. Titleist became a household name even for non-golfers who wore its caps, shirts, and windbreakers in daily life. In many ways, it proved that even heritage golf brands could carry real fashion credibility when viewed through a Korean lens.
Several years later, PXG took a page out of Titleist’s playbook and followed suit. Korean consumers helped transform the brand from one known largely for irons and loud commercials into something broader and more stylish. PXG apparel’s growth in Korea was explosive, where it found an early audience and turned the category into something more than mere logo merchandise. It is still hard to walk anywhere in Seoul without seeing its palindrome logo.
Malbon’s meteoric rise in the United States was genuine, but its ascent into a global golf lifestyle brand owes much to Korea, where it was elevated by a market already fluent in modern golf style. Korea did not simply embrace Malbon. It pressure-tested the concept, refined its appeal, and helped push it into the global spotlight.
As such, new brands may arrive from abroad, but more often than not, their sharpest evolution happens here. If a brand can earn credibility in Seoul, it’s deemed to have passed one of the toughest style audits in the game.
That is why the next meaningful chapter may not come from outside, but from a Korean brand moving in the opposite direction, carrying those Seoul Sensibilities outward as K-pop once did.

Play young Stay dope.
From Seoul, With Intent
Khalhon is a label that feels less like a trend-chasing newcomer and more like the product of a market that has already seen everything. Golfers here have long been surrounded by luxury logos, technical fabrics, and tour uniforms disguised as lifestyle wear and vice-versa. In other words, novelty alone rarely lasts here, and the Koreans seems to understand that instinctively.
Its style language leans into clean silhouettes, relaxed but tailored proportions, muted palettes, and premium materials that speak quietly but confidently. There is a modern city aesthetic running through it all, with strong layering pieces, thoughtful textures, and subtle branding that suggests sophistication rather than demanding attention.

“Built for the course. Designed beyond it.”
Most importantly, the garments seem designed to blur the line between golfwear and everyday style. Shirts, trousers, knitwear, and outer layers move comfortably between a game of screen golf, a lunch reservation, an airport gate, or an afternoon coffee in Gangnam with friends.
It raises the question of whether this is golfwear that happens to look good off the course, or everyday clothing that performs beautifully on the fairways.
Personally, I have long appreciated Nike Golf for its clean, athletic modernization of golf attire. It also has the useful side effect of making me look like a more serious golfer than I probably am. But off the course, there are times when being instantly identified as the golf guy in a crowd of non-golfers can feel a touch self-conscious.

“Built for the course. Designed beyond it.”
That is part of what drew me to Khalhon, which seemed to blend golf and everyday wear naturally. While some of the outfits may be slightly beyond my personal confidence level, the brand also offers tasteful options for older guys like me who still want to express a little personality without regretting the decision later.
These are not simply flashy outfits worn on the course and then banished to the closet until the next tee time. They work surprisingly well off the course too, and I suspect many of the pieces will still look right a couple of years from now, which would certainly be kinder to my wallet than most golf fashion trends tend to be.
And perhaps that broader lifestyle positioning also helps explain why someone like Sean Wotherspoon would find Khalhon creatively interesting in the first place.

“Built for the course. Designed beyond it.”
“Korea is not only one of the most fashion-forward golf markets in the world, but one of the most fashion-forward markets globally. Korea is ahead, and I love to watch and try to catch up.” – Sean Wotherspoon, Creative Director at Khalhon
Seoul and Beyond
If Khalhon’s rise says something about where Korean golf fashion is today, its relationship with Sean Wotherspoon says even more about where it is heading.
For readers less familiar with Sean Wotherspoon, his arrival at Khalhon is not some routine celebrity endorsement or influencer collaboration. In design and streetwear circles, Wotherspoon is regarded as one of the more influential creative voices of his generation, particularly when it comes to blending nostalgia, storytelling, and contemporary culture into products that people can connect with.
He first gained widespread attention through his now-famous Nike sneaker collaborations, where his vintage-inspired designs and instinct for color helped turn him into one of the defining artists of the late-2010s sneaker era. His work gradually expanded beyond footwear into apparel, automotive collaborations, collectibles, and broader lifestyle design.
Modern golf style now extends well beyond the fairways, where performance and functionality are largely expected by default. And while plenty of brands already make technically competent golfwear, Khalhon seems more focused on designing clothes people would genuinely want to wear even after the round ends.
And when guys at Wotherspoon’s level show genuine interest in working with a Korean golf brand as its new Creative Director, fashion circles tend to sit up and pay attention. There’s already a huge buzz among the fashion-conscious here about upcoming collabs with iconic sports stars and brands.

“My creative direction for Khalhon is disruptive, colorful, nostalgic, and modern. My goal is to blend these avenues seamlessly within each collection.” – Sean Wotherspoon
In chatting with Sean, what stood out most to me was how genuinely energized he sounded about the project itself. Despite having already worked across and countless other creative spaces, he described golf as a completely fresh category for him, saying that Khalhon “will be an amazing vehicle for my design work.”
At the same time, his enthusiasm seemed tied just as much to Korea itself. He spoke openly about admiring Korea’s fashion culture while repeatedly insisting he is still a terrible golfer.
There was something oddly refreshing about that humility. Rather than sounding like a celebrity parachuting into golf simply because the category suddenly became fashionable, Sean sounded genuinely curious about what Korea might do with the category next.
And perhaps that is what makes Khalhon feel interesting right now. The brand feels less like a trend-chaser and more like the natural result of a market now confident enough to export its own point of view.
For years, global brands came to Korea to sharpen their image against one of the most discerning audiences anywhere. Now, a Korean label appears ready to send those Seoul Sensibilities outward instead.
Which brings us back to kkot-saem-chu-i.
That final cold snap before spring always arrives with a reminder that seasons are changing, whether we notice it immediately or not. Golf fashion feels a little like that right now as well, as the old boundaries between sport, streetwear, luxury, and everyday style continue to soften.
And somewhere in Seoul, a Korean golf label already seems prepared for whatever season comes next. I just hope they have everything in my size.













fx volume data csv
Aug 9, 2014 at 6:47 am
The trader goes long the currency with a high interest rate and finances that purchase with a currency with a low
interest rate. There doesn’t tend to be a great fluctuation between the values of currencies because the international monetary fund (IMF) and the world banks want
there to be global economic security, within acceptable parameters.
Ultimate Flora fx also utilized GDL (Glucono delta
lactone), which is a patented nutrient, which nourishes
the beneficial bacteria in the gut.
T.Litz
Jan 16, 2013 at 12:36 am
Great points Den. Multitasking does help..in a golf course? for me it’s one or the other. First I suck at golf which I determined later and convinced that I can’t be good at everything so I slowly reduced the amount of energy trying and spend just a tad more into my photography…then there’s bliss.