Opinion & Analysis
The Wedge Guy: Ball striking vs. Shot making
We often hear these two terms used to describe a given golfer’s particular skills, and sometimes they are used interchangeably. Today, I would like to discuss the difference and then pose a question to all of you to weigh in on, if you would please.
To get this conversation started, here’s how I would define each and explain the difference:
“Ball striking” refers to a golfer’s ability to make extremely solid contact with the ball shot after shot, club to club, with remarkable consistency. It is the core essence of the game, actually, because until you get reasonably consistent in making solid contact in the center of the face of the club, you really don’t know
what the ball is going to do.
“Shot making” on the other hand, is the golfer’s ability to make the ball do what he or she wants. Shaping shots to move the ball around – fades and draws, high and low, take a little off of it, amp it up a bit, etc. – these are the skills that define the highly accomplished player.
In discussions of “ball striking”, the same names come up time and again for the “legend” tour professionals–Hogan, Nelson, Tommy Bolt, Lee Trevino are maybe the most noted. One of the more common is also the legendary Moe Norman. It was said by those who had the opportunity to see him that he almost never mishit a shot, and every one took off on the same trajectory and flight. It was said that Mr. Norman never achieved financial fame on the golf course, and I have read it was because of his nerves and quirky nature. Nevertheless, he is the subject of countless legends.
In the modern game, I think nearly all the top professionals are great ball strikers, and maybe the LPGA Tour even takes that consistently solid contact to the next level. They simply have to, as they don’t have the physical strength to play their courses with too many unsolid hits.
Moving on to “shot making”, again we see many of the same names from the history books, but I would put Tiger Woods on a completely different level from most of his peers. For over two decades, he has shown us some remarkable imagination and execution of shots most wouldn’t even have the ability to see.
It was said about Ben Hogan that he was one of the very few that combined both skills. Ben Hogan was noted for this insightful piece of advice about how to approach a pin location:
”You work the ball toward the flag. If it is on the right side of the green, you hit a fade, and hit a draw to any left flag location. Pins in the front require a high shot with spin, and those toward the back of the green require a lower shot with less spin. You always work the ball flight from the center of the green toward the edges.”
Now that’s serious insight into how the game can be played…at least if you have complete control over the ball flight. Or at least want to. And that brings me to my question today; I would like for as many of you as possible to chime with your answer to this:
Do you ever try to hit various shots–draws, fades, high, low, “carve it”, etc.– and how often? Only when necessary, frequently, often. Please also indicate your handicap with your answer, OK?
Let’s have some fun with this.
Club Junkie
Tour Edge Exotics mini driver review + TaylorMade Spider ZT Max first look – Club Junkie
On this episode of Club Junkie, I put the new Tour Edge Exotics Mini Driver to the test and break down the performance, forgiveness, distance, and where it fits compared to a traditional driver or strong fairway wood. If you have been curious about adding a mini driver to the bag, this one is worth a look.
I also dive into the new TaylorMade Spider ZT Max putter that was recently spotted and discuss the growing zero torque putter trend. Plus, there is a closer look at the new Project X Titan Yellow shaft showing up on the PGA Tour and what makes it different from other profiles currently out there.
Opinion & Analysis
AVL: We’re talking about practice! My best tips for taking your game to the course
With the beginning of June on the horizon and courses rounding into peak condition for the season, it’s time to hone the finer skills that often get rusty over the winter. More sunlight also means more time to get out on the course and work on your game.
Whether it’s the practice green or the driving range, there’s always something to improve—whether you’re enjoying the fresh air or preparing for a weekend game or tournament. You can work on drills or freestyle around the green, and friendly competition is a great way to sharpen your skills.
While there are endless ways to get better at golf, I’m going to focus on practicing around the green. Let’s take a look at a few things to keep in mind as we head into the summer months.
Drills
From the driving range to the practice green, it’s important to incorporate drills into your routine. Years ago, I spent a weekend working on my short game with James Sieckmann. He recommended doing drill work for 5–10 minutes, then returning to your main practice.
This way, you create a balance between structured drills and real-world scenarios, so you’re not confined to “perfect” situations. For example, hitting the same three-foot putt over and over is good for repetition, but after a while, it becomes less interactive for your brain.
My approach is to use a putting trainer with a narrow gate for the ball to pass through, or simply place tees just outside the width of the ball. I’ll hit a series of four putts through the gate for three sets. Then, from a similar distance, I’ll hit four putts without the training aid and repeat that sequence three times.
Next, I’ll hit a number of 15–25 foot putts in a random fashion, then circle back to repeat the short putt drills with and without the training aid.
This breaks up the rhythm of hitting short putts with the training aid. When you hit the same short putts over and over, it’s easy to get into a groove—which is great for the drill, but not reflective of actual course play. While finding a rhythm is fundamental for drills, I like to introduce variation with longer putts to keep things realistic.
Game Mode
Once you’ve established a foundation with drills, it’s time to simulate on-course scenarios. This is where a few practice games come in handy.
One that I’ve been enjoying lately involves putting 10- to 15-footers with two balls. If I make the putt, great! If I miss, I pull the missed ball back a putter length. Suddenly, that little tap-in becomes a nerve-wracking three-footer—at least at first. As you get better at this game, those three- and five-footers become much more comfortable and routine.
It may sound cliché, but each shot is just what it is—it’s how we react that makes the difference. I like this game because it blends the pressure of on-course putting with the consequence of leaving yourself a much longer putt than usual.
Another game I like is one I recently learned from Brad Faxon. Place three tees in a line at four different locations around the hole: one at 3 feet, one at 6 feet, and one at 8 feet. The 3- and 6-foot putts count as par, and the 8-footer is for birdie.
This game keeps you focused on scoring and helps you get into a competitive mindset. You can even think about this putting game while you’re on the course. I just started playing it, and last week I couldn’t get better than two under par.
Competition
Competition during practice is when drills and games come to life, and you start to see results. For me, nothing beats a putting contest with a friend or two. In the right setting, these contests can become talking points for the whole season.
Match play, a game of 21, or simply seeing who can make the most one-putts (with a small prize on the line) are all great ways to simulate real on-course pressure. Recently, I played in a putting contest where one competitor made back-to-back 30- and 50-foot putts. As they say, expect your opponent to make every putt—and he nearly did. That’s impressive, and it’s something you see on the course, too: you have to stay committed to your game plan, no matter what.
When it comes to practice, it’s important to blend feedback from recent rounds with the fundamentals you want to reinforce. Drills, games, and competition—from the driving range to the putting green—form the backbone of skills you’ll rely on during actual rounds.
Finding the right balance is something we’re all working on, one practice session at a time. With the beginning of June on the horizon and courses rounding into peak condition for the season, it’s time to hone the finer skills that often get rusty over the winter. More sunlight also means more time to get out on the course and work on your game. Whether it’s the practice green or the driving range, there’s always something to improve—whether you’re enjoying the fresh air or preparing for a weekend game or tournament. You can work on drills or freestyle around the green, and friendly competition is a great way to sharpen your skills. While there are endless ways to get better at golf, I’m going to focus on practicing around the green. Let’s take a look at a few things to keep in mind as we head into the summer months.
Drills
From the driving range to the practice green, it’s important to incorporate drills into your routine. Years ago, I spent a weekend working on my short game with James Sieckmann. He recommended doing drill work for 5–10 minutes, then returning to your main practice. This way, you create a balance between structured drills and real-world scenarios, so you’re not confined to “perfect” situations. For example, hitting the same three-foot putt over and over is good for repetition, but after a while, it becomes less interactive for your brain.
My approach is to use a putting trainer with a narrow gate for the ball to pass through, or simply place tees just outside the width of the ball. I’ll hit a series of four putts through the gate for three sets. Then, from a similar distance, I’ll hit four putts without the training aid and repeat that sequence three times. Next, I’ll hit a number of 15–25 foot putts in a random fashion, then circle back to repeat the short putt drills with and without the training aid.
This breaks up the rhythm of hitting short putts with the training aid. When you hit the same short putts over and over, it’s easy to get into a groove—which is great for the drill, but not reflective of actual course play. While finding a rhythm is fundamental for drills, I like to introduce variation with longer putts to keep things realistic.
Game Mode
Once you’ve established a foundation with drills, it’s time to simulate on-course scenarios. This is where a few practice games come in handy. One that I’ve been enjoying lately involves putting 10- to 15-footers with two balls. If I make the putt, great! If I miss, I pull the missed ball back a putter length.
Suddenly, that little tap-in becomes a nerve-wracking three-footer—at least at first. As you get better at this game, those three- and five-footers become much more comfortable and routine. It may sound cliché, but each shot is just what it is—it’s how we react that makes the difference. I like this game because it blends the pressure of on-course putting with the consequence of leaving yourself a much longer putt than usual.
Another game I like is one I recently learned from Brad Faxon. Place three tees in a line at four different locations around the hole: one at 3 feet, one at 6 feet, and one at 8 feet. The 3- and 6-foot putts count as par, and the 8-footer is for birdie.
This game keeps you focused on scoring and helps you get into a competitive mindset. You can even think about this putting game while you’re on the course. I just started playing it, and last week I couldn’t get better than two under par.
Competition
Competition during practice is when drills and games come to life, and you start to see results. For me, nothing beats a putting contest with a friend or two. In the right setting, these contests can become talking points for the whole season. Match play, a game of 21, or simply seeing who can make the most one-putts (with a small prize on the line) are all great ways to simulate real on-course pressure. Recently, I played in a putting contest where one competitor made back-to-back 30- and 50-foot putts. As they say, expect your opponent to make every putt—and he nearly did. That’s impressive, and it’s something you see on the course, too: you have to stay committed to your game plan, no matter what.
When it comes to practice, it’s important to blend feedback from recent rounds with the fundamentals you want to reinforce. Drills, games, and competition—from the driving range to the putting green—form the backbone of skills you’ll rely on during actual rounds. Finding the right balance is something we’re all working on, one practice session at a time.
For Korean golfers, we always look forward to the last of the kkot-saem-chu-I for the true start of a new golf season. The term refers to a cold snap, but literally translates as “winter being jealous of the flowers beginning to bloom, thus lashing out one final time before surrendering to spring”.
A rather poetic mouthful packed into a short expression.
Koreans can be like that. Understated, yet oddly expressive at the same time. And nowhere is this more true on the golf course and in our golf bags. In fact, I suspect many Korean golfers look forward to new apparel and accessory drops more than they do actual equipment launches each year.
At this point, Korean golf fashion may exist on its own timeline. (courtesy of @seonbi_golfer)
There is ample evidence to support that suspicion. Korea is the world’s third-largest golf market behind the United States and Japan, yet its appetite for golf apparel exceeds that of both countries combined. Recent estimates suggest that Korea accounts for nearly 40 percent of the global golf apparel market, placing it among the world’s most influential golf fashion markets and punching well above its size.
Simply, we care deeply about how new golf clubs look and feel, but enjoy looking good while swinging them even more.
Golfers in the West may laugh and say that golf is played on a course, not a fashion runway. Perhaps. But what’s the harm in trying to look and feel good, if the added self-confidence can help actual performance? It certainly seems to have worked for Jason Day, who may have unlocked a new stats category: dormant strokes gained. Coincidence?
During the COVID-era, estimates placed the market near $9 billion, an astonishing figure for a single country.
As a proud member of Gen X, I’ve witnessed the highs and lows of golf fashion firsthand. The pleated trousers and wing-tipped shoes of Jack Nicklaus, the stylish plus-fours and knickers of Payne Stewart, the baggy black trousers and fitted mock-necks of Tiger Woods, and the thigh-hugging athletic tailoring of Rory McIlroy. Golf fashion, like the golf swing itself, has rarely stood still.
But nowhere have those trends shifted, evolved, and been scrutinized quite as relentlessly as in Korea. Here, golf fashion moves faster than fairway gossip, and consumers dissect brands with a level of discernment that can be both impressive and mildly terrifying. New brands are studied, judged, embraced, or dismissed with startling efficiency.
The result is a consumer base with one of the sharpest eyes for quality and authenticity anywhere in the world. It is difficult to quantify, but easy to recognize. Clean lines without trying too hard. Luxury mixed with utility. Trend awareness balanced by restraint and purpose.
It’s golf fashion shaped by one of the world’s most style-literate cities, something I like to call Seoul Sensibilities, referring to the taste level forged by a uniquely competitive environment.
And increasingly, global brands have noticed.
Many golf brands in Korea have their own flagship shops dedicated to apparel only
Titleist understood this years ago, when its apparel business in Korea took on a life of its own under new ownership and local direction. What had once been a straightforward extension of an iconic equipment giant became something sharper and more premium. By going all in on the serious Tour-player look (I couldn’t even fit into their XL sizes), Titleist struck the right chord with Korean consumers and helped its fledgling apparel business break into the mainstream. Titleist became a household name even for non-golfers who wore its caps, shirts, and windbreakers in daily life. In many ways, it proved that even heritage golf brands could carry real fashion credibility when viewed through a Korean lens.
Several years later, PXG took a page out of Titleist’s playbook and followed suit. Korean consumers helped transform the brand from one known largely for irons and loud commercials into something broader and more stylish. PXG apparel’s growth in Korea was explosive, where it found an early audience and turned the category into something more than mere logo merchandise. It is still hard to walk anywhere in Seoul without seeing its palindrome logo.
Malbon’s meteoric rise in the United States was genuine, but its ascent into a global golf lifestyle brand owes much to Korea, where it was elevated by a market already fluent in modern golf style. Korea did not simply embrace Malbon. It pressure-tested the concept, refined its appeal, and helped push it into the global spotlight.
As such, new brands may arrive from abroad, but more often than not, their sharpest evolution happens here. If a brand can earn credibility in Seoul, it’s deemed to have passed one of the toughest style audits in the game.
That is why the next meaningful chapter may not come from outside, but from a Korean brand moving in the opposite direction, carrying those Seoul Sensibilities outward as K-pop once did.
Play young Stay dope.
From Seoul, With Intent
Khalhon is a label that feels less like a trend-chasing newcomer and more like the product of a market that has already seen everything. Golfers here have long been surrounded by luxury logos, technical fabrics, and tour uniforms disguised as lifestyle wear and vice-versa. In other words, novelty alone rarely lasts here, and the Koreans seems to understand that instinctively.
Its style language leans into clean silhouettes, relaxed but tailored proportions, muted palettes, and premium materials that speak quietly but confidently. There is a modern city aesthetic running through it all, with strong layering pieces, thoughtful textures, and subtle branding that suggests sophistication rather than demanding attention.
“Built for the course. Designed beyond it.”
Most importantly, the garments seem designed to blur the line between golfwear and everyday style. Shirts, trousers, knitwear, and outer layers move comfortably between a game of screen golf, a lunch reservation, an airport gate, or an afternoon coffee in Gangnam with friends.
It raises the question of whether this is golfwear that happens to look good off the course, or everyday clothing that performs beautifully on the fairways.
Personally, I have long appreciated Nike Golf for its clean, athletic modernization of golf attire. It also has the useful side effect of making me look like a more serious golfer than I probably am. But off the course, there are times when being instantly identified as the golf guy in a crowd of non-golfers can feel a touch self-conscious.
“Built for the course. Designed beyond it.”
That is part of what drew me to Khalhon, which seemed to blend golf and everyday wear naturally. While some of the outfits may be slightly beyond my personal confidence level, the brand also offers tasteful options for older guys like me who still want to express a little personality without regretting the decision later.
These are not simply flashy outfits worn on the course and then banished to the closet until the next tee time. They work surprisingly well off the course too, and I suspect many of the pieces will still look right a couple of years from now, which would certainly be kinder to my wallet than most golf fashion trends tend to be.
And perhaps that broader lifestyle positioning also helps explain why someone like Sean Wotherspoon would find Khalhon creatively interesting in the first place.
“Built for the course. Designed beyond it.”
“Korea is not only one of the most fashion-forward golf markets in the world, but one of the most fashion-forward markets globally. Korea is ahead, and I love to watch and try to catch up.” – Sean Wotherspoon, Creative Director at Khalhon
Seoul and Beyond
If Khalhon’s rise says something about where Korean golf fashion is today, its relationship with Sean Wotherspoon says even more about where it is heading.
For readers less familiar with Sean Wotherspoon, his arrival at Khalhon is not some routine celebrity endorsement or influencer collaboration. In design and streetwear circles, Wotherspoon is regarded as one of the more influential creative voices of his generation, particularly when it comes to blending nostalgia, storytelling, and contemporary culture into products that people can connect with.
He first gained widespread attention through his now-famous Nike sneaker collaborations, where his vintage-inspired designs and instinct for color helped turn him into one of the defining artists of the late-2010s sneaker era. His work gradually expanded beyond footwear into apparel, automotive collaborations, collectibles, and broader lifestyle design.
Modern golf style now extends well beyond the fairways, where performance and functionality are largely expected by default. And while plenty of brands already make technically competent golfwear, Khalhon seems more focused on designing clothes people would genuinely want to wear even after the round ends.
And when guys at Wotherspoon’s level show genuine interest in working with a Korean golf brand as its new Creative Director, fashion circles tend to sit up and pay attention. There’s already a huge buzz among the fashion-conscious here about upcoming collabs with iconic sports stars and brands.
“My creative direction for Khalhon is disruptive, colorful, nostalgic, and modern. My goal is to blend these avenues seamlessly within each collection.” – Sean Wotherspoon
In chatting with Sean, what stood out most to me was how genuinely energized he sounded about the project itself. Despite having already worked across and countless other creative spaces, he described golf as a completely fresh category for him, saying that Khalhon “will be an amazing vehicle for my design work.”
At the same time, his enthusiasm seemed tied just as much to Korea itself. He spoke openly about admiring Korea’s fashion culture while repeatedly insisting he is still a terrible golfer.
There was something oddly refreshing about that humility. Rather than sounding like a celebrity parachuting into golf simply because the category suddenly became fashionable, Sean sounded genuinely curious about what Korea might do with the category next.
And perhaps that is what makes Khalhon feel interesting right now. The brand feels less like a trend-chaser and more like the natural result of a market now confident enough to export its own point of view.
For years, global brands came to Korea to sharpen their image against one of the most discerning audiences anywhere. Now, a Korean label appears ready to send those Seoul Sensibilities outward instead.
Which brings us back to kkot-saem-chu-i.
That final cold snap before spring always arrives with a reminder that seasons are changing, whether we notice it immediately or not. Golf fashion feels a little like that right now as well, as the old boundaries between sport, streetwear, luxury, and everyday style continue to soften.
And somewhere in Seoul, a Korean golf label already seems prepared for whatever season comes next. I just hope they have everything in my size.
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ChipNRun
Apr 7, 2020 at 8:48 am
I’m now about 20 HDCP (as per initial report under new system).
For a long time I tried to hit “whatever shot shape was needed,” but a few years back I settled into the draw as my stock shot. I had problems with a recurring overswing + Over The Top move, and the in-to-out of the draw helped prevent this.
For tee shots, I vary tee height (for the day) based upon turf conditions. It it’s drier, I’ll tee it down so I have a flatter descent angle and can pick up more rollout. If it’s wet, I tee it higher to maximize carry.
That said, on tee shots I can produce a decent fade when needed. I mean, the tee surface is flat and the ball is on a wooden peg which you can adjust the height of. Anyone who understands the basics of ball flight should be able to hit a basic fade or draw under these conditions.
And, if I’m in the right first cut (typical miss for draw), I can hit a low slap slice to get the ball up toward the green. (A skill I picked up playing blades in the previous century…)
For partial wedges, I use a square or ever-so-slightly open set up. With a midspin ball (i.e. Callaway Superhot, TopFlite Gamer Tour), I can generally drop a partial wedge on the green with maybe three yards of rollout.
For really shaggy shots around the green, I get better control with SW than with a LW.
Roejye
Mar 27, 2020 at 12:27 am
I don’t have an official handicap as I didn’t really keep score, and when I did there were quite a few mulligans thrown in. Going by the calculation of score over par, I was about a 13 with my scoring so I’ll say minimum 18. I play a course where there isn’t much reason to shape my shots, and my ability level isn’t there yet, so I focus on ball striking. Closest thing to shot shaping is using a more lofted club to get over a bunker or mound to a tight pin.
Jim
Mar 25, 2020 at 11:36 am
Current index 8.8. I consider myself a pretty good ballstriker but not much of a shot maker. My natural ball flight is a draw and I can hook and slice it at will but I find a fade very difficult to hit. High and low shots are a bit easier to hit. Lucky for me, I’m a lefty and most of the courses I play (local green fee courses) have far more dogleg rights than dogleg lefts to accommodate slicing right handlers. When I do have to make a “shot” and pull it off, it’s very satisfying—and surprising!
Tim M.
Mar 24, 2020 at 2:06 pm
My index is 3.3. As I’ve gotten older, and the balls spin less than the old balata balls I grew up with, I’ve been more confident in hitting draws/fades. My stock shot is a very slight fade…and I agree with the idea that many times, it’s better to hit the stock shot to middle of green rather than trying hit something I’m not as comfortable with. I pay a lot of attention to my warmup, and how the ball is moving. Some days, I can see that my short irons are being drawn a bit…so I work with that. I think it’s fun to hit shots with various curves, and I always think about on the course. I just try to make good decisions about when to try a shot, and when to “settle” for safe, middle of green shot.
Mark M
Mar 24, 2020 at 1:20 pm
One of the main reasons I love golf is exactly what you’re talking about Terry … SHOTMAKING!
I’m definitely in your OFTEN + category – what’s more than often? When I’m on the course, I look at all the available ways to get the ball to go where I want. Sometimes it’s a stock shot but most of the time I’m trying to create a shot that fits the situation as I see it. Sometimes that can be up to 4 or 5 different shot options. Friends have told me that I might lower my scores more if I limited my options to one or two main shots, but what’s the fun in that?!
2waymiss
Mar 24, 2020 at 12:14 pm
Handicap- Hacker! If the toe was the center of the face then I’d be the best ball striker on the planet. I’d love to be able to execute 1 of each shape in the 9 ball flights w/ predictable control. Heck, I’d settle just for a draw (no gear effect) w/ my driver! Lol
Dill Pickelson
Mar 27, 2020 at 11:59 pm
I tweeted Adam Young and asked him how to not toe it and he had me put the ball inside of the rubber tee and hit both. The body adjusted and I could sense the difference. I immediately went from a 6 to a 2 and have been there for about 3 years now. Crazy simple solution for a life long problem.
Brian Terry
Mar 24, 2020 at 12:05 pm
I play to an 8 and only work the ball when I need to. However, I PRACTICE those shots regularly so that I have the confidence to pull them off when needed. I use trajectory manipulation far more than curvature. I like to work the trajectory and spin to control the rollout for front and back pins depending on the firmness of the greens. I usually only use draws and fades if a pin is tucked and I can depend on the release of the shot to get it back to the pin after landing. I plan the ball to land 10-15′ from the pin and roll to it as opposed to landing right on the pin. Nothing is worse than hitting a shot to curve the ball perfectly to the pin, only to have it hop off the edge of the green leaving me short-sided.
BT
William Terry
Mar 24, 2020 at 10:25 am
I’ve gone multiple routes over this in 20 years of playing golf fairly seriously… I’ve ranged from a 12-4 over that time, and currently sit at a 5.5. I’m now 38 and have less time to play and practice… I’ve also decided this season to spend more time on chipping and putting and less time on the range hitting full shots.
Tiger talks about 9 “windows” High, Low, Middle, Straight, Fade, Draw… and can hit all 9 of them. I can hit about 5 different shots with varying degrees of success… High, Low, Draw, Fade, “straight”. I default to a fade and have tried to eliminate a left miss from my game… This allows me to aim left and worry less about hazards.
I can hit a draw, but it lacks control… I’ve stopped “going for it” and forcing a draw and it has helped eliminate mistakes from my game… I will rarely flight the ball on a regular shot into a green. I will use trajectory to get around obstacles, including a higher shot to get over a bunker into a tight pin. That’s about as close to shot making as I get right now.
If I ever succeed in getting my short game to “good”, I will probably spend more time working on a dependable draw, just to add a shot to my bag. It would be nice to have confidence in different shots, but right now I play what I know… Honestly, I don’t think this will shave a significant amount of strokes off my game (other than working on shot making will improve my ball striking). I can’t see how mastering a “second” type of shot would shave more than a half stroke off my cap.
Brian
Mar 24, 2020 at 10:23 am
I play to a 6 and my stock shot – and really only shot – is a draw; I can’t hit a [decent] fade to save my life. Trust me, I’ve tried, but it ends poorly. Luckily, I can repeat a pretty similar [draw] ball flight shot after shot, so what I’ll change up is the height based on the conditions: windy – keep it low, wet – keep it high, etc.
Bart
Mar 24, 2020 at 9:48 am
I try to put a bit of “english” on every single shot outside of 100 yards. It makes the game more interesting to me and also makes the winds influence more predictable. Also if you know the slope of the green it gives you a better chance of getting it closer since you have an idea of the roll after it lands. 9.9 out of 10 shots will have some sort of bend so might as well have control over it.
Wasnt it Hogan that said “straight hitters NEVER hit it straight”?