Opinion & Analysis
An interview with Jon Cavalier, amateur golf course photographer
A congregation of golf course architecture aficionados gathers regularly on the internet, to preach the word of design. Their Stonehenge is a website called Golf Club Atlas, and when the denizens aren’t posting long-form pieces on golf course architecture history, they engage in smoldering debate on the origin, merit, and authenticity of architects, their decisions, and the outcome of those decisions. Members of the community often gather, site unseen, for events called the King’s Putter, the Midwest Mashie, and the Knockout. Their allegiance is unwavering, the stuff of legends, even when a match is on the line, or a favorite course’s origin is called into question.
Many on the site have money and the wherewithal to join, or travel to as guests, the world’s the great clubs. Many others do not, and garner knowledge through the descriptions of these sojourners. To the great benefit of all, members like Joseph Bausch (a Villanova University professor) and this writer (not a Villanova University professor) post their images for all to view.
More than any other, and in a brief period of time, Jon Cavalier has emerged as the lens witness to the glory of golf course architecture. Cavalier shoots more courses, with greater frequency, than one might think humanly possible. What exceeds belief, is that photography is not his career. Cavalier is a lawyer, based in Philadelphia. One of his passions is golf course architecture and its photography. Without him, golfers on Golf Club Atlas and Instagram and Twitter (where he post as @linksgems) would not have access to the Pine Valleys, the Cypress Points, and the Yeaman’s Halls of this country and the world. It is our pleasure to present this interview with him, along with a dozen of his favorite photos. If you don’t know the spots, enjoy their beauty and follow Mr. Cavalier on social media for a daily dosage.
1. How did you transition from just golfer to golfer and photographer?
I’ve been an avid golfer for about 20 years now. I picked the game up in college after aging out of traditional sports due to rapidly declining athleticism. I was hooked after my first round. At the same time, I’ve always had at least a passing interest in photography. And as best I can remember, I photographed a golf course for their website (I built the website too) back in 2002 or so. But for some reason, I never really combined the two until 2013 or so. As it happened, I was playing Somerset Hills on a gorgeous fall day and had a camera in the car – the fall colors were so beautiful that I decided to bring the camera out with me. Afterwards, I realized that I’d enjoyed taking the photos almost as much as I enjoyed playing the course. I’ve been doing both ever since.
2. Who inspired/motivated you to undertake golf course photography?
I’ve always been inspired by the top golf photographers — guys like Walter Iooss, Evan Schiller (@Evan_Schilller_Photography) and Jacob Sjoman (@sjomanart), and other talented guys like Ben Peters (@thegolfhawk) and Mike Gibbons (@gibbonsphoto). Beyond that, my biggest source of both inspiration and motivation is the people who like seeing my photos and who asked to see more, especially those on the GolfClubAtlas forum and those who follow me on social media. My wife, who had already been putting up with my full blown golf habit, has always encouraged the photography as well.
3. When did it transition from more than something fun, to something bigger?
That’s a great question, and I suppose the answer depends on what is meant by “something bigger.” As it stands, even now, I take and share golf photos because it’s fun and I enjoy doing it. Taking photos adds to my enjoyment of a round of golf, and sharing them has led to interactions with so many great people, many of whom I am fortunate to now call dear friends. If golf photography ever stopped being fun, I’d stop doing it.
4. Talk equipment for a moment-what camera and lens do you love, and what software do you use for editing?
I’ve been shooting mostly Sony cameras for the past few years, and I’m a big fan. My go-to is a Sony a7Riii mirrorless with either a Sony OSS 24-240 or a Sony 24-105 G OSS lens. This combo offers great versatility and photo quality, and is perfect for golf photography.
When I want something smaller, I use a pocket-sized Sony RX-100 MK6, which is a terrific camera for its size. I’ve used the RX-100 series since the MK3, and they are excellent.
Occasionally, I’ll shoot with a small Leica, a Fuji X100, or my iPhone X.
For the aerial photography, I’ve always used DJI Phantom drones. I’m currently using a Phantom 4 Pro 2.0, but I’ve used, crashed and/or given away every model of Phantom going back to the original. The photo and video quality has improved by leaps and bounds in the latest models.
5. You are a Golf Club Atlas participant. How did the discussion board of that site impact your growing enthusiasm for golf course photography?
Enormously, and in several different ways. First and most importantly, the GCA discussion board launched and nurtured my infatuation (and subsequent obsession) with golf course architecture. This led me to seek out golf courses that I otherwise might have ignored or about which I’d never have learned. I believe an understanding and appreciation of golf course architecture is essential for quality golf course photography, and there is no better resource for that than GCA.
Beyond that, the GCA forum was the first place I shared my photos. I believe the first photos I posted were from that round at Somerset Hills, and the response was overwhelmingly positive. The ability to share and subsequently discuss my photography and the subject course not only gave me an outlet for my shots, but it certainly encouraged me to take and share more. And the criticism helped me become a better photographer.
I similarly credit and appreciate Andy Johnson and Jason Way at The Fried Egg for the same reasons.
6. At what point did you incorporate drone photography into your arsenal, and how did that change your approach to a complete shoot?
I was a very early adopter of drone technology to take aerial photos of golf courses. It was clear to me right away that this tech was perfectly suited to shoot golf. I don’t know that having the ability to shoot aerials changed my approach to photographing golf courses much, but it certainly gave me the ability to see and shoot courses from a different and unique perspective.
7. What do drone and ground photography offer, that the other does not?
Drone photography offers two main benefits that you just can’t get from the ground. First, aerial photography gives the ability to capture the entire golf course and its surrounds in one frame. We have all seen and love those old photos of classic courses taken from a low-flying airplane. Drone photography allows a “zoomed out” perspective of the course, which can show the full routing, how the holes and hazards interconnect, and how the course interacts with its environment. Second, drones allow us to capture a course from an infinite number of angles and perspectives. Ground photography is fundamentally two-dimensional – there are only so many places to stand and take a photo. Drones allow us to place a camera almost anywhere in three-dimensional space, which in turn allows for unlimited creativity and perspective. These angles, which we would never otherwise see, can be really compelling.
The advantage of “regular” photography is that it shows the course from the perspective of the golfer – the perspective we’re used to seeing. And so it’s ideal for taking shots that “transport” the viewer to the course.
For me, the ideal way to capture a course is through a mix of both forms.
8. Which golf course has given you the greatest artistic experience in shooting?
That’s a tough question. The courses I most enjoy shooting tend to be the courses that have both compelling visuals and extremely interesting golf architecture. So the top of the list, you’d certainly find courses like National Golf Links of America, Sleepy Hollow, Cypress Point, Fishers Island, Shinnecock Hills, Eastward Ho, Maidstone, Monterey Peninsula CC and Sand Hills. These are all courses that are quite beautiful by any definition and are also outstanding examples of brilliant golf course design.
At the same time, I also really enjoy the challenge of photographing courses that lack ocean or mountain views and thus may not be considered traditionally beautiful by everyone, but that are excellent from an architecture standpoint – courses like Chicago Golf Club or Oakmont. After all, it’s hard to take a bad photo of a place next to the ocean like MPCC, but doing justice to the quality of the course at a place that doesn’t have the visuals to fall back on is very satisfying.
9. Is there a golf course that you have yet to shoot, that you would like to?
Too many to count. It’s certainly a fantasy to shoot (and play) Augusta National. Beyond that, it’s all international courses: The Old Course, North Berwick, Royal County Down, Dornoch, Portrush, Ballybunion, Lahinch and countless others in the UK, and Royal Melbourne, Kingston Heath, Tara Iti, Barnbougle Dunes, Cape Kidnappers, Jack’s Point, Cape Wickham, Kauri Cliffs and many others in Australia and New Zealand. I’d also love to shoot Morfontaine in France – from what I’ve seen, it looks amazing.
10. BONUS QUESTION: What question haven’t we asked, that you wish we would? Ask it and answer it please. Thank you for your time.
What is the best thing that has come from your golf course photography?
As I mentioned above, I’ve met so many wonderful people as a result of my photography, and I’ve been able to see some of the best golf courses in the world. But even better still, thanks to the incredibly loyal and supportive people who follow me on twitter and Instagram, I’ve been able to financially support some charities that are important to my wife and me. For the last two years, I’ve sold a photo calendar that has enabled donations of over $15,000 to Woodstock Farm Sanctuary. Just recently, thanks to the work of my good friend Tyler Petrovich (@thetravellinggolfer), we auctioned off a glass print of Pebble Beach and raised almost $1500 for SLC6A1 Connect and Milestnes for Maxwell. It’s been truly gratifying to be able to use an avocation that I enjoy to support those who need a bit of a hand, and we’re always looking for new ways to do more of it.
Club Junkie
Tour Edge Exotics mini driver review + TaylorMade Spider ZT Max first look – Club Junkie
On this episode of Club Junkie, I put the new Tour Edge Exotics Mini Driver to the test and break down the performance, forgiveness, distance, and where it fits compared to a traditional driver or strong fairway wood. If you have been curious about adding a mini driver to the bag, this one is worth a look.
I also dive into the new TaylorMade Spider ZT Max putter that was recently spotted and discuss the growing zero torque putter trend. Plus, there is a closer look at the new Project X Titan Yellow shaft showing up on the PGA Tour and what makes it different from other profiles currently out there.
Opinion & Analysis
AVL: We’re talking about practice! My best tips for taking your game to the course
With the beginning of June on the horizon and courses rounding into peak condition for the season, it’s time to hone the finer skills that often get rusty over the winter. More sunlight also means more time to get out on the course and work on your game.
Whether it’s the practice green or the driving range, there’s always something to improve—whether you’re enjoying the fresh air or preparing for a weekend game or tournament. You can work on drills or freestyle around the green, and friendly competition is a great way to sharpen your skills.
While there are endless ways to get better at golf, I’m going to focus on practicing around the green. Let’s take a look at a few things to keep in mind as we head into the summer months.
Drills
From the driving range to the practice green, it’s important to incorporate drills into your routine. Years ago, I spent a weekend working on my short game with James Sieckmann. He recommended doing drill work for 5–10 minutes, then returning to your main practice.
This way, you create a balance between structured drills and real-world scenarios, so you’re not confined to “perfect” situations. For example, hitting the same three-foot putt over and over is good for repetition, but after a while, it becomes less interactive for your brain.
My approach is to use a putting trainer with a narrow gate for the ball to pass through, or simply place tees just outside the width of the ball. I’ll hit a series of four putts through the gate for three sets. Then, from a similar distance, I’ll hit four putts without the training aid and repeat that sequence three times.
Next, I’ll hit a number of 15–25 foot putts in a random fashion, then circle back to repeat the short putt drills with and without the training aid.
This breaks up the rhythm of hitting short putts with the training aid. When you hit the same short putts over and over, it’s easy to get into a groove—which is great for the drill, but not reflective of actual course play. While finding a rhythm is fundamental for drills, I like to introduce variation with longer putts to keep things realistic.
Game Mode
Once you’ve established a foundation with drills, it’s time to simulate on-course scenarios. This is where a few practice games come in handy.
One that I’ve been enjoying lately involves putting 10- to 15-footers with two balls. If I make the putt, great! If I miss, I pull the missed ball back a putter length. Suddenly, that little tap-in becomes a nerve-wracking three-footer—at least at first. As you get better at this game, those three- and five-footers become much more comfortable and routine.
It may sound cliché, but each shot is just what it is—it’s how we react that makes the difference. I like this game because it blends the pressure of on-course putting with the consequence of leaving yourself a much longer putt than usual.
Another game I like is one I recently learned from Brad Faxon. Place three tees in a line at four different locations around the hole: one at 3 feet, one at 6 feet, and one at 8 feet. The 3- and 6-foot putts count as par, and the 8-footer is for birdie.
This game keeps you focused on scoring and helps you get into a competitive mindset. You can even think about this putting game while you’re on the course. I just started playing it, and last week I couldn’t get better than two under par.
Competition
Competition during practice is when drills and games come to life, and you start to see results. For me, nothing beats a putting contest with a friend or two. In the right setting, these contests can become talking points for the whole season.
Match play, a game of 21, or simply seeing who can make the most one-putts (with a small prize on the line) are all great ways to simulate real on-course pressure. Recently, I played in a putting contest where one competitor made back-to-back 30- and 50-foot putts. As they say, expect your opponent to make every putt—and he nearly did. That’s impressive, and it’s something you see on the course, too: you have to stay committed to your game plan, no matter what.
When it comes to practice, it’s important to blend feedback from recent rounds with the fundamentals you want to reinforce. Drills, games, and competition—from the driving range to the putting green—form the backbone of skills you’ll rely on during actual rounds.
Finding the right balance is something we’re all working on, one practice session at a time. With the beginning of June on the horizon and courses rounding into peak condition for the season, it’s time to hone the finer skills that often get rusty over the winter. More sunlight also means more time to get out on the course and work on your game. Whether it’s the practice green or the driving range, there’s always something to improve—whether you’re enjoying the fresh air or preparing for a weekend game or tournament. You can work on drills or freestyle around the green, and friendly competition is a great way to sharpen your skills. While there are endless ways to get better at golf, I’m going to focus on practicing around the green. Let’s take a look at a few things to keep in mind as we head into the summer months.
Drills
From the driving range to the practice green, it’s important to incorporate drills into your routine. Years ago, I spent a weekend working on my short game with James Sieckmann. He recommended doing drill work for 5–10 minutes, then returning to your main practice. This way, you create a balance between structured drills and real-world scenarios, so you’re not confined to “perfect” situations. For example, hitting the same three-foot putt over and over is good for repetition, but after a while, it becomes less interactive for your brain.
My approach is to use a putting trainer with a narrow gate for the ball to pass through, or simply place tees just outside the width of the ball. I’ll hit a series of four putts through the gate for three sets. Then, from a similar distance, I’ll hit four putts without the training aid and repeat that sequence three times. Next, I’ll hit a number of 15–25 foot putts in a random fashion, then circle back to repeat the short putt drills with and without the training aid.
This breaks up the rhythm of hitting short putts with the training aid. When you hit the same short putts over and over, it’s easy to get into a groove—which is great for the drill, but not reflective of actual course play. While finding a rhythm is fundamental for drills, I like to introduce variation with longer putts to keep things realistic.
Game Mode
Once you’ve established a foundation with drills, it’s time to simulate on-course scenarios. This is where a few practice games come in handy. One that I’ve been enjoying lately involves putting 10- to 15-footers with two balls. If I make the putt, great! If I miss, I pull the missed ball back a putter length.
Suddenly, that little tap-in becomes a nerve-wracking three-footer—at least at first. As you get better at this game, those three- and five-footers become much more comfortable and routine. It may sound cliché, but each shot is just what it is—it’s how we react that makes the difference. I like this game because it blends the pressure of on-course putting with the consequence of leaving yourself a much longer putt than usual.
Another game I like is one I recently learned from Brad Faxon. Place three tees in a line at four different locations around the hole: one at 3 feet, one at 6 feet, and one at 8 feet. The 3- and 6-foot putts count as par, and the 8-footer is for birdie.
This game keeps you focused on scoring and helps you get into a competitive mindset. You can even think about this putting game while you’re on the course. I just started playing it, and last week I couldn’t get better than two under par.
Competition
Competition during practice is when drills and games come to life, and you start to see results. For me, nothing beats a putting contest with a friend or two. In the right setting, these contests can become talking points for the whole season. Match play, a game of 21, or simply seeing who can make the most one-putts (with a small prize on the line) are all great ways to simulate real on-course pressure. Recently, I played in a putting contest where one competitor made back-to-back 30- and 50-foot putts. As they say, expect your opponent to make every putt—and he nearly did. That’s impressive, and it’s something you see on the course, too: you have to stay committed to your game plan, no matter what.
When it comes to practice, it’s important to blend feedback from recent rounds with the fundamentals you want to reinforce. Drills, games, and competition—from the driving range to the putting green—form the backbone of skills you’ll rely on during actual rounds. Finding the right balance is something we’re all working on, one practice session at a time.
Equipment
Seoul Sensibilities: Is Korean golf fashion starting to shape the world?
For Korean golfers, we always look forward to the last of the kkot-saem-chu-I for the true start of a new golf season. The term refers to a cold snap, but literally translates as “winter being jealous of the flowers beginning to bloom, thus lashing out one final time before surrendering to spring”.
A rather poetic mouthful packed into a short expression.
Koreans can be like that. Understated, yet oddly expressive at the same time. And nowhere is this more true on the golf course and in our golf bags. In fact, I suspect many Korean golfers look forward to new apparel and accessory drops more than they do actual equipment launches each year.

At this point, Korean golf fashion may exist on its own timeline. (courtesy of @seonbi_golfer)
There is ample evidence to support that suspicion. Korea is the world’s third-largest golf market behind the United States and Japan, yet its appetite for golf apparel exceeds that of both countries combined. Recent estimates suggest that Korea accounts for nearly 40 percent of the global golf apparel market, placing it among the world’s most influential golf fashion markets and punching well above its size.
Simply, we care deeply about how new golf clubs look and feel, but enjoy looking good while swinging them even more.
Golfers in the West may laugh and say that golf is played on a course, not a fashion runway. Perhaps. But what’s the harm in trying to look and feel good, if the added self-confidence can help actual performance? It certainly seems to have worked for Jason Day, who may have unlocked a new stats category: dormant strokes gained. Coincidence?

During the COVID-era, estimates placed the market near $9 billion, an astonishing figure for a single country.
As a proud member of Gen X, I’ve witnessed the highs and lows of golf fashion firsthand. The pleated trousers and wing-tipped shoes of Jack Nicklaus, the stylish plus-fours and knickers of Payne Stewart, the baggy black trousers and fitted mock-necks of Tiger Woods, and the thigh-hugging athletic tailoring of Rory McIlroy. Golf fashion, like the golf swing itself, has rarely stood still.
But nowhere have those trends shifted, evolved, and been scrutinized quite as relentlessly as in Korea. Here, golf fashion moves faster than fairway gossip, and consumers dissect brands with a level of discernment that can be both impressive and mildly terrifying. New brands are studied, judged, embraced, or dismissed with startling efficiency.
The result is a consumer base with one of the sharpest eyes for quality and authenticity anywhere in the world. It is difficult to quantify, but easy to recognize. Clean lines without trying too hard. Luxury mixed with utility. Trend awareness balanced by restraint and purpose.
It’s golf fashion shaped by one of the world’s most style-literate cities, something I like to call Seoul Sensibilities, referring to the taste level forged by a uniquely competitive environment.
And increasingly, global brands have noticed.

Many golf brands in Korea have their own flagship shops dedicated to apparel only
Titleist understood this years ago, when its apparel business in Korea took on a life of its own under new ownership and local direction. What had once been a straightforward extension of an iconic equipment giant became something sharper and more premium. By going all in on the serious Tour-player look (I couldn’t even fit into their XL sizes), Titleist struck the right chord with Korean consumers and helped its fledgling apparel business break into the mainstream. Titleist became a household name even for non-golfers who wore its caps, shirts, and windbreakers in daily life. In many ways, it proved that even heritage golf brands could carry real fashion credibility when viewed through a Korean lens.
Several years later, PXG took a page out of Titleist’s playbook and followed suit. Korean consumers helped transform the brand from one known largely for irons and loud commercials into something broader and more stylish. PXG apparel’s growth in Korea was explosive, where it found an early audience and turned the category into something more than mere logo merchandise. It is still hard to walk anywhere in Seoul without seeing its palindrome logo.
Malbon’s meteoric rise in the United States was genuine, but its ascent into a global golf lifestyle brand owes much to Korea, where it was elevated by a market already fluent in modern golf style. Korea did not simply embrace Malbon. It pressure-tested the concept, refined its appeal, and helped push it into the global spotlight.
As such, new brands may arrive from abroad, but more often than not, their sharpest evolution happens here. If a brand can earn credibility in Seoul, it’s deemed to have passed one of the toughest style audits in the game.
That is why the next meaningful chapter may not come from outside, but from a Korean brand moving in the opposite direction, carrying those Seoul Sensibilities outward as K-pop once did.

Play young Stay dope.
From Seoul, With Intent
Khalhon is a label that feels less like a trend-chasing newcomer and more like the product of a market that has already seen everything. Golfers here have long been surrounded by luxury logos, technical fabrics, and tour uniforms disguised as lifestyle wear and vice-versa. In other words, novelty alone rarely lasts here, and the Koreans seems to understand that instinctively.
Its style language leans into clean silhouettes, relaxed but tailored proportions, muted palettes, and premium materials that speak quietly but confidently. There is a modern city aesthetic running through it all, with strong layering pieces, thoughtful textures, and subtle branding that suggests sophistication rather than demanding attention.

“Built for the course. Designed beyond it.”
Most importantly, the garments seem designed to blur the line between golfwear and everyday style. Shirts, trousers, knitwear, and outer layers move comfortably between a game of screen golf, a lunch reservation, an airport gate, or an afternoon coffee in Gangnam with friends.
It raises the question of whether this is golfwear that happens to look good off the course, or everyday clothing that performs beautifully on the fairways.
Personally, I have long appreciated Nike Golf for its clean, athletic modernization of golf attire. It also has the useful side effect of making me look like a more serious golfer than I probably am. But off the course, there are times when being instantly identified as the golf guy in a crowd of non-golfers can feel a touch self-conscious.

“Built for the course. Designed beyond it.”
That is part of what drew me to Khalhon, which seemed to blend golf and everyday wear naturally. While some of the outfits may be slightly beyond my personal confidence level, the brand also offers tasteful options for older guys like me who still want to express a little personality without regretting the decision later.
These are not simply flashy outfits worn on the course and then banished to the closet until the next tee time. They work surprisingly well off the course too, and I suspect many of the pieces will still look right a couple of years from now, which would certainly be kinder to my wallet than most golf fashion trends tend to be.
And perhaps that broader lifestyle positioning also helps explain why someone like Sean Wotherspoon would find Khalhon creatively interesting in the first place.

“Built for the course. Designed beyond it.”
“Korea is not only one of the most fashion-forward golf markets in the world, but one of the most fashion-forward markets globally. Korea is ahead, and I love to watch and try to catch up.” – Sean Wotherspoon, Creative Director at Khalhon
Seoul and Beyond
If Khalhon’s rise says something about where Korean golf fashion is today, its relationship with Sean Wotherspoon says even more about where it is heading.
For readers less familiar with Sean Wotherspoon, his arrival at Khalhon is not some routine celebrity endorsement or influencer collaboration. In design and streetwear circles, Wotherspoon is regarded as one of the more influential creative voices of his generation, particularly when it comes to blending nostalgia, storytelling, and contemporary culture into products that people can connect with.
He first gained widespread attention through his now-famous Nike sneaker collaborations, where his vintage-inspired designs and instinct for color helped turn him into one of the defining artists of the late-2010s sneaker era. His work gradually expanded beyond footwear into apparel, automotive collaborations, collectibles, and broader lifestyle design.
Modern golf style now extends well beyond the fairways, where performance and functionality are largely expected by default. And while plenty of brands already make technically competent golfwear, Khalhon seems more focused on designing clothes people would genuinely want to wear even after the round ends.
And when guys at Wotherspoon’s level show genuine interest in working with a Korean golf brand as its new Creative Director, fashion circles tend to sit up and pay attention. There’s already a huge buzz among the fashion-conscious here about upcoming collabs with iconic sports stars and brands.

“My creative direction for Khalhon is disruptive, colorful, nostalgic, and modern. My goal is to blend these avenues seamlessly within each collection.” – Sean Wotherspoon
In chatting with Sean, what stood out most to me was how genuinely energized he sounded about the project itself. Despite having already worked across and countless other creative spaces, he described golf as a completely fresh category for him, saying that Khalhon “will be an amazing vehicle for my design work.”
At the same time, his enthusiasm seemed tied just as much to Korea itself. He spoke openly about admiring Korea’s fashion culture while repeatedly insisting he is still a terrible golfer.
There was something oddly refreshing about that humility. Rather than sounding like a celebrity parachuting into golf simply because the category suddenly became fashionable, Sean sounded genuinely curious about what Korea might do with the category next.
And perhaps that is what makes Khalhon feel interesting right now. The brand feels less like a trend-chaser and more like the natural result of a market now confident enough to export its own point of view.
For years, global brands came to Korea to sharpen their image against one of the most discerning audiences anywhere. Now, a Korean label appears ready to send those Seoul Sensibilities outward instead.
Which brings us back to kkot-saem-chu-i.
That final cold snap before spring always arrives with a reminder that seasons are changing, whether we notice it immediately or not. Golf fashion feels a little like that right now as well, as the old boundaries between sport, streetwear, luxury, and everyday style continue to soften.
And somewhere in Seoul, a Korean golf label already seems prepared for whatever season comes next. I just hope they have everything in my size.













gunmetal
Apr 2, 2019 at 10:21 am
As a fellow golfer and Landscape photographer, the post processing is a bit heavy handed for my taste but some of the compositions are wonderful. Really great shots and a very cool article and interview.
Ronald Montesano
Apr 5, 2019 at 6:21 am
What would you have differently? Asking sincerely for a friend. Thanks for your thoughts.
rm
Steve
Apr 1, 2019 at 5:46 pm
Enjoyed the interview Ron, very informative, especially having the Bonus Question finish!
Ronald Montesano
Apr 5, 2019 at 6:22 am
Thank you, Steve. The bonus question is always a favorite of mine. Interviewers mull which questions to ask, but invariably miss one. It is usually the favorite of most readers as well!
rm